APRIL 2022 - AudioFile
Sedaris’s latest update on his family and society brings the funny. Still, there’s growing depth and empathy in his writing and delivery. Sure, shooting guns with his sister and visiting his nonagenarian father bring laugh-out-loud moments. But profound reflections also pepper his writing as his tone and delivery match his heartrending observations. Sedaris chronicles the Covid-19 pandemic and all the absurdities of reactions to precautions. His voice matches the frustration and bewilderment of lockdown and life behind a mask. Listening is the best way to experience Sedaris’s new memoir. While fans will find themselves chuckling at times, there are other times when they will shake their heads and say to themselves, “That’s exactly the way it is.” R.O. 2023 Audies Winner © AudioFile 2022, Portland, Maine
Publishers Weekly
04/11/2022
Unrest, plague, and death give rise to mordant comedy in this intimate collection from Sedaris (Me Talk Pretty One Day). The author covers rude service workers, difficulties in his own life, and goings-on in “Eastern Europe countries no one wants to immigrate to” where “hugs guard parked BMWs and stray dogs roam the streets.... There are cats too, grease-covered from skulking beneath cars, one eye or sometimes both glued shut with pus.” He faces mask sticklers in a Target checkout line, sees a drunken mask scofflaw on a flight, and communes with BLM protesters while deploring their “lazy” slogans. Much of the book has a dark edge, as it recounts the decline and death of his 98-year-old father; Sedaris voices still rankling resentments—”s long as my father had power, he used it to hurt me”—and recounts his sister’s accusations that their father sexually abused her. As always, Sedaris has a knack for finding where the blithe and innocent intersect with the tawdry and lurid: “His voice had an old-fashioned quality... like a boy’s in a radio serial,” he writes of a Nintendo-obsessed 11-year-old; “ ‘Gee willikers!’ you could imagine him saying, if that were the name of a video game in which things blew up and women got shot in the back of the head.” Sedaris’s tragicomedy is gloomier than usual, but it’s as rich and rewarding as ever. (May)
From the Publisher
Sublimely funny… Sedaris is back, doing the thing his readers have come to adore: offering up wry, moving, punchy stories about his oddball family… The pieces range widely, following the path of Sedaris’s travels and his eccentric mind, but a through line involves his nonagenarian father… This is one of the more complicated relationships of Sedaris’s life, and he is unflinching as he tries to understand who his enigmatic father was, and how living with him altered the shape of his own existence.”—Gal Beckerman, The Atlantic
“Sedaris’ signature wit has always thrived on the macabre, so perhaps it should come as no surprise that Happy-Go-Lucky is some of his darkest—and most astute—writing yet… No topic is out of bounds for Sedaris’ acerbic humor and sharp observations.”—Time
“Sedaris is funny—invariably. That’s his gift… Even amid the overwhelming gloom of the pandemic, a summer of unrest and the death of a father toward whom he still has complicated feelings, Sedaris never loses his wit or his crack timing.”—Tyler Malone, Los Angeles Times
“Consistently funny… when you’re dealing with a talent as outsize as Sedaris’s, even the missteps are fairly negligible… Rather, the lasting impression of “Happy-Go-Lucky” is similar to that of Sedaris’s other books: It’s a neat trick that one writer’s preoccupation with the odd and the inappropriate can have such widespread appeal.”—Henry Alford, New York Times Book Review
“Comically blistering… David Sedaris is the standard against which all other humor essayists are judged, the overwhelming heavyweight of the genre… Happy-Go-Lucky could serve as a textbook to readers dealing with the end times of their own parents with whom they don’t get along.”—Brian Boone, Vulture
“A new collection of poignant, honest and funny essays… Sedaris is simultaneously amusing and brutal while unflinchingly exposing the ironies of his family and life in general.”—Anita Snow, Associated Press
“Engaging… Sedaris recounts his lockdown experience with his customary blend of wry self-deprecation and affable misanthropy.”—Houman Barekat, The Guardian
"Hilarious… much of Sedaris’ humor comes from saying the quiet parts out loud—writing frankly about things most of us never mention."—Collette Bancroft, Tampa Bay Times
“Sedaris, a perennial contrarian, has entered into a comfortable late-middle age that could sink a less determined writer… Happily for Sedaris’s fans, it will take more than prosperity to mellow him out: His trademark black humor and puckish misanthropy remain.”—James Tarmy, Bloomberg
“The older Sedaris gets, the funnier he gets—if you don’t mind your laugh out loud humor tempered with self-knowledge and compassion."—Bethanne Patrick, Los Angeles Times
“Sedaris has long been frank about his lifelong disconnect with his father, but he has reflected more openly — and movingly — about it since his father reached his nineties… Happy-Go-Lucky is more somber than Sedaris' usual fare, but there are some fresh, funny bits wedged between the weighty boulders.”—Heller McAlpin, NPR
“Happy-Go-Lucky is like a reminder of an old friend who can still make you laugh out loud, but with a poignance now.”—Christopher Borrelli, Chicago Tribune
“Sedaris's many fans will be filling up reserve lists for a fresh infusion of his unique candor and comedy… though his tone is more poignant than pointed, the essential Sedaris humor reassuringly endures. Amid the barbed quips, there is genuine sorrow, an empathy born of arduous experience.”—Carol Haggas, Booklist (starred review)
“A sweet-and-sour set of pieces on loss, absurdity, and places they intersect… Sedaris remains stubbornly irreverent even in the face of pandemic lockdowns and social upheaval.”—Kirkus Reviews
Library Journal - Audio
08/01/2022
Essayist Sedaris (Calypso) manages to wring humor from a problematic parent's death and a worldwide pandemic. His writing style is masterfully crafted to take the ordinary moment and make it exquisite, to arrange it on a pedestal so that we can examine its beauty or its ridiculousness. Sedaris's self-deprecating style helps people laugh at themselves and the absurdity of society by pulling back the curtain to expose baseless foundations. Life is never all perfect or all catastrophic; there are horrendous moments and moments of grace in its entirety. Sedaris's writing is finely honed, so precisely put together that his narration is the best way to take it in. Readers who are not fully integrated into the material will miss the fullness of the experience: the pause, the innuendo, the tone. Some of the audio is pulled from live shows, and as Sedaris points out about his one Zoom show, audience response is critical. He calls audiences "unpaid editors" who help hone his craft and delivery. VERDICT Listeners will laugh until their sides ache.—Laura Trombley
Library Journal
★ 05/06/2022
The first new original collection from Sedaris in four years (after Calypso) contains essays that range far and wide in subject matter, from the 2020 presidential election to the protests surrounding the killing of George Floyd, and the pandemic lockdowns. Sedaris ponders many deep themes here: politics, racial inequality, and even natural disasters, but always adds his irreverent take on life's most solemn moments. Lou, the Sedaris patriarch, looms large in these pages. In "Unbuttoned," Sedaris rushes back from Europe to see his father on what everyone assumes is his deathbed even while dealing with health issues of his own. Lou surprises everyone by living a couple more years and even survives a bout of COVID, but he finally succumbs in 2021. Readers can get more clarity on the rocky relationship between father and son. Sedaris's many fans will be reassured that he has not lost his humor or his understated pathos. VERDICT This is Sedaris at his best, provocative and hysterical. Readers will feel like laughing even when it may feel inappropriate, much like the Sedaris family at their father's actual deathbed. Recommended for all public libraries.—Kristen Stewart
APRIL 2022 - AudioFile
Sedaris’s latest update on his family and society brings the funny. Still, there’s growing depth and empathy in his writing and delivery. Sure, shooting guns with his sister and visiting his nonagenarian father bring laugh-out-loud moments. But profound reflections also pepper his writing as his tone and delivery match his heartrending observations. Sedaris chronicles the Covid-19 pandemic and all the absurdities of reactions to precautions. His voice matches the frustration and bewilderment of lockdown and life behind a mask. Listening is the best way to experience Sedaris’s new memoir. While fans will find themselves chuckling at times, there are other times when they will shake their heads and say to themselves, “That’s exactly the way it is.” R.O. 2023 Audies Winner © AudioFile 2022, Portland, Maine
Kirkus Reviews
2022-03-11
Sedaris remains stubbornly irreverent even in the face of pandemic lockdowns and social upheaval.
In his previous collection of original essays, Calypso (2018), the author was unusually downbeat, fixated on aging and the deaths of his mother and sister. There’s bad news in this book, too—most notably, the death of his problematic and seemingly indestructible father at 96—but Sedaris generally carries himself more lightly. On a trip to a gun range, he’s puzzled by boxer shorts with a holster feature, which he wishes were called “gunderpants.” He plays along with nursing-home staffers who, hearing a funnyman named David is on the premises, think he’s Dave Chappelle. He’s bemused by his sister Amy’s landing a new apartment to escape her territorial pet rabbit. On tour, he collects sheaves of off-color jokes and tales of sexual self-gratification gone wrong. His relationship with his partner, Hugh, remains contentious, but it’s mellowing. (“After thirty years, sleeping is the new having sex.”) Even more serious stuff rolls off him. Of Covid-19, he writes that “more than eight hundred thousand people have died to date, and I didn’t get to choose a one of them.” The author’s support of Black Lives Matter is tempered by his interest in the earnest conscientiousness of organizers ensuring everyone is fed and hydrated. (He refers to one such person as a “snacktivist.”) Such impolitic material, though, puts serious essays in sharper, more powerful relief. He recalls fending off the flirtations of a 12-year-old boy in France, frustrated by the language barrier and other factors that kept him from supporting a young gay man. His father’s death unlocks a crushing piece about dad’s inappropriate, sexualizing treatment of his children. For years—chronicled in many books—Sedaris labored to elude his father’s criticism. Even in death, though, it proves hard to escape or laugh off.
A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.
