Headlong (Bill Slider Series #21)
Bill Slider and his team investigate the death of a prominent literary agent in this intriguing contemporary mystery.

When one of London’s best-known literary agents is found dead in strange circumstances, having fallen headlong from his office window, DCI Slider is under pressure from the Borough Commander to confirm a case of accidental death. But when the evidence points to murder, Slider and his team find themselves uncovering some decidedly scandalous secrets in the suave and successful Ed Wiseman’s past.

An embittered ex-wife. A discarded mistress. A frustrated would-be author. A disgruntled former employee. Many had reason to hold a grudge against the late lamented literary agent. But who would feel strongly enough to kill him? Any leads in the investigation seem only to result in more questions – not least of which is the identity of the elusive Calliope Hunt. Who is she – and what is her connection to the train of events?
1129064255
Headlong (Bill Slider Series #21)
Bill Slider and his team investigate the death of a prominent literary agent in this intriguing contemporary mystery.

When one of London’s best-known literary agents is found dead in strange circumstances, having fallen headlong from his office window, DCI Slider is under pressure from the Borough Commander to confirm a case of accidental death. But when the evidence points to murder, Slider and his team find themselves uncovering some decidedly scandalous secrets in the suave and successful Ed Wiseman’s past.

An embittered ex-wife. A discarded mistress. A frustrated would-be author. A disgruntled former employee. Many had reason to hold a grudge against the late lamented literary agent. But who would feel strongly enough to kill him? Any leads in the investigation seem only to result in more questions – not least of which is the identity of the elusive Calliope Hunt. Who is she – and what is her connection to the train of events?
28.99 In Stock
Headlong (Bill Slider Series #21)

Headlong (Bill Slider Series #21)

by Cynthia Harrod-Eagles
Headlong (Bill Slider Series #21)

Headlong (Bill Slider Series #21)

by Cynthia Harrod-Eagles

Hardcover(First World Publication)

$28.99 
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Overview

Bill Slider and his team investigate the death of a prominent literary agent in this intriguing contemporary mystery.

When one of London’s best-known literary agents is found dead in strange circumstances, having fallen headlong from his office window, DCI Slider is under pressure from the Borough Commander to confirm a case of accidental death. But when the evidence points to murder, Slider and his team find themselves uncovering some decidedly scandalous secrets in the suave and successful Ed Wiseman’s past.

An embittered ex-wife. A discarded mistress. A frustrated would-be author. A disgruntled former employee. Many had reason to hold a grudge against the late lamented literary agent. But who would feel strongly enough to kill him? Any leads in the investigation seem only to result in more questions – not least of which is the identity of the elusive Calliope Hunt. Who is she – and what is her connection to the train of events?

Product Details

ISBN-13: 9780727888365
Publisher: Severn House
Publication date: 02/01/2019
Series: Bill Slider Series , #21
Edition description: First World Publication
Pages: 256
Product dimensions: 5.50(w) x 8.60(h) x 1.00(d)

About the Author

Cynthia Harrod-Eagles was born and educated in London and had a variety of jobs in the commercial world before becoming a full-time writer. She is the author of the internationally acclaimed Bill Slider mysteries and the historical Morland Dynasty series. She lives in London, is married with three children and enjoys music, wine, gardening, horses and the English countryside.

Read an Excerpt

CHAPTER 1

Miching Mallecho

Slider jumped into the car, and Atherton peeled away from the kerb and back into the traffic in a movement so sleek and smooth, a dolphin would have tried to mate with it. 'Where to?' he said.

'Head back towards the Green,' said Slider. 'Don't you know?'

'I haven't been in yet,' said DS Jim Atherton, Slider's sergeant, bagman and friend – lean, fair, and catnip to women. 'I was just leaving Emily's when I got a message to pick you up from outside the town hall, that's all.'

'You're staying at Emily's?'

'Now and then. She doesn't like my house. Too difficult to park.'

'I wondered how you got here so fast.' Emily's flat was in Hammersmith, while Atherton's house was in that part of Kilburn that liked to pretend it was really Hampstead.

'So what's going on?' Atherton asked.

'I don't know much more than you. I was in a meeting with councillors and I got a message.' Slider glanced down at the piece of paper. 'All it says is, "3 Penkridge Gardens. Query accidental death, Edward Wiseman?"'

'The Edward Wiseman?'

'Should I have heard of him? Wise man – the sage who knows his onions?'

'I'm guessing it might be Ed Wiseman, famous literary agent.'

'When you put it like that, I seem to have heard of him,' Slider said. 'If it is the same one,' he added. 'Wiseman isn't that uncommon a name.'

The Tuesday morning rush was almost over, but there was still plenty of traffic about. They hurtled down Shepherd's Bush Road; but Atherton drove with intense concentration and his whole body, so Slider never minded being driven by him. He watched him out of the corner of his eye, the rest of his attention enjoying the signs of spring – new leaves here, a touch of blossom there – which made Shepherd's Bush suddenly more attractive. He felt one of those rare moments of good-to-be-aliveness, that occurred independently of, and managed to avoid being contaminated by, the Job.

Ed Wiseman, he thought idly. Literary agent. 'So how does a literary agent get to be famous, anyway?' he asked after a bit.

Atherton laid the car round the curve of the Green like a lick of paint. 'Going to the right parties. Being quotable. It's not really my field, but I think I remember he was a larger-than-life character, bit of a live wire. The Bad Boy of the publishing world?'

'Something's coming back to me. Isn't he the media go-to man for opinion on anything to do with the book world?'

'The house expert,' Atherton agreed. 'But if it's accidental death, what the devil do they want us for? It's not a DCI shout.'

'Query accidental death, question mark,' Slider reminded him. 'The devil is in the punctuation.'

'Maybe Someone Up There knows he was famous,' Atherton said, slipping like a salmon between two cars to enter the white water of the West Cross roundabout. Someone Up There, of course, did not mean the Almighty, but the Metropolitan Police Top Brass – much the same thing to a lowly copper, but without the connotations of forgiveness and mercy. 'If you're famous, they get the good silverware out.'

'Don't be bitter, dear,' Slider chided him. 'Left at the end, and left again. Even the rich and famous deserve our best endeavours.'

'I suppose it's a case of Ours Not To Wassname,' Atherton sighed.

'Eloquently put.'

'This is it,' said Atherton, turning into the target road. 'I hope we can park.'

Penkridge Gardens was on the side of Shepherd's Bush bordering Holland Park – the posh side. The houses were typical of the 1850's expansion of London. You saw them all over the western boroughs: tall, handsome, yellow stock brick with white copings, three storeys with a semi-basement, generally built in terraces to save space. Number three was in fact an end-of-terrace because, presumably through some historical or geographical anomaly, number one, the corner house, was detached.

One hundred-and-fifty-plus years represents a lot of history for a building, and in value and status these had gone up and down like a Harrods lift at sale time. At the moment they were on their way up from the low point at which most had been broken up into flats, if they were lucky, and rooms if they were not. There was a certain prevailing shabbiness over the street, but improvement was evidently going on. Some had been bought back into single ownership, and were showing new windows and fresh paint, pristine stonework and – sure sign they had made it safely above the high-water mark – trimmed evergreen shapes in tubs on either side of the front door.

Number three was sending mixed messages. It was in single ownership, but needing attention – nothing desperate, but it had evidently been neglected for some years and was showing wear.

Number one, the detached house on the corner, was undergoing major surgery. It was fully scaffolded, with a sign fixed to it that said D.K. Connor, Building Contractors. High safety-hoardings that screened the site from the street were plastered with warnings: KEEP OUT. DANGER, DEEP EXCAVATIONS. PROTECTIVE HELMETS MUST BE WORN. NO UNAUTHORISED ENTRY.

A skip and various builders' vans were complicating the parking situation. Atherton had to park on the double yellow. 'Deep excavations? The curse of the iceberg strikes again,' he observed as they got out.

London property was expensive, and in limited supply. With these older houses, up was not an option: planning laws protected the look of the street. So the only way was down. It was common to dig out the semi-basement to increase the ceiling height, and extend it backwards under the rear garden, to create a whole extra floor's-worth of rooms. But in some cases – and this seemed to be one – owners were going further, and digging a second basement underneath the first. If the property were valuable enough, and the planning officer could be squared, some even went for a third, so that what was visible of the house was the least part of it – hence the iceberg label.

Slider's architectural sensitivities were offended. These old houses were built with taste, style, and generous proportions, and to undermine them for such ephemera as swimming pool, games room, gym, and/or private cinema just seemed wrong to him. But it wasn't his business what people did with their money, so he merely sighed, 'I wish they wouldn't.' And added, 'Anyway, that's not our house. We're number three.'

But even as he said it, he noted that there seemed to be police activity at both properties – and a lack of building activity where there should be plenty.

Atherton had spotted something else. 'Bandits at twelve o'clock,' he muttered urgently. 'By the pricking of my thumbs ...' Slider quelled him with a look.

It was their immediate boss, Det Sup Porson, his bald top gleaming in the hazy sunshine, his strange, greenish overcoat flapping about his legs; and leading the way was his boss, Commander 'Dave' Carpenter, in a suit so sharp you could peel mangoes with it.

Porson was a tall man, who had, over the years, put the fear of God into generations of underlings; but beside Carpenter he seemed to scuttle in a subordinate semi-crouch like an apologetic crab. Carpenter was big – both tall and muscular – with a head of thick, glossy chestnut hair. Brushed straight back but lifting in its own wave above his scalp, it made him look even taller. And, of course, as borough commander he was big in the spiritual sense, and knew it. He held their lives – or, not to be over-dramatic, their careers – in his perfectly-manicured hands.

Everything about his carriage and expression said 'don't mess with me, boy'. His height allowed him to look down his large, well-shaped nose at almost everyone, and his big chin made looking back up a fruitless activity. Management training had taught him to invite his staff to 'call me Dave', but definite woe would betide the minion who did so. A young detective constable who took him at his word was rumoured to have suffered third-degree frostbite and never smiled again.

Slider had already been on Carpenter's bad side, hadn't enjoyed it, and had hoped to live out the rest of his life avoiding him altogether. Besides, breathing the same air as demi-gods always gave him a headache.

'Slider!' said Carpenter, and smiled. Carpenter smiling was, on the whole, slightly worse than Carpenter not smiling.

'Sir?' said Slider. As every man in uniform knows, you can't go far wrong with one of those. From behind Carpenter, Porson was making a complicated face at him, which seemed to be a combination of apology and warning.

Carpenter halted, blocking out the sun. Slider had never liked being loomed over. The hair rose on his scalp. He felt like a Jack Russell facing a St Bernard. Only in his case, he wasn't allowed to leap up and bite him in the balls.

'I expect you're wondering why you're here,' said Carpenter.

Existentialism at this hour of the morning? Various facetious answers flitted through Slider's mind, but he thrust them down sternly. The only safe answer was another: 'Sir?'

'My wife's cousin is godmother to Calliope Hunt,' Carpenter told him importantly, as though that explained everything. Slider heard Atherton, behind him, snort, and change it into a cough. Fortunately, Carpenter didn't seem to want a response at that point. He went on: 'So you can see why I have to be proactive on this one. The family don't want any breath of scandal. Leave aside the fact that we're dealing with a high-profile celebrity, so there's bound to be media interest. And media interest is always the wrong sort, as you very well know.'

There was a pause, so Slider inserted another: 'Sir,' into it. The time would come, he supposed, when he knew what the hell Carpenter was talking about.

'I don't want it said that we didn't take this seriously,' Carpenter went on, 'but on the other hand, don't take all day about it. I want it confirmed as accidental death as soon as possible. Do I make myself clear?'

'Accidental death,' Slider repeated. Without the query. Okay. Got it.

'Good man,' said Carpenter, without warmth. 'Carry on.' He swung away to where a young police driver was holding the door of his car open for him, leaving Porson trying to scowl in two directions at once.

He settled on Slider. 'Well, what are you standing there like that for?' he barked. 'You look as if you're laying an egg. I tried to duck this one, but it's landed in our laps, so there's no point beefing. Just get on with it. Make sure there's nothing fishy about it and get back to what we're supposed to be doing.'

Slider picked his way through eggs, ducks, beef and fish, and said, 'I don't know what's going on yet, sir. Query accidental death, is all I know.'

Porson breathed out the give-me-patience, double-nostril gust. 'Deceased lived there,' he indicated number three with the jab of a thick finger, 'but the body was found there.' Now he jabbed at the builder-benighted number one. 'Capeesh?'

Slider capeeshed quite a bit. Evidently some kind of personal connection existed between Carpenter's wife and the deceased. If it wasn't accidental death, it might be suicide, and most people did not like those they loved to be stigmatised with suicide. Or themselves with having neglected to notice it was about to happen and stop it.

On the other hand, Slider thought, certainty is better than uncertainty. Suicide with a note is at least a full stop. 'Accident' always leaves some questions unanswered, generally lumbering the grieving with an ongoing quest for someone to blame, which only stretched out the pain.

'So the question is just accident or suicide, is it?' Slider sought clarity.

Porson looked as though a bad smell had arisen under his nose. 'Commander Carpenter made himself quite clear, didn't he? Make sure it is accidental death. And make it quick. We can't afford to waste time on an investigation.'

'I thought that was what I was here for,' Slider said. 'To investigate.'

'A clearing-up process. Don't go pulling any rabbits out of hats.'

Rabbits, yet, Slider thought. 'I just need to know what "make sure" means. At the highest level,' he added, indicating the space Carpenter's car had recently occupied.

Porson scowled. 'I'm the highest level you need to worry about. Do your job, that's all. I'll support you.'

Unclearer and unclearer. 'So you want the truth?' said Slider.

'Don't get clever with me! Just get on with it,' Porson barked, giving him a minatory stare. He turned away, then turned back to say, 'And for Gawd's sake get some bodies in, get some crowd control going. This is not a three-lane circus.'

Porson had a scattergun approach to idiom. Something was bound to reach its target.

When it was safe to do so, Atherton moved up beside Slider. 'You actually said "the truth"?' he queried. 'It's not safe to bait your superiors, don't you know that?'

'I must have some pleasures in life.'

'So what are we supposed to find?'

'Buggered if I know.'

Now the coast was clear, his own man, DC LaSalle, was coming across, hopefully to fill him in on some of the facts he was woefully short of.

'You know what this is,' said Atherton gloomily. 'This is a poisoned chalice.'

'Should get rid of all the livestock, then,' said Slider.

Chickens, ducks, fish, rabbits. They could do without them. The beef he might keep: a sense of put-upon-ness boosted a copper's adrenaline. It was his usual working environment.

How did someone end up in a building site through accidental death? Even suicide would present the same question: why pop next door to top yourself? Certainty could be hard to come by, and certainty was what Mr Carpenter wanted – as long as it was the right sort.

And who was Calliope Hunt when she was at home?

LaSalle was skinny and pale, with madly bristly ginger hair, like a yard broom upside down. He had a big ginger moustache, too, sprouting out under his nose like a coir doormat. Slider dreaded to think what it must be like for him when he had a runny cold. But he was a decent copper and knew how to give a report.

'Builders arrived at number one this morning, around eight o'clock. Well, the first lot did. They started getting ready to work – you know the way it is. Taking tarps off, setting out tools —'

'Chatting about the footy last night, having a brew,' Atherton put in. 'We get the picture.'

LaSalle nodded. 'Second vanload arrives about twenty past, one of them goes down into the excavations, finds the body.' He had photographs on his tablet. 'This is not the original position. Unfortunately, they moved him, trying to see if he was still alive.' He raised pale eyes to Slider's face. 'They're Polish, so I suppose they didn't know they're not supposed to touch anything. And also, y'know, I think it was a sort of ... well, being respectful to the dead, guv.'

Slider nodded to the point. 'It might not matter, in the end,' he said.

The photographs showed deceased as a white man in bottle-green cord trousers and a grey sweater, lying on the muddy bottom of the excavations. His back was bowed, his head back at an exaggerated angle, the right arm was bent unnaturally, as though dislocated and/or broken. One leather loafer was missing. 'We found the other shoe down there,' said LaSalle. 'Also his glasses – broken, of course. Well, we're assuming they're his. The builders said they weren't there yesterday.' He held up an evidence bag in which was a pair of brown-framed spectacles, one lens cracked and one side arm detached and bent.

In close-up, the face had been damaged, the nose broken and one cheekbone mashed, but it seemed to have been a handsome face belonging to a man of mature years. The hair was mid-brown, flecked with silver and probably highlighted, thick and a touch on the long side, and the body seemed lean and fit. Trying to be younger than his age and succeeding pretty well, Slider thought.

'The reason he's so crooked,' LaSalle went on, 'the body was lying across a wheelbarrow full of bricks when they found it. I suppose that's why they moved him, to make him look more comfortable, but he was stiff so they couldn't straighten him out. There's all sorts down there, guv, bricks, rubble, tools, machinery. No soft landing. But a barrow of bricks must have stung a bit.' He made a pained face at the thought. He was a nice lad.

'Wait a minute – they're assuming he fell onto the wheelbarrow?'

'I'm coming to that, guv.'

Slider nodded. 'All right. When did they call it in?'

'Well, it took them a while to get themselves sorted out. Call was logged at eight forty-seven. Uniform arrived at eight fifty-eight – that was Renker and D'Arblay.'

(Continues…)


Excerpted from "Headlong"
by .
Copyright © 2018 Cynthia Harrod-Eagles.
Excerpted by permission of Severn House Publishers Limited.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Cover,
Titles from Cynthia Harrod-Eagles by Severn House,
Title Page,
Copyright,
Chapter One: Miching Mallecho,
Chapter Two: Nose Dive,
Chapter Three: Can't Help Loathing That Man of Mine,
Chapter Four: China Syndrome,
Chapter Five: The Regina Monologues,
Chapter Six: Brat Worst,
Chapter Seven: The Plot Sickens,
Chapter Eight: One Nightstand to Remember,
Chapter Nine: Science Friction,
Chapter Ten: The Time of his Wife,
Chapter Eleven: Jab Well Done,
Chapter Twelve: No Pizza for the Wicked,
Chapter Thirteen: The News, and Whether ...,
Chapter Fourteen: On the Trail of the Loathsome Vine,
Chapter Fifteen: No Stoat Unturned,
Chapter Sixteen: White Vin Man,
Chapter Seventeen: Con, Descending,
Chapter Eighteen: A Quiche is Still a Quiche,
Chapter Nineteen: All the Little Angels,
Chapter Twenty: Notting Hell,
Chapter Twenty-One: Love, Actually,
Chapter Twenty-Two: The Long Day Closes,
Chapter Twenty-Three: Gone to Ground,

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