Hogfather (Discworld Series #20)

Hogfather (Discworld Series #20)

by Terry Pratchett
Hogfather (Discworld Series #20)

Hogfather (Discworld Series #20)

by Terry Pratchett

Paperback(Mass Market Paperback - Reissue)

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Overview

"Exceptionally amusing and enjoyable." —Michael Moorcock

'Twas the night before Hogswatch and all through the house . . . something was missing. Don't miss this hilarious and irreverent installment in the beloved Discworld series from New York Times bestselling author Sir Terry Pratchett.

It’s the most wonderful time of the year, Hogswatchnight, when the Hogfather himself dons his red suit and climbs in his sleigh pulled by—of course—eight hogs, to shower gifts across Discworld. But when the fat man goes missing, someone has to sit in. It’s up to Death to take up the reigns—otherwise the sun won’t shine tomorrow . . . or ever again.

Who would want to harm Discworld's most beloved icon? Very few things are held sacred in this twisted, corrupt, heartless—and oddly familiar—universe, but the Hogfather is one of them. Yet here it is, Hogswatchnight, that most joyous and acquisitive of times, and the jolly, old, red-suited gift-giver has vanished without a trace. And there's something shady going on involving an uncommonly psychotic member of the Assassins' Guild and certain representatives of Ankh-Morpork's rather extensive criminal element. Suddenly Discworld's entire myth system is unraveling at an alarming rate. Drastic measures must be taken, which is why Death himself is taking up the reins of the fat man's vacated sleigh . . . which, in turn, has Death's level-headed granddaughter, Susan, racing to unravel the nasty, humbuggian mess before the holiday season goes straight to hell and takes everyone along with it.

The Discworld novels can be read in any order, but Hogfather is the fourth book in the Death series. The collection includes:

  • Mort
  • The Reaper Man
  • Soul Music
  • Hogfather
  • Thief of Time

Product Details

ISBN-13: 9780062276285
Publisher: HarperCollins
Publication date: 01/28/2014
Series: Discworld Series
Edition description: Reissue
Pages: 416
Sales rank: 20,704
Product dimensions: 4.19(w) x 7.50(h) x 0.94(d)

About the Author

Terry Pratchett (1948–2015) was the acclaimed creator of the globally revered Discworld series. In all, he authored more than fifty bestselling books, which have sold more than one hundred million copies worldwide. His novels have been widely adapted for stage and screen, and he was the winner of multiple prizes, including the Carnegie Medal. He was awarded a knighthood by Queen Elizabeth II for his services to literature in 2009, although he always wryly maintained that his greatest service to literature was to avoid writing any.

Hometown:

Salisbury, Wiltshire, England

Date of Birth:

April 28, 1948

Place of Birth:

Beaconsfield, Buckinghamshire, England

Education:

Four honorary degrees in literature from the universities of Portsmouth, Bristol, Bath and Warwick

Read an Excerpt

Chapter One

Everything starts somewhere, although many physicists disagree.

But people have always been dimly aware of the problem with the start of things. They wonder aloud how the snowplow driver gets to work, or how the makers of dictionaries look up the spelling of the words. Yet there is the constant desire to find some point in the twisting, knotting, raveling nets of space-time on which a metaphorical finger can be put to indicate that here, here, is the point where it all began ...

Something began when the Guild of Assassins enrolled Mister Teatime, who saw things differently from other people, and one of the ways that he saw things differently from other people was in seeing other people as things (later, Lord Downey of the Guild said, "We took pity on him because he'd lost both parents at an early age. I think that, on reflection, we should have wondered a bit more about that").

But it was much earlier even than that when most people forgot that the very oldest stories are, sooner or later, about blood. Later on they took the blood out to make the stories more acceptable to children, or at least to the people who had to read them to children rather than the children themselves (who, on the whole, are quite keen on blood provided it's being shed by the deserving*), and then wondered where the stories went.

And earlier still when something in the darkness of the deepest caves and gloomiest forests thought: what are they, these creatures? I will observe them ...

* That is to say, those who deserve to shed blood. Or possibly not. You never quite know with some kids.

And much, much earlierthan that, when the Discworld was formed, drifting onward through space atop four elephants on the shell of the giant turtle, Great A'Tuin.

Possibly, as it moves, it gets tangled like a blind man in a cobwebbed house in those highly specialized little space-time strands that try to breed in every history they encounter, stretching them and breaking them and tugging them into new shapes.

Or possibly not, of course. The philosopher Didactylos has summed up an alternative hypothesis as "Things just happen. What the hell."

The senior wizards of Unseen University stood and looked at the door.

There was no doubt that whoever had shut it wanted it to stay shut. Dozens of nails secured it to the door frame. Planks had been nailed right across. And finally it had, up until this morning, been hidden by a bookcase that had been put in front of it.

"And there's the sign, Ridcully," said the Dean. "You have read it, I assume. You know? The sign which says 'Do not, under any circumstances, open this door'?"

"Of course I've read it," said Ridcully. "Why d'yer think I want it opened?"

"Er ... why?" said the Lecturer in Recent Runes.

"To see why they wanted it shut, of course."*

* This exchange contains almost all you need to know about human civilization. At least, those bits of it that are now under the sea, fenced off or still smoking.

He gestured to Modo, the University's gardener and odd-job dwarf, who was standing by with a crowbar.

"Go to it, lad."

The gardener saluted. "Right you are, sir."

Against a background of splintering timber, Ridcully went on: "It says on the plans that this was a bathroom. There's nothing frightening about a bathroom, for gods' sake. I want a bathroom. I'm fed up with sluicing down with you fellows. It's unhygienic. You can catch stuff. My father told me that. Where you get lots of people bathing together, the Verruca Gnome is running around with his little sack."

"Is that like the Tooth Fairy?" said the Dean sarcastically.

"I'm in charge here and I want a bathroom of my own," said Ridcully firmly. "And that's all there is to it, all right? I want a bathroom in time for Hogswatchnight, understand?"

And that's a problem with beginnings, of course. Sometimes, when you're dealing with occult realms that have quite a different attitude to time, you get the effect a little way before the cause.

From somewhere on the edge of hearing came a glingleglingleglingle noise, like little silver bells.

At about the same time as the Archchancellor was laying down the law, Susan Sto-Helit was sitting up in bed, reading by candlelight.

Frost patterns curled across the windows.

She enjoyed these early evenings. Once she had put the children to bed she was more or less left to herself. Mrs. Gaiter was pathetically scared of giving her any instructions even though she paid Susan's wages.

Not that the wages were important, of course. What was important was that she was being her Own Person and holding down a Real Job. And being a governess was a real job. The only tricky bit had been the embarrassment when her employer found out that she was a duchess, because in Mrs. Gaiter's book, which was a rather short book with big handwriting, the upper crust wasn't supposed to work. It was supposed to loaf around. It was all Susan could do to stop her curtseying when they met.

A flicker made her turn her head.

The candle flame was streaming out horizontally, as though in a howling wind.

She looked up. The curtains billowed away from the window, which flung itself open with a clatter.

But there was no wind.

At least, no wind in this world.

Images formed in her mind. A red ball ... The sharp smell of snow ... And then they were gone, and instead there were ...

"Teeth?" said Susan, aloud. "Teeth, again?"

She blinked. When she opened her eyes the window was, as she knew it would be, firmly shut. The curtain hung demurely. The candle flame was innocently upright. Oh, no, not again. Not after all this time. Everything had been going so well —

What People are Saying About This

Piers Anthony

Terry Pratchett is fast, funny and going places. Try him.

A. S. Byatt

Discworld is more complicated and satisfactory than Oz. Truly original. Pratchett creates a brilliant excess of delectable detail!

Interviews


Before the live bn.com chat, Terry Pratchett agreed to answer some of our questions:

Q:  Your work is praised for its outlandish humor and sharp-witted satire. What are some of the things that influence your outlook? What do you think makes effective satire?

A:  Well, I don't think my humor is outlandish. I'd say it's quite logical; it just applies logic in places where we've hitherto not employed it! Just about everything influences me, but I suppose the basic driving force is a desire to slap the world on the face and say, "Will you just shut up and be sensible for five minutes?"

I think satire succeeds best when it slides in quietly, like some magician who can remove your underwear without your knowing. I'm not certain that hatred drives good satire, despite what is often said.

Q:  If you were given a round-trip plane ticket to any destination, where would you go, and why?

A:  Oh, Australia. Probably to Alice Springs, so that I could hire a 4x4 and drive to Ayers Rock again. I don't know why, but the Red Centre always seems like home to me -- I go there a lot.

Q:  Please recommend three of your favorite books.

A:  The Specialist by Charles "Chic" Sale. It's the musings of an old-time privy builder, and for quiet, memorable humor, it can't be beaten. I think it was originally published in the U.S.

Then there's The Evolution Man by the late Roy Lewis (it's been published all over the place under various titles, like Once Upon an Ice Age and What We Did to Father -- I don't know if it is currently in print). It is probably the best, and certainly the funniest, SF book ever written. It makes you think, too.

I'll cheat with the last one and pick the entire Flashman series, by George MacDonald Fraser. They're funny, thrilling, and well researched too.

Q:  Which book would you give as a gift this year?

A:  Although it's not a recent publication, I'm planning to give a copy of Carl Sagan's Contact to someone whose interest was triggered by the movie.

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