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A rollicking, globe-trotting adventure with a twist: a four-legged heroine you won't soon forget
Elsie Bovary is a cow, and a pretty happy one at that—her long, lazy days are spent eating, napping, and chatting with her best friend, Mallory. One night, Elsie and Mallory sneak out of their pasture; but while Mallory is interested in flirting with the neighboring bulls, Elsie finds herself drawn to the farmhouse. Through the window, she sees the farmer's family gathered around a bright Box God—and what the Box God reveals about something called an "industrial meat farm" shakes Elsie's understanding of her world to its core.
There's only one solution: escape to a better, safer world. And so a motley crew is formed: Elsie; Jerry—excuse me, Shalom—a cranky, Torah-reading pig who's recently converted to Judaism; and Tom, a suave (in his own mind, at least) turkey who can't fly, but who can work an iPhone with his beak. Toting stolen passports and slapdash human disguises, they head for the airport.
Elsie is our wise-cracking, pop-culture-reference-dropping, slyly witty narrator; Tom—who does eventually learn to fly (sort of)—dispenses psychiatric advice in a fake German accent; and Shalom, rejected by his adopted people in Jerusalem, ends up unexpectedly uniting Israelis and Palestinians. David Duchovny's charismatic creatures point the way toward a mutual understanding and acceptance that the world desperately needs.
| ISBN-13: | 9780374712891 |
|---|---|
| Publisher: | Farrar, Straus and Giroux |
| Publication date: | 02/03/2015 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 226 |
| Sales rank: | 461,895 |
| File size: | 2 MB |
David Duchovny is a television, stage, and screen actor, as well as a screenwriter and director.
PLEASE ALLOW ME TO INTRODUCE MYSELF
Most people think cows can't think. Hello. Let me rephrase that, most people think cows can't think, and have no feelings. Hello, again. I'm a cow, my name is Elsie, yes, I know. And that's no bull. See? We can think, feel, and joke, most of us anyway. My great-aunt Elsie, whom I'm named after, has no sense of humor. At all. I mean zero. She doesn't even like jokes with humans in them doing stupid things. Like that one that goes—two humans walk into a barn ... Wait, I may not have much time here, I can't mess around.
Just trying to get certain things out of the way. Let's see, oh yeah, how am I writing this, you may wonder, when I have no fingers? Can't hold a pen. Believe me, I've tried. Not pretty. Not that there are many pens around anymore, what with all the computers. And even though we can think and feel and be funny, we cannot speak. At least to humans. We have what you people used to call an "oral tradition." Stories and wisdom are handed down from mother cow to daughter calf, from generation to generation. Much the way you receive your Odysseys or your Iliads. Singing, even. Sorry for the name-dropping. Homer. Boom. I'll wait while you pick it up.
All animals can speak to one another in a kind of grunt, whistle, bark, and squeal, a kind of universal, beasty Esperanto: lion to lamb, bird to dog, moose to cat—except, really, who would ever want to have a lengthy conversation with a cat? Very narcissistic they are. But we, the animal kingdom, ain't got no words or what you would call language. And yes, I know that was bad grammar just then, I was using that for emphasis. I'm not a marsupial. Marsupials are infamous for their inability to understand the rules of grammar (ever try to have a dialogue with a kangaroo? Nearly incomprehensible even if you can penetrate that accent, mate). And who knows what the hell fish are talking about. But I digress. That's very bovine of me. Digression and digestion. It's what we do. We cows have a lot of time on our hooves to chew the cud, as it were. We stand, we eat, we talk, maybe find a salt lick. It's all good.
At least it was all good. Till about two years ago. That's when the story I'm telling pretty much begins. My life up until that point was idyllic. I was born on a small farm in upstate New York in the United States. The Bovary clan has been there since time began. My mother and my mother's mother and her mother's mother's mother, etc. The fathers in cow families are pretty much absent. My dad, Ferdinand (I know), used to come around now and then, and I suppose that's how I got all my brothers and sisters. But for the most part, the boys are kept separate from the girls. They like to stare at us from beyond the fence. Sometimes it's a little creepy, to be honest. It's like the boys are a different species, but I don't judge. If I've learned anything in the past two years it's not to judge. I guess what I'm saying is since the beginning of civilization, boys and girls have been kept separate, so we don't expect anything different. It's all I know so I don't stand around wishing my dad were around.
Humans love us. Or I thought so, we all thought so. They love our milk. Now personally, I think it's a little weird to drink another animal's milk. You don't see me walking up to some human lady who just gave birth, saying, "Yo, can I get a taste?" Weird, right? Not gonna happen. It's kinda nasty. But that's why you love us. The ol' milk. Leche. To each his own, I suppose. And every girl grows up knowing that every morning, the farmer is going to come and take our milk. Which is kind of a relief, 'cause we get swollen, and it can feel good to feel all sveltelike and streamlined again after a good milking. Yeah, we care about how we look. And we don't appreciate it that when you people think someone is fat you call them a cow. And pigs aren't very happy about the whole "pig" or "swine" thing, and chickens are pissed too about the "chicken" thing (which secretly makes me happy, 'cause roosters are the biggest pain in the haunches God ever created).
Oh yeah, we believe in God. In the shape of a cow. Not really. Scared you, though, didn't I? But we do believe something made all the somethings in the world—all the animals, animalcules, plants, rocks, and souls. And whether that Maker something is shaped like a cow, a pig, a person, an amoeba, or Jerry Garcia, we don't really know and don't care. We just believe there's a force for life and creation out there. The closest thing people have to it is Mother Earth. But that's just an approximation. And we don't just believe these things, we know them. In our bones and in the bones of our ancestors who lie out there in Old Macdonald's field somewhere.
Man, I am one digressive cow. You're gonna have to get used to it. Homer was pretty digressive too, wasn't he? So I got a precedent there. Before I tell you what happened, let me give you a little more backstory, tell you what my life was like before the Event. That's what I call it—the Event, or the Revelation, or the Day the Patty Hit the Fan. Let me set the scene. Give you some flavor.
Life on a farm. It's pretty chill. Spend a lot of time out in the field hanging with my bffs, getting the hairy eyeball from the bulls. The grass is green on our side, my mom always used to say. She was a great mom, but she disappeared one day, like all cow moms do. We're taught to accept that. That a mom is not forever and it doesn't mean she doesn't love you if she leaves without saying goodbye once the job of raising you from a calf is done. And even though I know this is "the way things are" and "the way things always have been," I still get a little choked up thinking about my mom. She was beautiful—big brown eyes, wicked sense of humor. Never left my side until one day she did. But I'll get to that later. Give me a moment as I think about my mother. Feelings come and go, unless you don't feel them. Then they stay, and hurt, and grow pear-shaped and weird. So when we cows have a feeling, we feel it, till the feeling passes. Then we moo-ve on. Boom. Didn't see that coming, did you?
I recall the days of my childhood through the green grass-colored lens of nostalgia. It all seems so far away and so perfect. Every day a sunny day, even the rainy ones. We had grass and food and a place to sleep and good friends, and always some drama going on with the other animals, but nothing too major. The hierarchy of a farm is very fluid. I don't know if you'd call it a democracy. I think a better term is live and let live, unless there are chickens around. Then all bets are off. I don't know if you've read Animal Farm. It seems like that's a book all human children have to read. Personally I prefer Charlotte's Web, though spiders can be tricky—Harlot's Web, anybody? (And eight legs? Really? Two or four is the appropriate number of legs, everybody knows this. Maybe five, maybe. Eight seems indecisive to me, or indulgent; desperate, even. You know?)
Anyway, a normal farm is nothing like the farm in Animal Farm—there are no bosses, we're all bosses, and we're what you would call matriarchal, the women run the whole shebang. No matter what the stupid roosters say. We cows have a saying—don't step on my teat and I won't step on yours. And then we add love to that. Animal love. Pure love. Yes, we kill to survive, some of us have to, but it's not the type of killing humans do; there's no hatred or joy, only necessity. We're not Pollyanna. We understand even the fox who steals eggs, and the hawk who snatches away a baby piglet into a horrible death in the sky. It's the way. I thank the grass as I chew it down. You think plants don't have feelings? Maybe not the type of feelings you and I have, but they do have planty feelings, really slow feelings that unfold or blossom over years rather than seconds. To a cow, the world is one big feeling thing.
Here's how it goes:
Monday
SUNRISE: Get milked. You're lucky if you get the middle son or the youngest, the eldest chump is very rough with his hands. He just does not want to be there. I get it, dude, it's way early, but still.
AFTER MILKING: The gates open and out we go into the field, where we'll spend most of the day eating, chewing, talking, gossiping, etc. That's where life happens—out in the field. Sweet green grass and sweeter alfalfa hay.
LATE AFTERNOON: Back into the barn for the night. Another milking and then we usually go to sleep at sundown. We're at one with the rhythms of the earth and whatnot. When my mom was around, she used to tell me stories. I liked the ones where humans act like animals. My mom was a great storyteller, and usually I would fall asleep to the sound of her voice like it was the wind rustling gently through the trees or a brook running over stones.
And then Tuesday, Wednesday, Thursday, Friday, Saturday, and Sunday are exactly the same.
Pretty simple, right? Wake up, milking, eat, day in the field, milking, story, sleep. That was enough for me. I never wanted anything more. I never wanted to live anywhere else. And I wanted the same for my daughters and their daughters forever and always, even though I could never imagine leaving them the way my mother left me. That is, until the Event, the day the earth stood still, the patty-and-fan thing. Then I understood it all, even Mom. And though the knowledge was painful, it led to forgiveness and understanding, and I wouldn't trade that for anything. Innocence is nice, but the world offers us more and it's wrong not to take it. You can't stay a calf forever.
We're almost there. You getting frustrated with all the preamble? The mood lighting? That's the problem with you crazy kids and the video games—no patience. Well, cow time is slow, and I will not be rushed. Gotta go do my job, then a nap, I like me a solid nap. Then the Event.
CHAPTER 2A DAIRY TALE
Okay, I'm back. Let's get into it. Hopefully, I've set the scene for you, the way a farm works in a live-and-let-live manner, the way we understand we're here to provide services to the humans in return for food, shelter, and safety. We didn't ask to come here, right? Did you know that cows are not indigenous to North America? No. My ancestors, my great-great-great-great-great-etc. grandmother came from somewhere in what humans call the Middle East. That's where the Maker made us and first put our hooves on the ground. They called it the land of milk and honey. And guess who provided the milk? Though I'm told that goats also get milked by humans. Are you kidding me? Come on. No offense, but goat's milk does not compare with cow's milk, unless you're a goat kid. Have you ever seen a cow trying to drink milk from a goat? Case closed.
And now I hear stories of humans milking something called an "almond," and another called a "soy." I've never seen a wild almond or a soy galloping about in its natural habitat, but cow milk is the best. I'd bet three of my four stomachs on it. Of course I'm biased, what else could I be? Bias makes the world go round, sometimes a little too fast. But I digress. And maybe digression isn't really digression, maybe the shortest distance between two mind points is not a straight line. Chew on that.
So there I am, three years old. Mom gone who knows where, but I'm okay. I'm living my life and looking forward to having kids of my own. I'm even looking over the fence at some of those bulls and thinking, "Eh, not so bad." I never thought I'd say that, but that's kind of where I was, and it kind of led me to where I am. So one day, me and my bff Mallory were whispering to each other. Mallory is seriously gorgeous, like she could definitely model. She could be the cow on the milk carton. I'll give you the dialogue, but keep in mind it's not word-for-word, this is an approximation. I'm not a tape recorder. I'm not an elephant. Though I have some friends who are elephants. Super-cool mammals. Good people. Here it is:
MALLORY
I don't know, Elsie, but I kinda wanna go hang out with the bulls all of a sudden. I don't know what's gotten into me.
ELSIE (that's me!)
I know. Me too.
MALLORY
What's wrong with us? When that young bull Frank stomps around and snorts, I get a funny feeling inside and I don't even care that he's got boogers totally all over his nose.
ELSIE
I know, I know. I think my mother told me about this, but only kind of. She said that one day the things that interested me then would be boring, and the things that bored me would be interesting.
MALLORY
Your mom was so cool. Where'd she go?
ELSIE
Yeah. Dunno. Same place as your mom, I guess.
MALLORY
Yeah.
ELSIE
Have you noticed the eldest son sometimes forgets to latch the gate after he milks us? Next time he does it, why don't we just go out and talk to the bulls?
MALLORY
But they'll see us.
ELSIE
We'll do it at night!
MALLORY
You're so smart! The nighttime is the right time. I don't even know where that came from.
ELSIE
Who are you right now?
MALLORY
I do not know! I'm totes cray-cray. Oh, look at what that bull Frank is doing right now. Or is that Steve?
ELSIE
That's Steve.
MALLORY
Yeah, look at him stomp and snort. He is so cool. Good ol' Steve.
ELSIE
I thought you liked Frank.
MALLORY
I do. Frank is the bomb. I kinda like them all.
And then we had a bull session, talked about bulls for about twenty minutes, but I won't tell you what was said 'cause it's private, and I haven't gotten in touch yet with Mallory to make sure she can be a character in my story. My editor says I need clearance. And Mallory is not her real name. It isn't.
And see how that whole scene was kinda written in what's called "screenplay form"? My editor loves that stuff. Big-shot Hollywood producers take note, this practically shoots itself.
So that's what we did. We waited. Seems like we waited forever. The eldest boy, the one with the pimples and the cell phone, all of a sudden got very conscientious about closing the gate, but I knew it wouldn't last. Humans are very easily distracted. Especially by their phones. They have a weird and unnatural attachment to those gadgets. I'm not judging, but it's weird. All right, maybe I am judging. I knew what to do. It was only a matter of time.
CHAPTER 3THE EVENT
(Actually, the Pre-Event)
Sure enough, the time came and I seized it. The eldest was milking me. Roughly, I might add. Look, this isn't a gossipy tell-all; I'm not here to grind axes and settle scores, but sometimes I just gotta calls 'em likes I sees 'em. The brother was rough on the teats. Plus, he's got like the thumb of one hand distractedly on his phone the whole time he's manhandling me. Since then, I have come to learn this is called "texting," and it's a way for people to tell one another stupid things about their day. Oh look, here's a picture of my lunch with an oh-so-witty caption. Oh look, here's a picture of me making a silly face, and another picture of a different face. Selfies, they call 'em, and that makes sense 'cause even though they're sending these pictures to others, it still smells like selfish to me. Is that why they call it an "I phone"? 'Cause it's all about me me me. Like talking to hear yourself talk. Why don't they just communicate in person like normal animals? There's much about people I do not understand.
So there he is, texting away and taking a picture of me and laughing and pressing SEND, and I didn't really appreciate that, so at the perfect moment I just kind of kicked with my right hind leg, not hard to hurt the boy, just hard enough to make him drop his phone.
But first, to set the stage, I had to poop. Pooping while you're getting milked is one of life's great pleasures. You should try it sometime. So I pooped, kicked a little, and he dropped his phone right into what you all call a cow patty. Now I know you think cow patties are gross or a source of humor, but to us, they just are. Another thing about humans I don't quite get is how disgusted they are with poop, even their own. They can't get away from it fast enough, and whenever they step in ours, they curse and try to get it off their boots really fast. Plus, they think poop is totally funny. Like it's the setup of all these jokes they tell one another. I don't get it, man, it's just poop. Poop and farts. What? That make you uncomfortable? That's your problem, Cochise. We all do it. We all do it lots. No big deal. Poopy poop poop fart farty fart fartalicious poopiosity etc.—got it out of your system? And stop blaming me and my gas for global warming. I can't drive a car. Can we move on now?
Excerpted from Holy Cow by David Duchovny. Copyright © 2015 King Baby, Inc.. Excerpted by permission of Farrar, Straus and Giroux.
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I have no idea how David Duchovny pitched his new novel Holy Cow to an agent or editor, but I imagine it went something like this: “It’s the story of a milking cow named Elsie Bovary who, one fateful night, happens to catch a glimpse of an industrial meat-processing documentary as she’s passing by a […]
