Milt Hinton was probably the most recorded bassist in the history of music as a whole, but relatively few recordings were released under his own name. This LP was his first as a leader (if you don't count an earlier duo LP with
Jo Jones) and it consists of private recordings that
Hinton made with tenor saxophone great
Ben Webster prior to
Webster's departure for Europe in 1964; the remaining tracks come from a
Harry Lim-produced studio session featuring
Budd Johnson,
Frank Wess,
Jon Faddis,
John Bunch, and
Jo Jones. Although the sessions by
Hinton and
Webster are informal in nature, they are very rewarding. Their duo performance of
"Sophisticated Lady" takes on a new degree of subtlety compared to
Webster's better-known recordings of this masterpiece by
Duke Ellington. Their take of
"All the Things You Are" picks up the pace quite a bit, featuring some masterful playing by both men. Stories about
Webster's affinity for playing stride piano after hours are widespread, but the two tracks on this LP that feature the saxophonist on a rather weathered instrument are among the few examples to actually have been commercially released, even if the recording itself (and especially the instrument) are not as high quality as one might hope. The
Lim-produced sessions begin with a turbulent but swinging
"Blue Skies" featuring both
Wess and
Johnson on tenor saxes, with the young firebrand
Faddis on trumpet.
Johnson switches to baritone sax for
Hinton's
"Blues for the Judge," a slow savory
blues.
Faddis' mute work and open horn are highlights of the unusual arrangement of
"It Had to Be You," along with the leader's incredible basslines and
Bunch's superb piano. This LP which disappeared from print with the death of
Harry Lim, the founder and owner of
Famous Door, was reissued on CD by
Progressive in 2001. ~ Ken Dryden
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