Painterly, textural illustrations, digitally rendered in a palette of greens and browns, are as soothing as a walk in the woods. Nature gets a starring role here with animals and insects close enough for the child to examine and sweeping vistas grand enough to convey the wonder a child feels facing the immensity of the world…Visual details layer the narrative with satisfying messages that will reveal themselves over repeated readingsno small feat for a mostly wordless book.
The New York Times Book Review - Pat Cummings
★ 01/06/2020
Nature forms the backdrop of this largely wordless picture book, beginning with the nature motif of a child’s chamber. A brown-skinned father gently nudges his sleeping child as morning sun spills into the darkened room. The child rubs their eyes, remembers something wonderful, and leaps out of bed to assemble a hat and backpack, sturdy shoes, and a compass and map (a cat assists with the preparations). Then the two are on their way out of town and into the wilderness. With a gentle, misty palette and slender, angular figures, this journey by Oswald (The Sad Little Fact ) follows the duo into the forest, capturing small dramas along the way—fear of crossing a log over a river made easier with an outstretched hand, a snack overlooking a magnificent vista, a final shared task. The beauty of the natural world is viewed through the lens of the relationship between parent and child; their closeness is what gives this outdoor experience meaning. On the way home, their eyes meet in the rear-view mirror; they know they’ve shared something special, a moment underscored by a final spread of the two cuddling on the sofa. Ages 4–8. Agent: Kirsten Hall, Catbird Productions. (Mar.)
★ 02/01/2020
Gr 1–3— This almost wordless book takes readers through a journey from the city to the heights of the timberland, an adventure that begins in the dark of night through the early morning—a preparation time for father and child. Sleepily waking, dressing with care and filling the backpack, father and son drive through the rising dawn to wind past green columns of trees. A bird's perspective finds a young fox and eggs in a nest. A series of vignettes captures deer, hidden insects, a flying eagle, and even the prints of a bear. Late snow, a challenging walk, and a quiet meal precede a final climb and a shared tradition amid the trees. Painted landscapes conjure the soft haze of forest waterfalls, mountain vistas, watery strokes of tree branches, small details of flowers, woodland creatures, and the warm expressions between parent and child. VERDICT A suggested first purchase for all libraries, this visual feast evokes a breathtaking climb to the heights, where the absence of text reflects the serenity of the mountain and those who quietly rejoice in the hike.—Mary Elam, Learning Media Services, Plano ISD, TX
★ 2019-12-18 A brown father-and-child pair leave the city behind for a day together in the mountains in this wordless picture book by the illustrator of The Good Egg , by Jory John (2019).
The sun sets on a suburban row house with a fenced yard and a jeep outside. A man tucks a child into bed in a room filled with outdoor gear. The next morning comes quickly, and the child jumps out of bed to gets dressed and packed for a day in the great outdoors. The two drive out of the town and park at a trailhead. Backpacks on, they hike a trail that leads through thick woods populated by animals, only some of which reveal themselves. Binoculars, camera, trail mix, walking sticks, and even rope and helmets come in handy along the way as they explore, but the highlights are the wondrous view from the summit and the act of planting a tree together there. Dusk ushers the father and child out of the woods, and it is dark by the time they arrive home and share cookies over the family album in their pajamas. The blue- and green-themed art rewards readers who look closely. The relationship between the father and child makes this not just a picture book set in the outdoors, but a warm expression of how memories are created and bonds form.
Like the woods, this book is an immersive experience that invites repeated visits. (Picture book. 2-8)
The beauty of the natural world is viewed through the lens of the relationship between parent and child; their closeness is what gives this outdoor experience meaning. On the way home, their eyes meet in the rear-view mirror; they know they’ve shared something special, a moment underscored by a final spread of the two cuddling on the sofa. —Publishers Weekly (starred review) The relationship between the father and child makes this not just a picture book set in the outdoors, but a warm expression of how memories are created and bonds form. Like the woods, this book is an immersive experience that invites repeated visits. —Kirkus Reviews (starred review) The handsome digital artwork clearly expresses the characters’ emotions as well as the beauty and majesty of the natural world...A near-wordless book seems a particularly appropriate way of communicating the quiet yet powerful experience of walking through a wilderness area. A memorable picture book on enjoying the natural world. —Booklist (starred review) Painted landscapes conjure the soft haze of forest waterfalls, mountain vistas, watery strokes of tree branches, small details of flowers, woodland creatures, and the warm expressions between parent and child. A suggested first purchase for all libraries, this visual feast evokes a breathtaking climb to the heights, where the absence of text reflects the serenity of the mountain and those who quietly rejoice in the hike. —School Library Journal (starred review) There’s gentle humor throughout, and the loving relationship between this father and child enjoying the outdoors together is movingly emphasized. Oswald’s use of earth tones and textures reinforces the beauty of the natural world and the importance of sustaining it through simple family traditions like this one. —The Horn Book (starred review) Oswald’s Klassen-esque figures of the wide-eyed, dark-skinned dad and kid feature in the smaller panels but they’re appropriately dwarfed by the majesty of the woods in larger spreads...the outing is a sunny celebration of the outdoors and of sharing a strenuous but beautiful day of exploration. Many kids will long to follow suit, and maybe this will prompt some new family excursions. —Bulletin of the Center for Children's Books The lush digital artwork is full of details for careful observers. The use of white space and absence of any sort of panel lines gives the whole undertaking a clean quality, like breathing in fresh mountain air...A beautiful book about family, perseverance, and the Great Outdoors. —Travis Jonker, 100 Scope Notes