Hello, I Must Be Going!

Hello, I Must Be Going!

by Phil Collins
Hello, I Must Be Going!

Hello, I Must Be Going!

by Phil Collins

Vinyl LP(Long Playing Record - 180 Gram Vinyl)

$83.99 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

After the massive success of his 1981 album Face Value, Phil Collins didn't take a much of a break. Genesis released Abacab six months later, then headed out on a long tour. When they got back, Collins jumped right into recording his second solo album, 1982's Hello, I Must Be Going! The album wasn't a huge departure from the formula established on Face Value, built as it was on introspective, gut-spilling ballads, horn-driven R&B jams, arty rockers, and dramatic breakup songs. In fact, the first track, the vitriolic "I Don't Care Anymore," sounds like a very close relative of "In the Air Tonight," only less mysterious and more in your face. Still effective though, and with the same magical drum sound Collins got on that earlier song. The R&B-based tracks are well served by the Earth, Wind & Fire Horns, and if nothing is quite on par with "I Missed Again," there's not a huge drop-off in quality. There are a few less ballads, with Collins only slowing down on the lovely "Don't Let Him Steal Your Heart Away" and the lush "Why Can't It Wait 'Til Morning," which foreshadows his career as a singer for hire on many a movie soundtrack. Along with the upgraded production values overall, there are a couple of surprises on Hello, notably the uptempo pop tune "Like China" (which features some blistering guitar work from Daryl Stuermer) and the almost note-perfect take on the Supremes' "You Can't Hurry Love," which sounds less like a pastiche and more like a loving tribute. Another departure from Face Value comes on the song "Thru These Walls," where Collins is playing a character instead of writing from a place of pain and frustration, which was one of the things that made that album so devastating. Despite the change in tone from intensely personal and dark to slightly detached and even lighthearted in spots, the album is still a winning follow-up that shows Collins to be in full control of songwriting and production. It may be a shade less impressive than Face Value, but that was a hard act to follow. ~ Tim Sendra

Product Details

Release Date: 02/09/2024
Label: Urp Music Distribution
UPC: 0753088751271
Rank: 40082

Album Credits

Performance Credits

Phil Collins   Primary Artist,Drums,Piano,Pedals,Vocals,Marimba,Timpani,Trumpet,Clapping,Keyboards,Percussion,Tambourine,Bass Pedals,Choir/Chorus,Handclapping
J. Peter Robinson   Piano,Glockenspiel
John Giblin   Bass,Guitar (Bass)
Leland Sklar   Bass
Peter Manning Robinson   Piano,Vibraphone,Glockenspiel
Louis Satterfield   Horn,Trombone,Choir/Chorus
Martyn Ford   Strings,Conductor
Michael Harris   Horn,Trumpet,Horn
Mo Foster   Bass,Guitar (Bass)
Rahmlee Michael Davis   Horn,Trumpet,Choir/Chorus
David Frank   Keyboards
Daryl Stuermer   Banjo,Guitar
Gary Barnacle   Saxophone
Peter Gabriel   Vocals
Helen Terry   Vocals
Don Myrick   Horn,Soloist,Saxophone,Sax (Alto),Sax (Tenor),Choir/Chorus
Peter Robinson   Piano,Keyboards,Vibraphone,Glockenspiel,Piano,Vibraphone,Glockenspiel
Daryl Steurmor   Guitar
Mountain Fjord Orchestra   Orchestra
The Phenix Horns   Horn
Darryl Steurmer   Guitar
Don Louis   Horn
Peter Newton   Vocals,Choir/Chorus
Phenix Choir   Vocals,Vocals (Background)

Technical Credits

Lamont Dozier   Composer
Curtis Mayfield   Composer
Eddie Holland   Composer
Hugh Padgham   Engineer,Producer,Assistant Producer
Louis Satterfield   Additional Music
Phil Collins   Composer,Lyricist,Producer,Group Member,Additional Music
Martyn Ford   Arranger,String Arrangements
Rahmlee Michael Davis   Additional Music
Mike Rutherford   Composer
Brian Holland   Composer
Tony Banks   Composer
Trevor Key   Photography
Peter Newton   Additional Music
Phil Cox   Composer
From the B&N Reads Blog

Customer Reviews