High Crime Area: Tales of Darkness and Dread

by Joyce Carol Oates Narrated by Julia Whelan, Ray Chase, Chris Patton, Donna Postel, Luci Christian, Tamara Marston

Overview

In the title story, a white aspiring professor is convinced she is being followed. No need to panic-she has a handgun stowed away in her purse, just in case. But when she turns to confront her black male shadow, the situation isn't what she expects. In “The Rescuer,” a promising graduate student detours to inner-city Trenton, New Jersey, to save her brother from a downward spiral. But she soon finds out there may be more to his world than to hers. And in “The Last Man of Letters,” the world-renowned author X embarks on a final grand tour of Europe. He has money, fame, but not a whole lot of manners. A little thing like etiquette couldn't bring a man like X down, could it? In these biting and beautiful pieces, Oates confronts, one by one, the demons within us, demonstrating that sometimes, it's not the human side that wins out.

Editorial Reviews

The New York Times Book Review - Marilyn Stasio

Some people read poetry at bedtime. Others prefer seed catalogs. May I suggest instead Joyce Carol Oates's new story collection, High Crime Area? These "tales of darkness and dread" won't put you to sleep, but they'll give you more interesting nightmares.

Publishers Weekly - Audio

07/28/2014
Each of the six performers chosen to narrate Oates’s collection of dark character studies suits the atmosphere of malaise and despair that emerges from the author’s odd, elegant prose. Ray Chase starts the collection by portraying an orderly at a facility for the elderly in “The Home at Craigmillnar,” with a dispassionate voice as the character describes the discovery of the body of an aged, unloved nun. Chris Patton provides a tense, anxious history of the child in “Demon,” who has suffered most of his young life, while Tamara Marston employs a plaintive yearning in “Lorelei,” in which the title character searches for a touch of humanity in the subways of New York. Donna Pastel uses a dry and mildly distracted approach for “High,” in which a middle-aged widow tries to cope with the loss of her husband, first with marijuana, then by courting danger. Whelan shifts from determined to dreamy in “The Rescuer,” as the promising grad student who travels to Trenton, N.J., to save her brother from a druggy vortex, only to find herself slipping in. Finally, reader Luci Christian finds the perfect hardboiled teenager voice for the 13-year-old narrator of “Toad-Baby,” a grim, not-quite-nuclear family tale that, surprisingly for Oates, ends with more than a hint of hope. A Mysterious hardcover. (May)

Publishers Weekly

01/13/2014
Oates (Evil Eye) offers unexpected glimmers of redemption amid the grotesquerie, degradation, and exploitation that fill this collection’s eight tales. The volume picks up momentum after the predictable and slow-paced opener, “The Home at Craigmillnar,” as Oates delves into denser, more complex realms in the subsequent entries. Several stories—notably, “High” and the novella-length “The Rescuer”—deal with privileged white women who (perhaps) naively force themselves from their sheltered academic world into situations fraught with economic, racial, sexual, and social tensions. Monstrosity, apathy, and despair plague family relationships in “The Rescuer,” “Demon,” and “Toad-Baby.” Many of the characters’ most intimate connections are with strangers, or with the potential those strangers have to indelibly alter the narrators’ lives for better or worse. Oates is at her best depicting characters who seem perplexed by their own needs, desires, and obligations, and readers seeking tidy resolutions and clear endings won’t find them in these tales. Agent: Warren Frazier, John Hawkins and Assoc. (Apr.)

From the Publisher

Praise for High Crime Area:

“These ‘tales of darkness and dread’ won’t put you to sleep, but they’ll give you more interesting nightmares. . . . In a way, every story is a character study . . . sure to focus a basilisk eye on the weak spot that reveals our own ugly impulses and make us defenseless against the terrors of the night.” —New York Times Book Review

“[In High Crime Area], there’s little overt violence; it’s all in the mind, as [Oates] slowly tightens the noose. Drenched in clammy atmosphere, Oates’ work explores the heads of both ordinary people and those who are at least a little damaged.” —Seattle Times

“This writer is extraordinary not because she produces such huge amounts, but because what she produces is so consistently good. And short stories show her invention, economy and control at its best . . . Oates perfectly captures the atmosphere of fear and well-meaning misunderstanding.” —Times (UK)

“Scary, brooding and entertaining. . . . The despair is palpable and the tension always high in these stories told in a combination of hyper-realism and emotionally charged suspense. Horrific and creepy, High Crime Area still manages to smartly critique American society and its uneasy feelings on race, sexuality, gender, academia and family dynamics.” —Bookreporter

“Oates carries forward the great American dark-tales tradition with spellbinding craft, a cutting female eye, and a keen sense of how the diabolical infiltrates everyday existence. . . . Powerhouse Oates brings both exterior and interior worlds into excruciatingly sharp focus, evoking dread, grim exaltation, and the paralysis of prey. Oates’ potent dark tales are addictive.” —Booklist

“Oates’ mastery of imagery and of stream of consciousness enhances the gritty settings and the frailties of her grotesque and pitiable subjects." —Kirkus Reviews

“Exquisitely written . . . there is no better stylist alive than Joyce Carol Oates. . . . Read High Crime Area and prepare yourself for eight surprises, the number of stories in the book.” —Huntington News

“Oates offers unexpected glimmers of redemption amid the grotesquerie, degradation, and exploitation that fill this collection’s eight tales. . . . Oates is at her best depicting characters who seem perplexed by their own needs, desires, and obligations.” —Publishers Weekly

“These stories take the reader to desolate intersections and grimy tenements that mirror the dark reaches of the human soul; the combined elements of literary fiction with genre fiction and true crime offer added audience appeal.” —Library Journal

Kirkus Reviews

2014-02-04
From Oates (Carthage, 2014, etc.) comes this collection of eight stories, seven previously published, that explore the depths of human despair and cruelty. A retired nun is found dead with a muslin veil over her face in "The Home at Craigmillnar." Although the nun was a cardiac patient, the orderly who reports her death knows enough about her dark past to suggest that she might have died from something other than natural causes. In "High," a lonely widow seeks escape from her grief even as she opens herself up to exploitation by those she once tried to help. A 13-year-old girl has to protect her half brother from an indifferent world and their alcoholic mother in "Toad-Baby." "Lorelei" is a needy woman who searches the subways for love and hopes that people will notice her. In "Demon," a mentally challenged youth goes to extremes to eliminate the sign of the devil in his own body. The would-be heroine of "The Rescuer" is a cultural anthropologist who leaves her ivory tower to save her brother from a terrifying local culture and is slowly pulled into it. "The Last Man of Letters" is an arrogant author who thinks he's receiving the adulation he deserves until he realizes how much he's hated. Finally, an idealistic young teacher in 1967 Detroit has to face the fears that are personified by the man following her in "High Crime Area." Oates is at her best here when she's writing about floundering academics thrust into situations for which they're hopelessly ill-prepared. Oates' mastery of imagery and stream of consciousness enhances the gritty settings and the frailties of her grotesque and pitiable subjects.

Product Details

BN ID:	2940171734411
Publisher:	HighBridge Company
Publication date:	05/14/2014
Edition description:	Unabridged

Read an Excerpt

CHAPTER 1

The Home at Craigmillnar

Early shift is 6:30 A.M. which was when I arrived at the elder care facility at Eau Claire where I have been an orderly for two years. Maybe thirty minutes after that, when the elderly nun's body was discovered in her bed.

In fact I'd gotten to work a few minutes before my shift began as I usually do, in nasty weather especially (as it was that morning: peltin-grain, dark-as-night, first week of November), out of a concern for being late. For jobs are not easy to come by, in our economy. And in Oybwa County, Wisconsin, where I have lived all my life except for three and a half years "deployed" in Iraq as a medical worker. I am a conscientious orderly, with a very good reputation at the facility.

If I am interviewed by the county medical examiner I will explain to him: it is a wrongly phrased description — Body discovered in bed. For when I entered Sister Mary Alphonsus's room in Unit D, my assumption was that the Sister was alive, and the "discovery" was that she was not alive, or in any case not obviously alive. I did not "discover" a "body" in the bed but was shocked to see Sister Mary Alphonsus unmoving, and unbreathing, with a gauzy fabric like muslin wrapped around her head (like a nun's veil or wimple), so that her face was obscured.

She was unresponsive to me. Yet even at this, I did not "discover" a "body"— it was natural for me to believe that the elderly woman might have lapsed into a coma.

(Not that death is so unusual in an elder care facility like ours — hardly! All of our patients die, eventually; Unit E is our hospice wing. But the death of the resident in room twenty-two of Unit D was not expected so soon.)

In my Iraqi deployment my instinct for things not-right became very sharp. Out-of-ordinary situations there might arise — suddenly — as in a nightmare — an explosion that could tear off your legs. You had to be alert — and yet, how is it possible to be always alert? — it is not possible. And so, you develop a kind of sixth sense.

And so as soon as I entered the room after knocking — twice — at the door — I saw that things were notright, and the hairs at the nape of my neck stirred. There was no light in the room and Sister Mary Alphonsus was still in bed — this was not-right. For Sister Mary Alphonsus was always "up" before the early shift arrived, as if pride demanded it. The nun was one of those older persons in our care who does not accept that she is elderly, and will turn nasty with you if you behave as if she is.

Sister? — in a lowered and respectful voice I spoke. Always I addressed Sister Mary Alphonsus with courtesy, for the old woman was easily offended by a wrong intonation of voice. Like a bloodhound keen for scent, this one was sharp to detect mockery where there was none.

Not a good sign, Sister Mary Alphonsus wasn't yet awake. Very strange, the light above her bed hadn't been switched on.

And a strong smell of urine in the room. Unexpected, in Sister Mary Alphonsus's room, whose occupant wasn't incontinent, and who was usually fussy about cleanliness.

When I switched on the overhead light the fluorescent bulb flickered like an eye blinking open.

The shock of it, then: seeing the elderly nun in her bed only a few feet away, on her back, not-moving; and wrapped around her head some sort of gauzy white fabric like a curtain, so her face was hidden. And inside the gauze the Sister's eyes shut, or open — you could not tell.

Died in her sleep. Cardiac arrest.

By the time of our senior consulting physician's arrival at the facility, at about 9 A.M., it was clear that elderly Sister Mary Alphonsus was not likely in a coma, but had died. The strip of gauzy material had been unwound from the woman's head by the first nurse who'd arrived at the bedside, and dropped heedlessly onto the floor.

I am not a "medic": I am an "orderly." In all medical matters orderlies defer to the medical staff. I had not tried to revive Sister Mary Alphonsus nor even to unwind the cloth from her head, which did not appear to be tightly tied. So far as I knew, the patient might have been alive following a stroke or heart attack.

A legal pronouncement of death can only be made by a physician.

In a senior care facility like ours, Death strikes suddenly, often overnight. Often, within an hour. Cardiac arrest, pulmonary embolism, stroke — like strikes of lightning. If an elderly resident becomes seriously ill, with pneumonia for instance, or is stricken with cancer, he or she is transported to Eau Claire General for specialized treatment; but most of our residents have long-standing medical conditions, of which the most insidious is old age.

In the matter of Death, when a living body becomes "dead," there are legal procedures that must be followed. Our senior consultant was required to sign the death certificate and the county medical examiner's office had to be informed. If the deceased had listed next of kin in her file, this individual or individuals would now be notified and arrangements would be made for removal of the body from the facility and for burial.

About this, I knew nothing, and would know very little — though I would learn, inadvertently, that the elderly nun had died intestate.

(Intestate: a fancy word for dying without a will! A kind of nasty ring to this word intestate, makes you think of testicles, worse yet in this facility of old men testicular cancer. Not a welcome thought.)

Next time I came into contact with Sister Mary Alphonsus was after Dr. Bromwalder's examination, when the body was covered with a white sheet. With another orderly, I lifted it onto a gurney to push quickly and as unobtrusively as possible to the facility's morgue in the basement — Man, she heavy for an old lady!

I couldn't resist peeking under the sheet: Sister Mary Alphonsus's face was mottled red, a coarse-skinned face you could not have identified as female. The thin-lashed eyes were shut and the mouth that had resembled a pike's wide mouth in life hung loosely open.

She anybody you knew, Francis?

No.

There'd never been any doubt in Dr. Bromwalder's mind that the eighty-four-year-old woman had died of cardiac arrest, in her sleep. She'd been a cardiac patient: she'd had a chronic condition. It had not seemed to be life threatening, but all signs suggested heart failure and not a stroke; under these circumstances, an autopsy was not warranted.

The gauze wrapped around the nun's head was certainly too flimsy to have caused suffocation. It had seemed to the senior consulting physician but mildly mysterious — "eccentric" — but many "eccentric" things happen in elder care facilities, among patients who may be mentally as well as physically ill, and so not much was made of the gauzy fabric except by some of the nursing staff of Unit D, who were puzzled, curious — Why would the woman do such a thing? What does it mean?

The fabric was believed to have been taken out of the Sister's belongings, some of which were kept in a small bureau in the room. It did appear to be a curtain, or part of a curtain — white, dotted-swiss, somewhat soiled, a cheap material.

Maybe she was confused, in her sleep. Wrapped a curtain around her head thinking it was a nun's wimple!

Maybe she knew she was dying. It was some kind of religious thing, like after a Catholic confesses her sins to a priest — penance?

Among the staff of Unit D, Sister Mary Alphonsus had not been a favorite. To her face the nurses called her Sister, behind her back the old nun.

Or, the old nun who'd run that terrible orphanage at Craigmillnar.

It would be noted that Sister Mary Alphonsus was discovered to be unresponsive in her bed by the Unit D orderly, Francis Gough, who'd immediately notified the nursing staff. Time: 7:08 A.M.

Less certainly, it was determined that Sister Mary Alphonsus had died several hours earlier — Dr. Bromwalder's estimate was between 3 A.M. and 6 A.M. This was a reasonable estimate judging by the temperature of the corpse when it was first examined by the doctor, in the absence of a pathologist. In the pitch-black of the early morning, hours before dawn, patients are most likely to "pass away" for these are the hours of Death.

There was a death here today. Old woman in her eighties, in my unit. She was found dead in her bed — died in her sleep they think.

Oh Francis! That's so sad. I hope it wasn't you who found her.

It's OK, Mom. It wasn't me.

Most mornings when the early staff began their rounds we would find Sister Mary Alphonsus fully awake and sitting in the chair beside her bed, a blanket over her knees, and a missal opened in her hands, though after near-seventy years of the Catholic missal, you would not think that the nun required an actual book to help her with prayers; or, Sister might have her rosary of wooden beads twined in her fingers, as she waited for an orderly to help her into her wheelchair. Her gaze would be vacant until you appeared — and like a raptor's eyes the vague old-woman eyes would come sharply into focus.

If you greeted her with a friendly smile — Good morning, Sister! — she was likely to frown, and to make no reply, as if you'd disturbed her in prayer, or in some private and precious drift of her mind. And so I'd learned to say nothing to her, much of the time. What would be rude behavior with other patients had come to seem, to me, expected behavior with Sister Mary Alphonsus.

Sister Mary Alphonsus was one of those residents at Eau Claire who ate meals in the patients' dining hall, not one whose meals were brought to her room. Despite the difficulty involved in delivering her to the dining hall, which was sometimes considerable, depending upon her medical ailment of the moment, Sister Mary Alphonsus insisted upon this.

In her former life, before "retirement," she'd been a prominent figure in her religious order — for more than two decades, director of the Craigmillnar Home for Children. This was a Catholic-run orphanage about sixteen miles north and east of Eau Claire, at its fullest occupancy containing more than three hundred children.

In the dining hall, Sister Mary Alphonsus asked to be seated at a table with several elderly women whom she might have considered "friends" — of whom two were, like herself, retired Sisters of Charity of St. Vincent de Paul who'd also been at Craigmillnar.

You would think that the Sisters of Charity would speak of their shared past at Craigmillnar, but they hardly spoke at all except to comment on the food. Like elderly sisters who'd seen too much of one another over the decades, and who had come to dislike one another, yet clung together out of a fear of loneliness.

Though it was difficult to imagine Sister Mary Alphonsus as one susceptible to loneliness.

Few relatives came to visit the elderly nuns. They'd had no children — that was their mistake. Beyond a certain age, an elderly resident will receive visits only from her (adult) children and, if she's fortunate, grandchildren. Others of their generation have died out, or are committed to health-care facilities themselves. So virtually no one came to see these elderly nuns, who with other Catholic residents of the facility attended mass together once a week in the chapel.

Their priest, too, was elderly. Very few young men were entering the priesthood any longer, as even fewer young women were entering convents.

Though I'm not Catholic often I observed the mass from the rear of the little chapel. "Father Cullough" — (who made no effort to learn the nuns' names) — recited the mass in a harried and put-upon voice, in record time — scarcely thirty minutes. The mass used to be said in Latin, as I know from having seen old prayer books in my family, that had been published in Scotland and brought to this country; now, the mass is said in English, and sounds like a story for simple-minded children.

In the front row of the chapel the elderly nuns tried to keep awake. Even Sister Mary Alphonsus, the sharpest-witted of these, was likely to nod off during the familiar recitation. When the priest gave communion, however, at the altar rail, the old women's tongues lapped eagerly at the little white wafer, the size of a quarter. My gaze shifted sharply aside, for this was not a pretty sight.

Once, when I was wheeling Sister Mary Alphonsus back to her room after mass, the wheelchair caught in a ridge of carpet in the floor, and Sister Mary Alphonsus was jostled in her seat, and lashed out at me — Clumsy! Watch what you're doing.

Sister, sorry.

You did that on purpose didn't you! I know your kind.

Sister, I did not. Sorry.

You will be sorry! I will report you.

Many of the patients threaten to report us, often for trivial reasons. We are trained not to argue with them and to defer politely to them as much as possible.

Think I don't know YOU. I know YOU.

Yes, Sister.

"Yes, Sister" — (the elderly woman's croaking voice rose in mockery) — we will see about that!

I made no reply. My heart might have leapt with a thrill of sheer dislike of the old woman, but I would never have said anything to goad her further. It was said of the former Mother Superior at Craigmillnar, by the nurses' aides who were obliged to take intimate care of her aged body — Bad enough she has to live with herself. That's punishment enough.

Yet by the time Sister Mary Alphonsus was back in her room, her interest in reporting me to my supervisor had usually faded. She'd been distracted by someone or something else, that annoyed or offended her. She'd have forgotten Francis Gough entirely, as one of little worth.

Not that she knew my name: she did not. While others called me Francis, Sister Mary Alphonsus could barely manage to mutter, with a look of disdain — You.

She did know the names of the medical staffers, to a degree. She knew Dr. Bromwalder. She knew Head Nurse Claire McGuinn, if but to quarrel with her.

A care facility like a hospital is a hierarchy. At the top are physicians — "consultants." Nurse-practitioners, nurses and nurses' aides, orderlies — these are the staff. An orderly is at hand to help with strenuous tasks like lifting and maneuvering patients, including patients' lifeless bodies; changing beds, taking away soiled laundry, washing laundry; pushing food-carts, and taking away the debris of mealtimes; sweeping and mopping floors; taking trash outside to the Dumpsters. (Trash is carefully deployed: there is ordinary waste, and there is "clinical waste.") My original training (at age nineteen) was on-the-job at Racine Medical Center plus a week-long course in "restraint and control."

There were few violent patients at Eau Claire but I was well prepared for any I might be called upon to "restrain and control." You need two other orderlies at least if you need to force a patient onto the floor. How it's done is you force him down onto his stomach, an orderly gripping each arm, and an orderly securing the legs. It's going to be a struggle most times — even the old and feeble will put up a considerable fight, in such a situation; the danger is in getting kicked. (When you're the most recently hired you are assigned the legs.) In this position — which looks cruel when observed — the patient's back is relatively free so he can breathe, and he's prevented from injuring himself.

Unlike cops who are allowed "pain" as an element in restraint-and-control, medical workers are not allowed "pain" and may be legally censured if patients are injured.

Despite my training, there have been injuries of patients I'd been obliged to restrain and control, both in U.S. care facilities and in the medical units in Iraq.

None of these were my fault. And yet, there were injuries.

The nurses were gossiping: Sister Mary Alphonsus had no close next of kin.

Or, if there were relatives of the deceased woman, they were distant relatives who had no wish to come forward to identify themselves.

Maybe no wish to associate themselves with the individual who'd been director of the Craigmillnar Home for Children, that had been shut down in 1977 by Oybwa County health authorities and the State of Wisconsin.

Just recently too, Craigmillnar was back in the headlines.

A full week after her death on November 11, no one from the Oybwa County medical examiner had contacted the facility. So it appeared, Dr. Bromwalder's death certificate had not been questioned.

The gauzy strip of "curtain" — unless it was some kind of nun's "veil" or "wimple" — had disappeared from the premises. All of Sister Mary Alphonsus's things had been packed up and removed from room twenty-two and a new, unsuspecting arrival, also an elderly woman, had been moved in.

(Continues…)

---

Excerpted from "High Crime Area"
by .
Copyright © 2014 The Ontario Review, Inc..
Excerpted by permission of Grove Atlantic, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

---

Videos