Hitler's Heroines: Stardom & Womanhood In Nazi Cinema
German film-goers flocked to see musicals and melodramas during the Nazi era. Although the Nazis seemed to require that every aspect of ordinary life advance the fascist project, even the most popular films depicted characters and desires that deviated from the politically correct ideal. Probing into the contradictory images of womanhood that surfaced in these films, Antje Ascheid shows how Nazi heroines negotiated the gender conflicts that confronted contemporary women.The careers of Kristina Soderbaum, Lilian Harvey, and Zarah Leander speak to the Nazis' need to address and contain the "woman question," to redirect female subjectivity and desires to self sacrifice for the common good (i.e., national socialism). Hollywood's new women and glamorous dames were out; the German wife and mother were in. The roles and star personas assigned to these actresses, though intended to entertain the public in a politically conformist way, point to the difficulty of yoking popular culture to ideology.
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Hitler's Heroines: Stardom & Womanhood In Nazi Cinema
German film-goers flocked to see musicals and melodramas during the Nazi era. Although the Nazis seemed to require that every aspect of ordinary life advance the fascist project, even the most popular films depicted characters and desires that deviated from the politically correct ideal. Probing into the contradictory images of womanhood that surfaced in these films, Antje Ascheid shows how Nazi heroines negotiated the gender conflicts that confronted contemporary women.The careers of Kristina Soderbaum, Lilian Harvey, and Zarah Leander speak to the Nazis' need to address and contain the "woman question," to redirect female subjectivity and desires to self sacrifice for the common good (i.e., national socialism). Hollywood's new women and glamorous dames were out; the German wife and mother were in. The roles and star personas assigned to these actresses, though intended to entertain the public in a politically conformist way, point to the difficulty of yoking popular culture to ideology.
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Hitler's Heroines: Stardom & Womanhood In Nazi Cinema

Hitler's Heroines: Stardom & Womanhood In Nazi Cinema

by Antje Ascheid
Hitler's Heroines: Stardom & Womanhood In Nazi Cinema

Hitler's Heroines: Stardom & Womanhood In Nazi Cinema

by Antje Ascheid

eBook

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Overview

German film-goers flocked to see musicals and melodramas during the Nazi era. Although the Nazis seemed to require that every aspect of ordinary life advance the fascist project, even the most popular films depicted characters and desires that deviated from the politically correct ideal. Probing into the contradictory images of womanhood that surfaced in these films, Antje Ascheid shows how Nazi heroines negotiated the gender conflicts that confronted contemporary women.The careers of Kristina Soderbaum, Lilian Harvey, and Zarah Leander speak to the Nazis' need to address and contain the "woman question," to redirect female subjectivity and desires to self sacrifice for the common good (i.e., national socialism). Hollywood's new women and glamorous dames were out; the German wife and mother were in. The roles and star personas assigned to these actresses, though intended to entertain the public in a politically conformist way, point to the difficulty of yoking popular culture to ideology.

Product Details

ISBN-13: 9781592138432
Publisher: Temple University Press
Publication date: 09/09/2010
Series: Culture And The Moving Image
Sold by: Barnes & Noble
Format: eBook
Pages: 288
File size: 2 MB

About the Author

Antje Ascheid is Assistant Professor in the Department of Drama and Theater at the University of Georgia.

Table of Contents

PrefaceIntroduction1. Nazi Culture? National Socialism, Stardom, and Female Representation2. Kristina Söderbaum: The Myth of Naturalness, Sacrifice, and the "Reich's Water Corpse"3. Lilian Harvey: International Stardom, German Comedy, and the "Dream Couple"4. Diva, Mother, Martyr: The Many Faces of Zarah Leander5. ConclusionNotesBibliographyIndex
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