Happening

by Annie Ernaux, Tanya Leslie (Translator)

Overview

WINNER OF THE 2022 NOBEL PRIZE IN LITERATURE

"Happening recounts what it was like to be a young woman whose life changed — and world ominously narrowed — in 1963 with an unwanted pregnancy. . . . It feels urgently of the moment."
--The New York Times

In 1963, Annie Ernaux, 23 and unattached, realizes she is pregnant. Shame arises in her like a plague: Understanding that her pregnancy will mark her and her family as social failures, she knows she cannot keep that child.

This is the story, written forty years later, of a trauma Ernaux never overcame. In a France where abortion was illegal, she attempted, in vain, to self-administer the abortion with a knitting needle. Fearful and desperate, she finally located an abortionist, and ends up in a hospital emergency ward where she nearly dies.

In Happening, Ernaux sifts through her memories and her journal entries dating from those days. Clearly, cleanly, she gleans the meanings of her experience.


Now an award-winning film by Audrey Diwan
Winner of the Golden Lion at the Venice International Film Festival
Official Selection of the Sundance Film Festival

Product Details

ISBN-13:	9781609802264
Publisher:	Seven Stories Press
Publication date:	01/04/2011
Sold by:	Penguin Random House Publisher Services
Format:	eBook
Pages:	96
Sales rank:	421,550
File size:	3 MB

About the Author

Born in 1940, ANNIE ERNAUX grew up in Normandy, studied at Rouen University, and began teaching high school. From 1977 to 2000, she was a professor at the Centre National d’Enseignement par Correspondance. Her books, in particular A Man’s Place and A Woman’s Story, have become contemporary classics in France. She won the prestigious Prix Renaudot for A Man's Place when it was first published in French in 1984. The English edition was a New York Times Notable Book and a finalist for the Los Angeles Times Book Prize. The English edition of A Woman’s Story was a New York Times Notable Book.

Date of Birth:

1940

Place of Birth:

Lillebonne, France

Education:

University of Rouen; University of Bordeaux

Website:

www.annie-ernaux.org

Editorial Reviews

French novelist and memoirist Ernaux (Shame; A Frozen Woman; etc.) was 23 in 1963 when she discovered she needed an abortion. After an unsuccessful attempt with a knitting needle, she tracked down a backstreet abortionist in Paris. Her three-month-old embryo was finally expelled some days later in the bathroom of her student dorm, the bloody remains flushed down the toilet. Ernaux tells the story of those awful months very simply, with only occasional asides of hindsight. A few well-chosen details "If I Had a Hammer" on the jukebox, the Singing Nun's "Dominique," the sexually predatory Movement men anchor her story in the early '60s, although most of the emotional texture (the body denial, panic, that feeling that "my ass had caught up with me") is disturbingly timeless. Ernaux's preoccupation with "power" over her "text" makes her postmodernism plain, although there's also a wonderfully old-fashioned Frenchness in her world view. Stretched out on the abortionist's table, she sees the scene before her like a still life: Formica table with enamel basis, probe, hairbrush. Ernaux needed to write this history: the making of a written record is the only reason she can find for this otherwise accidental pregnancy and its bloody aftermath. Indeed, readers who lived through the Bad Old Days before abortion was legalized will meet a lot of old demons here, even if a younger generation may find it bafflingly understated. Though not destined for a wide readership, it is an important, resonant work. (Oct.) Copyright 2001 Cahners Business Information.

Publishers Weekly

With the dispassion and efficiency of a military strategist, [Ernaux] ambushes her past, prying it from its refuge in nostalgia and oblivion and holding it up naked for all to see . . . a harrowing account . . . superbly translated.” —Emily Eakin, The New York Times Book Review

“Ernaux. . .writes with clear, controlled precision that is as vivid as it is devastating to read, and which connects the pain and indignity of her experience to class, power and patriarchy.” —The Guardian

“Although the events Ernaux describes so explicitly occurred more than 50 years ago, they retain their horrifying immediacy, and should act as a reminder that her lack of options is the reality for many women worldwide, with access to legal abortion severely restricted or denied. Universal, primeval and courageous, Happening is a fiercely dislocating, profoundly relevant work—as much of art as of human experience. It should be compulsory reading.” —Financial Times

“Ernaux’s work is important. Not just because of her subject matter, but because of the way she hands it over: the subtle contradictions; her dispassionate stoicism, mixed with savagery; her detailed telling, mixed with spare, fragmented text. . . These are not things we vote for. These are not things we judge. These are things that happen. Are happening.” —Irish Times

“An important, resonant work.”  —Publishers Weekly

“Happening is gripping and painfully inevitable to read—like a thriller. I felt close to Annie Duchesne, in her aloneness, in a way I’ve rarely felt close to a character in a book. Women will be grateful to Ernaux for her wisdom, concision, and commitment to writing about death and life.” —Daisy Hildyard, author of The Second Body

“Ernaux connects her experience to the wider world of class and religion and law, resulting in a startling, unusual portrait...” —The Village Voice

“…the book administers a punch beyond its slim size ... It is unflinching and honest, a frank patchwork of past and present experiences. … The title suits the subject: illegal abortion isn’t confined to history, suspended in aspic, a thing to be examined in the past tense. It is still hotly contested, demanding the present participle of Ernaux’s title.  … an essential document of trauma which deserves to be widely read.” —Xenobe Purvis, Review 31

“This short book … is one of the most powerful memoirs I have ever read. Ernaux is famed in France, and is gathering fame abroad ... as an autobiographer of unusual talent and insight, virtually creating (although she disavows the term) a genre called “autofiction”, a hybrid style mixing, as the name suggests, autobiography and fiction, although there is nothing in Happening that suggests any fictional element. This is the truth, as bare as it can be told, although every so often Ernaux reminds us, carefully, that memory is slippery.” —Nicholas Lezard, Dhaka Tribune

“The writer’s ego is downplayed; there is no excavating of sensibility, it is more an exercise in the excavation of personal history, undertaken for the author’s own purposes. Her approach is investigative, almost academic, with the reader an accidental presence. The result for the reader is a feeling of intimate emotional, intellectual and sociological knowledge of the author’s pregnancy and abortion. The writing is sublime and unforgettable. Happening is one of the most remarkable books you will ever read.” —Dublin Review of Books

From the Publisher