Historical Dictionary of Russian Music

by Daniel Jaffé

Overview

Russian music today has a firm hold around the world in the repertoire of opera houses, ballet companies, and orchestras. The music of Pyotr Tchaikovsky, Nikolai Rimsky-Korsakov, Sergey Rachmaninov, Sergey Prokofiev, and Dmitri Shostakovich is very much today’s lingua franca both in the concert hall and on the soundtracks of international blockbusters from Hollywood. Meanwhile, the innovations of Modest Musorgsky, Alexander Borodin, and Igor Stravinsky have played their crucial role in the development of Western music, influencing the work of virtually every notable composer of the past century.

Historical Dictionary of Russian Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries for each of Russia’s major performing organizations and performance venues, and on specific genres such as ballet, film music, symphony and church music. This book is an excellent resource for students, researchers, and anyone wanting to know more about Russian Music.

Product Details

ISBN-13:	9781538130087
Publisher:	Rowman & Littlefield Publishers, Inc.
Publication date:	02/15/2022
Series:	Historical Dictionaries of Literature and the Arts
Sold by:	Barnes & Noble
Format:	eBook
Pages:	562
File size:	1 MB

About the Author

Daniel Jaffé has lectured, broadcast and written extensively on Russian music, and is a regular contributor to BBC Music Magazine. He has published a biography of Sergey Prokofiev, and contributed extensively to the Cambridge Stravinsky Encyclopedia.

Table of Contents

Editor’s Foreword, by Jon Woronoff

Acknowledgments

Reader’s Note

Acronyms and Abbreviations

Chronology

Introduction

THE DICTIONARY

Bibliography

About the Author

Editorial Reviews

Jaffe’s enterprising historical dictionary makes a welcome contribution to this literature, aimed at readers with a general interest in the development of Russian music, but also with a quantity of esoteric or previously little-known information.. . .Jaffe writes in a lively style with easily worn scholarship and a facility for writing readably, at the same time bringing to light little-known figures in the musical world and highlighting interesting factual details.. . .The thematically divided Bibliography is excellent, particularly in its inclusion of electronic as well as printed materials. Most of the secondary works, where they exist, are in English, but French, German and, particularly, Russian sources are used for the less well-known composers, musicians and topics. Also very welcome are electronic versions of some key primary texts. Daniel Jaffe is to be congratulated on performing such an immense task with aplomb, producing a compendium of great breadth that is full of carefully garnered information, bringing some of it together for the first time. It will make a lively and convenient reference work for general readers, as well as, in places, a tool for professionals.

Slavonic & East European Review

[A] superbly produced dictionary, which also has an excellent chronology...Nobody with special interest in this subject should hesitate.

Classical Music

This is another volume in an excellent series covering a range of literary and arts subjects. The focus here is on Russian music offering the reader digestible chunks of information on all aspects of this wide subject...The bibliography is clear and thorough, usefully divided into subjects that are listed at the beginning, so that one can research within topics as varied as individual composers, other artists, historical periods and movements, dramatic arts, patrons and publishers and performance venues.

Reference Reviews

As an up-to-date, English-language encapsulation of its subject, this well-constructed dictionary fills an important niche. Its coverage is strongly oriented toward the biographical, with the main focus on classical composers of the 19th and 20th centuries. The 500 articles are rich with cross-references, and Jaffé, the former reviews editor of BBC Music Magazine, provides capable guidance through the thickets of competing systems of Cyrillic-to-English transliteration. A fine bibliography offers added value. Although obviously selective by design, the topical choices are occasionally difficult to fathom; e.g., Robert Schumann is included as a formative influence on Russian composers, but Franz Schubert is not. With the understanding that the scope of Jaffé's Russian Music is limited almost exclusively to Russian classical music, libraries and readers across the spectrum will welcome this book. Summing Up: Recommended.

Choice Reviews

The Historical Dictionary of Russian Music includes coverage from the church and folk music of the Kievan Rus, in the tenth century, to the present. The author provides entries are for composers, conductors, and soloists, including Russians, those who emigrated (e.g., Ashkenazy, Koussevitzky), and non-Russians (e.g., Hector Berlioz, John Field) who influenced music in this country, or performed in its halls. Jaffe also identifies opera and concert halls, conservatories, musical instruments, ensembles, publishing companies and organizations, general subjects that influenced music (e.g., cultural revolution, education), styles (Socialist realism), forms and genres (ballet, church music), and important works (Ba-La-F Quartet; Petrushka)....It is recommended for academic libraries.

American Reference Books Annual

Daniel Jaffé’s , Historical Dictionary of Russian Music will serve most students and loversof Russian music very well. It strikesa good balance between individualsand institutions, with a sprinklingof events, concepts, musical genresand works.

BBC Music Magazine

As an up-to-date, English-language encapsulation of its subject, this well-constructed dictionary fills an important niche. Its coverage is strongly oriented toward the biographical, with the main focus on classical composers of the 19th and 20th centuries. The 500 articles are rich with cross-references, and Jaffé, the former reviews editor of BBC Music Magazine, provides capable guidance through the thickets of competing systems of Cyrillic-to-English transliteration. A fine bibliography offers added value. Although obviously selective by design, the topical choices are occasionally difficult to fathom; e.g., Robert Schumann is included as a formative influence on Russian composers, but Franz Schubert is not. With the understanding that the scope of Jaffé's Russian Music is limited almost exclusively to Russian classical music, libraries and readers across the spectrum will welcome this book. Summing Up: Recommended.

Choice