Grub Line Rider

by Louis L'Amour Narrated by Dramatization

Overview

Grub Line Rider

Most folks would call Kim Sartain an easygoing, peace-loving man. But the few who crossed the young drifter knew there was nothing he liked better than a good fight. When cattleman Jim Targ challenges Sartain's right to ride across an unclaimed stretch of meadow, Sartain decides he'll do better than ride through: He'll put down stakes there and homestead the land. So there's more at risk than land and pride when Targ hires a gunman to teach Sartain a permanent-and deadly-lesson.

Product Details

BN ID:	2940169119473
Publisher:	Penguin Random House
Publication date:	03/04/2008
Edition description:	Unabridged

Read an Excerpt

Grub Line Rider

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By Louis L'Amour Dorchester Publishing Copyright © 2007 Golden West Literary Agency
All right reserved.
ISBN: 978-0-8439-6065-5

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Chapter One Jim Gatlin had been up the creek and over the mountains, and more than once had been on both ends of a six-shooter. Lean and tall, with shoulders wide for his height and a face like saddle leather, he was, at the moment, doing a workman-like job of demolishing the last of a thick steak and picking off isolated beans that had escaped his initial attack. He was 1,000 miles from home and knew nobody in the town of Tucker.

He glanced up as the door opened and saw a short, thick-bodied man. The man gave one startled look at Jim and ducked back out of sight. Gatlin blinked in surprise, then shrugged and filled his coffee cup from the pot standing on the restaurant table.

Puzzled, he listened to the rapidly receding pound of a horse's hoofs, then rolled a smoke, sitting back with a contented sigh. Some 250-odd miles to the north was the herd he had drifted northwest from Texas. The money the cattle had brought was in the belt around his waist and his pants pockets. Nothing remained now but to return to Texas, bank the profit, and pick up a new herd.

The outer door opened again, and a tall girl entered the restaurant. Turning right, she started for the door leading to the hotel. She stopped abruptly as though his presence had only then registered. She turned, and her eyes widened in alarm. Swiftly she crossed the room to him.

"Are you insane?" she whispered. "Sitting here like that when the town is full of Wing Cary's hands? They know you're coming and have been watching for you for days."

Gatlin looked up, smiling. "Ma'am, you've sure got the wrong man, although if a girl as pretty as you is worried about him, he sure is a lucky fellow. I'm a stranger here. I never saw the place until an hour ago."

She stepped back, puzzled, and then the door slammed open once more, and a man stepped into the room. He was as tall as Jim, but thinner, and his dark eyes were angry. "Get away from him, Lisa! I'm killin' him ... right now!"

The man's hand flashed for a gun, and Gatlin dived sidewise to the floor, drawing as he fell. Agun roared in the room, then Gatlin fired twice.

The tall man caught himself, jerking his left arm against his ribs, his face twisted as he gasped for breath. Then he wilted slowly to the floor, his gun sliding from his fingers.

Gatlin got to his feet, staring at the stranger. He swung his eyes to the girl staring at him. "Who is that hombre?" he snapped. "What's this all about? Who did he think I was?"

"You ... you're not ... you aren't Jim Walker?" Her voice was high, amazed.

"Walker?" He shook his head. "I'm sure as hell not. The name is Gatlin. I'm just driftin' through."

There was a rush of feet in the street outside. She caught his hand. "Come. Come quickly. They won't listen to you. They'll kill you. All the Cary outfit are in town."

She ran beside him, dodging into the hotel, and then swiftly down a hall. As the front door burst open, they plunged out the back and into the alley behind the building. Unerringly she led him to the left, and then opened the back door of another building and drew him inside. Silently she closed the door and stood closely beside him, panting in the darkness.

Shouts and curses rang from the building next door. A door banged, and men charged up and down outside. Jim was still holding his gun, but now he withdrew the empty shells and fed two into the cylinder to replace those fired. He slipped a sixth into the usually empty chamber. "What is this place?" he whispered. "Will they come here?"

"It's a law office," she whispered. "I work here part time, and I left the door open myself. They'll not think of this place." Stealthily she lifted the bar and dropped it into place. "Better sit down. They'll be searching the streets for some time."

He found the desk and seated himself on the corner, well out of line with the windows. He could see only the vaguest outline of her face. His first impression of moments before was strong enough for him to remember she was pretty. The gray eyes were wide and clear, her figure rounded yet slim. "What is this?" he repeated. "What was he gunnin' for me for?"

"It wasn't you. He thought you were Jim Walker of the XY. If you aren't actually him, you look enough like him to be a brother, a twin brother."

"Where is he? What goes on here? Who was that hombre who tried to gun me down?"

She paused, and seemed to be thinking, and he had the idea she was still uncertain whether to believe him or not. "The man you killed was Bill Trout. He was the badman of Paradise country and segundo on Wing Cary's Flying C spread. Jim Walker called him a thief and a murderer in talking to Cary, and Trout threatened to shoot him on sight. Walker hasn't been seen since, and that was four days ago, so everybody believed Walker had skipped the country. Nobody blamed him much."

"What's it all about?" Gatlin inquired.

"North of here, up beyond Black Rock, is Alder Creek country, with some rich bottom hay land lying in several corners of the mountains. This is dry country, but that Alder Creek area has springs and some small streams flowing down out of the hills. The streams flow into the desert and die there, so the water is good only for the man who controls the range."

"And that was Walker?"

"No, up until three weeks ago, it was old Dave Butler. Then Dave was thrown from his horse and killed, and, when they read his will, he had left the property to be sold at auction and the money to be paid to his nephew and niece back in New York. However, the joker was, he stipulated that Jim Walker was to get the ranch if he would bid ten thousand cash and forty thousand on his note, payable in six years."

"In other words, he wanted Walker to have the property?" Jim asked. "He got first chance at it?"

"That's right. And I was to get second chance. If Jim didn't want to make the bid, I could have it for the same price. If neither of us wanted it, the ranch was to go on public auction, and that means that Cary and Horwick would get it. They have the money, and nobody around here could outbid them."

The street outside was growing quieter as the excitement of the chase died down. "I think," Lisa continued, "that Uncle Dave wanted Jim to have the property because Jim did so much to develop it. Jim was foreman of the XY acting for Dave. Then, Uncle Dave knew my father and liked me, and he knew I loved the ranch, so he wanted me to have second chance, but I don't have the money, and they all know it. Jim had some of it, and he could get the rest. I think that was the real issue behind his trouble with Trout. I believe Wing deliberately set Trout to kill him, and Jim's statements about Bill were a result of the pushing around Bill Trout had given him."

The pattern was not unfamiliar, and Gatlin could easily appreciate the situation. Water was gold in this country of sparse grass. To a cattleman, such a ranch as Lisa described could be second to none, with plenty of water and grass and good hay meadows. Suddenly she caught his arm. Men were talking outside the door.

"Looks like he got plumb away, Wing. Old Ben swears there was nobody in the room with him but that Lisa Cochrane, an' she never threw that gun, but how Jim Walker ever beat Trout is more'n I can see. Why, Bill was the fastest man around here unless it's you or me."

"That wasn't Walker, Pete. It couldn't have been."

"Ben swears it was, an' Woody Hammer busted right through the door in front of him. Said it was Jim, all right."

Wing Cary's voice was irritable. "I tell you, it couldn't have been!" he flared. "Jim Walker never saw the day he dared face Trout with a gun. I've seen Walker draw an' he never was fast."

"Maybe he wasn't," Pete Chasin agreed dryly, "but Trout's dead, ain't he?"

"Three days left," Cary said. "Lisa Cochrane hasn't the money, and it doesn't look like Walker will even be bidding. Let it ride, Pete. I don't think we need to worry about anything. Even if that was Walker ... an' I'd take an oath it wasn't ... he's gone for good now. All we have to do is sit tight."

The two moved off, and Jim Gatlin, staring at the girl in the semidarkness, saw her lips were tightly pressed. His eyes had grown accustomed to the dim light, and he could see around the small office. It was a simple room with a desk, chair, and filing cabinets. Well-filled bookcases lined the walls.

He got to his feet. "I've got to get my gear out of that hotel," he said, "and my horse."

"You're leaving?" she asked.

Jim glanced at her in surprise. "Why, sure. Why stay here in a fight that's not my own? I've already killed one man, and, if I stay, I'll have to kill more or be killed myself. There's nothing here for me."

"Did you notice something?" she asked suddenly. "Wing Cary seemed very sure that Jim Walker wasn't coming back, that you weren't he."

Gatlin frowned. He had noticed it, and it had him wondering. "He did sound mighty sure. Like he might know Walker wasn't coming back."

They were silent in the dark office, yet each knew what the other was thinking. Jim Walker was dead. Pete Chasin had not known it. Neither, obviously, had Bill Trout.

"What happens to you then?" Gatlin asked suddenly. "You lose the ranch?"

She shrugged. "I never had it, and never really thought I would have it, only ... well, if Jim had lived ... I mean, if Jim got the ranch, we'd have made out. We were very close, like brother and sister. Now I don't know what I can do."

"You haven't any people?"

"None that I know of." Her head came up suddenly. "Oh, it isn't myself I'm thinking of, it's all the old hands, the ranch itself. Uncle Dave hated Cary, and so do his men. Now he'll get the ranch, and they'll all be fired, and he'll ruin the place. That's what he's wanted all along."

Gatlin shifted his feet. "Tough," he said, "mighty tough." He opened the door slightly. "Thanks," he said, "for getting me out of there."

She didn't reply, so, after a moment, he stepped out of the door and drew it gently to behind him. There was no time to lose. He must be out of town by daylight and with miles behind him.

There was no sense getting mixed up in somebody else's fight, for all he'd get out of it would be a bellyful of lead. There was nothing he could do to help. He moved swiftly, and within a matter of minutes was in his hotel room. Apparently searching for Jim Walker, they hadn't considered his room in the hotel, so Gatlin got his duffel together, stuffed it into his saddlebags, and picked up his rifle. With utmost care, he eased down the back stairs and into the alley.

The streets were once more dark and still. What had become of the Flying C hands he didn't know, but none was visible. Staying on back streets, he made his way carefully to the livery barn, but there his chance of cover grew less, for he must enter the wide door with a light glowing over it.

After listening, he stepped out and, head down, walked through the door. Turning, he hurried to the stall where his powerful black waited. It was the work of only a few minutes to saddle up. He led the horse out of the stall and caught up the bridle. As his hand grasped the pommel, a voice stopped him.

"Lightin' out?"

It was Pete Chasin's voice. Slowly he released his grip on the pommel and turned slightly. The man was hidden in a stall.

"Why not?" Gatlin asked. "I'm not goin' to be a shootin' gallery for nobody. This ain't my range, an' I'm slopin' out of here for Texas. I'm no trouble hunter."

He heard Chasin's chuckle. "Don't reckon you are. But it seems a shame not to make the most of your chance. What if I offered you five thousand to stay? Five thousand, in cash?"

"Five thousand?" Gatlin blinked. That was half as much as he had in his belt, and the $10,000 he carried had taken much hard work and bargaining to get. Buying a herd, chancing the long drive.

"What would I have to do?" he demanded.

Chasin came out of the stall. "Be yourself," he said, "just be yourself ... but let folks think you're Jim Walker. Then you buy a ranch here ... I'll give you the money, an' then you hit the trail."

Chasin was trying to double-cross Cary? To get the ranch for himself?

Gatlin hesitated. "That's a lot of money, but these boys toss a lot of lead. I might not live to spend the dough."

"I'll hide you out," Chasin argued. "I've got a cabin in the hills. I'd hide you out with four or five of my boys to stand guard. You'd be safe enough. Then you could come down, put your money on the line, an' sign the papers."

"Suppose they want Walker's signature checked?"

"Jim Walker never signed more'n three, four papers in his life. He left no signatures hereabouts. I've took pains to be sure."

$5,000 because he looked like a man. It was easy money, and he'd be throwing a monkey wrench into Wing Cary's plans. Cary, a man he'd decided he disliked. "Sounds like a deal," he said. "Let's go!"

The cabin on the north slope of Bartlett Peak was well hidden, and there was plenty of grub. Pete Chasin left him there with two men to guard him and two more standing by on the trail toward town. All through the following day, Jim Gatlin loafed, smoking cigarettes and talking idly with the two men. Hab Johnson was a big, unshaven hombre with a sullen face and a surly manner. He talked little, and then only to growl. Pink Stabineau was a wide-chested, flat-faced jasper with an agreeable grin.

Gatlin had a clear idea of his own situation. He could use $5,000, but he knew Chasin never intended him to leave the country with it and doubted if he would last an hour after the ranch was transferred to Chasin himself. Yet Gatlin had been around the rough country, and he knew a trick or two of his own. Several times he thought of Lisa Cochrane, but avoided that angle as much as he could.

After all, she had no chance to get the ranch, and Walker was probably dead. That left it between Cary and Chasin. The unknown Horwick, of whom he had heard mention, was around, too, but he seemed to stand with Cary in everything.

Yet Gatlin was restless and irritable, and he kept remembering the girl beside him in the darkness and her regrets at breaking up the old outfit. Jim Gatlin had been a hand who rode for the brand; he knew what it meant to have a ranch sold out from under a bunch of old hands. The home that had been theirs gone, the friends drifting apart never to meet again, everything changed.

He finished breakfast on the morning of the second day, then walked out of the cabin with his saddle. Hab Johnson looked up sharply. "Where you goin'?" he demanded.

"Ridin'," Gatlin said briefly, "an' don't worry. I'll be back."

Johnson chewed a stem of grass, his hard eyes on Jim's. "You ain't goin' nowheres. The boss said to watch you an' keep you here. Here you stay."

Gatlin dropped his saddle. "You aren't keepin' me nowhere, Hab," he said flatly. "I've had enough sittin' around. I aim to see a little of this country."

"I reckon not." Hab got to his feet. "You may be a fast hand with a gun, but you ain't gittin' both of us, and you ain't so foolish as to try." He waved a big hand. "Now you go back an' set down."

"I started for a ride," Jim said quietly, "and a ride I'm takin'." He stooped to pick up the saddle and saw Hab's boots as the big man started for him. Jim had lifted the saddle clear of the ground, and now he hurled it, suddenly, in Hab's path. The big man stumbled and hit the ground on his hands and knees, then started up.

As he came up halfway, Jim slugged him. Hab tottered, fighting for balance, and Gatlin moved in, striking swiftly with a volley of lefts and rights to the head. Hab went down and hit hard, then came up with a lunge, but Gatlin dropped him again. Blood dripped from smashed lips and a cut on his cheekbone.

Gatlin stepped back, working his fingers. His hard eyes flicked to Pink Stabineau, who was smoking quietly, resting on one elbow, looking faintly amused. "You stoppin' me?" Gatlin demanded.

Pink grinned. "Me? Now where did you get an idea like that? Take your ride. Hab's just too persnickety about things. Anyway, he's always wantin' to slug somebody. Now maybe he'll be quiet for a spell."

There was a dim trail running northwest from the cabin and Gatlin took it, letting his horse choose his own gait. The black was a powerful animal, not only good on a trail but an excellent roping horse, and he moved out eagerly, liking the new country. When Gatlin had gone scarcely more than two miles, he skirted the edge of a high meadow with plenty of grass, then left the trail and turned off along a bench of the mountain, riding due north.

Suddenly the mountain fell away before him, and below, in a long finger of grass, he saw the silver line of a creek, and nestled against a shoulder of the mountain he discerned roofs among the trees. Pausing, Jim rolled a smoke and studied the lay of the land. Northward, for all of ten miles, there was good range. Dry, but not so bad as over the mountain, and in the spring and early summer it would be good grazing land. He had looked at too much range not to detect from the colors of the valley before him some of the varieties of grass and brush. Northwest, the range stretched away through a wide gap in the mountains, and he seemed to distinguish a deeper green in the distance.

(Continues...)

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Excerpted from Grub Line Rider by Louis L'Amour Copyright © 2007 by Golden West Literary Agency. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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