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Overview
In his award-winning Hitchcock and the Censors, author John Billheimer traces the forces that led to the Production Code and describes Hitchcock's interactions with code officials on a film-by-film basis as he fought to protect his creations, bargaining with code reviewers and sidestepping censorship to produce a lifetime of memorable films. Despite the often-arbitrary decisions of the code board, Hitchcock still managed to push the boundaries of sex and violence permitted in films by charming—and occasionally tricking—the censors, and by swapping off bits of dialogue, plot points, and individual shots (some of which had been deliberately inserted as trading chips) to protect cherished scenes and images. By examining Hitchcock's priorities in dealing with the censors, this work highlights the director's theories of suspense as well as his magician-like touch when negotiating with code officials.
Product Details
ISBN-13: | 9780813177427 |
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Publisher: | University Press of Kentucky |
Publication date: | 06/14/2019 |
Series: | Screen Classics |
Pages: | 384 |
Product dimensions: | 6.10(w) x 9.10(h) x 1.30(d) |
Age Range: | 18 Years |
About the Author
Table of Contents
Introduction 1
Part I The Code and the Censors
1 Origins of the Code 9
2 Censors at Work 24
Part II The British Years (1922-1939)
3 The British Board of Film Censors 35
4 The British Gaumont Thrillers 42
Part III The Selznick Years (1940-1947)
5 Hitchcock and Selznick 59
6 Rebecca (1940) 64
7 Foreign Correspondent (1940) 71
8 Mr. and Mrs. Smith (1941) 81
9 Suspicion (1941) 85
10 Saboteur (1942) 91
11 Shadow of a Doubt (1943) 98
12 Lifeboat (1944) 102
13 Spellbound (1945) 110
14 Notorious (1946) 118
15 The Paradine Case (1947) 129
Part IV The Transatlantic Years (1948-1949)
16 Hitchcock and Transatlantic 139
17 Rope (1948) 141
18 Under Capricorn (1949) 149
Part V The Warner's Years (1950-1954)
19 Hitchcock and Warner Bros. 157
20 Stage Fright (1950) 160
21 Strangers on a Train (1951) 167
22 I Confess (1953) 176
23 Dial M for Murder (1954) 184
Part VI The Glory Years (1954-1968)
24 Hitchcock in Ascendance 191
25 Rear Window (1954) 194
26 To Catch a Thief (1955) 200
27 The Trouble with Harry (1955) 206
28 The Man Who Knew Too Much (1956) 210
29 The Wrong Man (1956) 215
30 Vertigo (1958) 219
31 North by Northwest (1959) 227
32 Psycho (1960) 235
33 The Birds (1963) 244
34 Mamie (1964) 254
35 Torn Curtain (1966) 264
Part VII The Television Years (1955-1965)
36 Television Censorship 273
37 Alfred Hitchcock Presents 281
Part VIII The Post-Code Years (1968-1980)
38 The Decline of the Code 291
39 The Rise of the Rating System 295
40 Topaz (1969) 298
41 Frenzy (1972) 303
42 Family Plot (1976) 309
Conclusion 312
Acknowledgments 322
Appendix: List of Pre-Code "Don'ts" and "Be Carefuls" 323
Notes 325
Selected Bibliography 353
Index 357
What People are Saying About This
"Alfred Hitchcock pushed the boundaries of onscreen permissiveness as much as any artist/entertainer of the twentieth century. John Billheimer meticulously catalogs the filmmaker's battles with the censors, both mischievous and profound, in fantastically readable fashion. A vital and fun addition to Hitchcock scholarship." Eddie Muller, author, Film Noir Foundation founder, and Turner Classic Movies Host
"Many Hitchcock books and articles include accounts of censorship, and many books and articles on censorship include material on Hitchcock films. I don't know of any other work that brings the man and the topic together in as businesslike a way as is done in Hitchcock and the Censors. It is an attractive study that offers a valuable, fresh angle on Hitchcock's career." Charles Barr, coauthor of Hitchcock Lost and Found: The Forgotten Films
"A meticulous deep dive into the sweaty tango between Hitchcock and the Code. Amazing to witness how arbitrary and stringent the rules were and the resulting sacrifices movies had to make. Hitchcock rose to the challenge and made the debates part of his expression but what a bloody tiresome waste of his time.Darren Aronofsky" Darren Aronofsky
"Many Hitchcock books and articles include accounts of censorship, and many books and articles on censorship include material on Hitchcock films. I don't know of any other work that brings the man and the topic together in as businesslike a way as is done in Hitchcock and the Censors. It is an attractive study that offers a valuable, fresh angle on Hitchcock's career."
"Alfred Hitchcock pushed the boundaries of onscreen permissiveness as much as any artist/entertainer of the twentieth century. John Billheimer meticulously catalogs the filmmaker's battles with the censors, both mischievous and profound, in fantastically readable fashion. A vital and fun addition to Hitchcock scholarship."
"A meticulous deep dive into the sweaty tango between Hitchcock and the Code. Amazing to witness how arbitrary and stringent the rules were and the resulting sacrifices movies had to make. Hitchcock rose to the challenge and made the debates part of his expression—but what a bloody tiresome waste of his time."