The Gray Man (Gray Man Series #1) (Netflix Movie Tie-In)

The Gray Man (Gray Man Series #1) (Netflix Movie Tie-In)

by Mark Greaney
The Gray Man (Gray Man Series #1) (Netflix Movie Tie-In)

The Gray Man (Gray Man Series #1) (Netflix Movie Tie-In)

by Mark Greaney

Paperback(Media Tie-in)

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The first Gray Man novel from #1 New York Times bestselling author Mark Greaney.

To those who lurk in the shadows, he’s known as the Gray Man. He is a legend in the covert realm, moving silently from job to job, accomplishing the impossible and then fading away. And he always hits his target. Always.

But there are forces more lethal than Gentry in the world. Forces like money. And power. And there are men who hold these as the only currency worth fighting for. In their eyes, Gentry has just outlived his usefulness.
But Court Gentry is going to prove that, for him, there’s no gray area between killing for a living and killing to stay alive....

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Product Details

ISBN-13: 9780593547588
Publisher: Penguin Publishing Group
Publication date: 07/12/2022
Series: Gray Man Series , #1
Edition description: Media Tie-in
Pages: 400
Sales rank: 226,020
Product dimensions: 5.30(w) x 7.90(h) x 1.20(d)

About the Author

Mark Greaney has a degree in international relations and political science. In his research for the Gray Man novels, he traveled to more than thirty-five countries and trained alongside military and law enforcement in the use of firearms, battlefield medicine, and close-range combative tactics. He is also the author of the New York Times bestsellers Tom Clancy Support and Defend, Tom Clancy Full Force and Effect, Tom Clancy Commander in Chief, and Tom Clancy True Faith and Allegiance. With Tom Clancy, he coauthored Locked On, Threat Vector, and Command Authority.


Memphis, Tennessee

Date of Birth:


Read an Excerpt


The first gunmen arriving at the crash site were not Al Qaeda and had nothing to do with the shoot down. They were four local boys with old wooden-stocked Kalashnikovs who'd held a sloppy morning roadblock a hundred meters from where the chopper impacted with the city street. The boys pushed through the growing phalanx of onlookers, the shopkeepers and the street kids who dove for cover when the twin-rotor helicopter hurtled down among them, and the taxi drivers who swerved off the road to avoid the American craft. The four young gunmen approached the scene warily but without a shred of tactical skill. A loud snap from the raging fire, a single handgun round cooking off in the heat, sent them all to cover. After a moment's hesitation, their heads popped back up, they aimed their rifles, and then emptied their barking and bucking guns into the twisted metal machine.

A man in a blackened American military uniform crawled from the wreckage and received two dozen rounds from the boys' weapons. The soldier's struggle ceased as soon as the first bullets raked across his back.

Braver now after the adrenaline rush of killing a man in front of the crowd of shouting civilians, the boys broke cover and moved closer to the wreckage. They reloaded their rifles and raised them to shoot at the burning bodies of the flight crew in the cockpit. But before they could open fire, three vehicles raced up from behind: pickup trucks full of armed Arabian foreigners.

Al Qaeda.

The local kids wisely backed away from the aircraft, stood back with the civilians, and chanted a devotional to God as the masked men fanned out in the road around the wreckage.

The broken corpses of two more soldiers fell clear from the rear of the Chinook, and these were the first images of the scene caught by the three-man Al Jazeera camera crew that jumped from truck three.

Just under a mile away, Gentry pulled off the road, turned into a dry streambed, and forced the Land Rover as deep as possible into the tall brown river grasses. He climbed out of the truck and raced to the tailgate, swung a pack onto his back, and hefted a long camel-colored case by its carry handle.

As he moved away from the vehicle, he noticed the drying blood all over his loose-fitting local clothing for the first time. The blood was not his own, but there was no mystery to the stain.

He knew whose blood it was.

Thirty seconds later, he crested the little ridge by the streambed and crawled forward as quickly as possible while pushing his gear in front of him. When Gentry felt suitably invisible in the sand and reeds, he pulled a pair of binoculars from the pack and brought them to his eyes, centered on the plume of black smoke rising in the distance.

His taut jaw muscles flexed.

The Chinook had come to rest on a street in the town of al Ba'aj, and already a mob had descended on the debris. Gentry's binoculars were not powerful enough to provide much detail, so he rolled onto his side and unsnapped the camel-colored case.

Inside was a Barrett M107, a fifty-caliber rifle that fired shells half the size of beer bottles and dispatched the heavy bullets with a muzzle velocity of nearly nine football fields a second.

Gentry did not load the gun, only aimed the rifle at the crash site to use the powerful optics mounted to it. Through the sixteen-power glass he could see the fire, the pickup trucks, the unarmed civilians, and the armed gunmen.

Some were unmasked. Local thugs.

Others wore black masks or wrapped keffiyeh to cover their faces. This would be the Al Qaeda contingent. The foreign fucks. Here to kill Americans and collaborators and to take advantage of the instability in the region.

A glint of metal rose into the air and swung down. A sword hacking at a figure on the ground. Even through the powerful sniper scope Gentry could not tell if the prostrate man had been dead or alive when the blade slashed into him.

His jaw tightened again. Gentry was not an American soldier himself, never had been. But he was an American. And although he had neither responsibility for nor relationship with the U.S. military, he'd seen years of images on television of carnage just like that which was happening before him, and it both sickened and angered him to the very limits of his considerable self-control.

The men around the aircraft began to undulate as one. In the glare from the heat pouring out of the arid earth between his overwatch and the crash site, it took him a moment to grasp what was happening, but soon he recognized the inevitable outpouring of gleeful emotion from the butchers around the downed helicopter.

The bastards were dancing over the bodies.

Gentry unwrapped his finger from the trigger guard of the huge Barrett and let his fingertip stroke the smooth trigger. His laser range finder told him the distance, and a small group of canvas tents between himself and the dance party flapped in the breeze and gave him an idea of the windage.

But he knew better than to fire the Barrett. If he charged the weapon and pulled the trigger, he would kill a couple of shitheads, yes, but the area would turn so hot in an instant with news of a sniper in the sector that every postpubescent male with a gun and a mobile phone would be on his ass before he made it to within five miles of his extraction. Gentry's exfiltration would be called off, and he would have to make his own way out of the kill zone.

No, Gentry told himself. A meager measure of payback would be righteous, but it would set off a bigger shit storm than he was prepared to deal with.

Gentry was not a gambler. He was a private assassin, a hired gun, a contract operator. He could frag a half dozen of these pricks as fast as he could lace his boots, but he knew such retribution would not be worth the cost.

He spat a mixture of saliva and sand on the ground in front of him and turned to put the huge Barrett back in its case.

The camera crew from Al Jazeera had been smuggled over the border from Syria a week earlier with the sole purpose of chronicling an Al Qaeda victory in northern Iraq. The videographer, the audio technician, and the reporter/producer had been moved along an AQ route, had slept in AQ safe houses alongside the AQ cell, and they'd filmed the launch of the missile, the impact with the Chinook, and the resulting fireball in the sky.

Now they recorded the ritualistic decapitation of an already dead American soldier. A middle-aged man with handwritten name tape affixed to his body armor that read, "Phillips-Mississippi National Guard." Not one of the camera crew spoke English, but they all agreed they had clearly just recorded the destruction of an elite unit of CIA commandos.

The customary praise of Allah began with the dancing of the fighters and the firing of the weapons into the air. Although the AQ cell numbered only sixteen, there were over thirty armed men now in step with one another in front of the smoldering metal hulk in the street. The videographer focused his lens on a moqtar, a local chieftain, dancing in the center of the festivities. Framing him perfectly in front of the wreckage, his flowing white dishdasha contrasting magnificently with the black smoke billowing up behind him. The moqtar bounced on one foot over the decapitated American, his right hand above him swinging a bloody scimitar into the air.

This was the money shot. The videographer smiled and did his best to remain professional, careful to not follow along with the rhythm and dance in celebration of the majesty of Allah to which he and his camera now bore witness.

The moqtar shouted into the air with the rest. "Allahu Akhbar!" God is greater! He hopped in euphoria with the masked foreigners, his thick facial hair opened to reveal a toothy smile as he looked down at the burnt and bloody piece of dead American meat lying in the street below him.

The crew from Al Jazeera shouted in ecstasy as well. And the videographer filmed it all with a steady hand.

He was a pro; his subject remained centered, his camera did not tremble or flinch.

Not until the moment when the moqtar's head snapped to the side, burst open like a pressed grape, and sinew, blood, and bone spewed violently in all directions.

Then the camera flinched.

Gentry just couldn't help himself.

He fired round after round at the armed men in the crowd, and all the while he cussed aloud at his lack of discipline, because he knew he was throwing his own timetable, his entire operation out the window. Not that he could hear his own curses. Even with his earplugs, the report of the Barrett was deafening as he sent huge projectiles downrange, one after another, the blowback from the rifle's muzzle break propelling sand and debris from the ground around him up and into his face and arms.

As he paused to snap a second heavy magazine into the rifle, he took stock of his situation. From a tradecraft perspective, this was the single dumbest move he could have made, virtually shouting to the insurgents around him that their mortal enemy was here in their midst.

But damn if it did not feel like the right thing to do. He resecured the big rifle in the crook of his shoulder, already throbbing from the recoil, sighted on the downed chopper site, and resumed his righteous payback. Through the big scope he saw body parts spin through the air as another huge bullet found the midsection of a masked gunman.

This was simple revenge, nothing more. Gentry knew his actions altered little in the scope of things, apart from changing a few sons of bitches from solids into liquids. His body continued firing into the now-scattering murderers, but his mind was already worrying about his immediate future. He wouldn't even try for the LZ now. Another chopper in the area would be a target too good for the angry AQ survivors to ignore. No, Gentry decided, he would go to ground: find a drainage culvert or a little wadi, cover himself in dirt and debris, lie all day in the heat, and ignore hunger and bug bites and his need to piss.

It was going to suck.

Still, he reasoned as he slammed the third and final magazine into the smoking rifle, his poor decision did serve some benefit. A half dozen dead shitheads are, after all, a half dozen dead shitheads.


Four minutes after the sniper's last volley, one of the Al Qaeda survivors warily leaned his head out the doorway of the tire repair shop where he had taken cover. After a few moments, each second giving him increased confidence that his head would remain affixed to his neck, the thirty-six-year-old Yemeni stepped fully into the street. Soon he was followed by others and stood with his compatriots around the carnage. He counted seven dead, made this tabulation by determining the number of lower appendages lying twisted in the bloody muck and dividing by two, because there were so few identifiable heads and trunks remaining on the corpses.

Five of the dead were his AQ brethren, including the senior man in the cell and his top lieutenant. Two others were locals.

The Chinook continued to smolder off to his left. He walked towards it, passing men hiding behind cars and garbage cans, their pupils dilated from shock. One local had lost control of his bowels in terror; now he lay soiled and writhing on the pavement like a madman.

"Get up, fool!" shouted the masked Yemeni. He kicked the man in the side and continued on to the helicopter. Four more of his colleagues were behind one of their pickup trucks, standing with the Al Jazeera film crew. The videographer was smoking with a hand that trembled as if from advanced-stage Parkinson's. His camera hung down at his side.

"Get everyone alive into the trucks. We'll find the sniper." He looked out to the expanse of fields, dry hillocks, and roadways off to the south. A dust cloud hung over a rise nearly a mile away.

"There!" The Yemeni pointed.

"We . . . we are going out there?" asked the Al Jazeera audio technician.

"Inshallah." If Allah wills it.

Just then a local boy called out to the AQ contingent, asking them to come and look. The boy had taken cover in a tea stand, not fifteen meters from the crumpled nose cone of the chopper. The Yemeni and two of his men stepped over a bloody torso held together only by a torn black tunic. This had been the Jordanian, their leader. There was a splatter path of blood from where he'd fallen to the outer walls and window of the tea stand, all but repainting the establishment in crimson.

"What is it, boy?" shouted the Yemeni in an angry rush.

The kid spoke through gasps as he hyperventilated. Still, he answered, "I found something."

The Yemeni and his two men followed the boy into the little café, stepped through the blood, looked around a fallen table and back behind the counter. There, on the floor with his back to the wall, sat a young American soldier. His eyes were open and blinking rapidly. Cradled in his arms was a second infidel. This man was black and appeared either unconscious or dead. There were no weapons apparent.

The Yemeni smiled and patted the boy on the shoulder. He turned and shouted to those outside. "Bring the truck!"

A dozen minutes later the three AQ pickups split at a crossroads. Nine men headed to the south in two trucks. They worked their mobile phones for local help to assist them as they went to scour the landscape for the lone sniper. The Yemeni and two other AQ drove the two wounded American prisoners to a safe house in nearby Hatra. There the Yemeni would call his leadership to see how best to exploit his newfound bounty.

The Yemeni was behind the wheel, a young Syrian rode in the passenger seat, and an Egyptian guarded the near-catatonic soldier and his dying partner in the bed of the truck.

Twenty-year-old Ricky Bayliss had recovered some from the shock of the crash. He knew this because the dull throbbing in his broken shin bone had turned into molten-hot jolts of pain. He looked down to his leg and could see only torn and scorched BDU pants and a boot that hung obscenely off to the right. Beyond this boot lay the other soldier. Bayliss didn't know the black GI, but his name tape identified him as Cleveland. Cleveland was unconscious. Bayliss would have presumed him dead except his chest heaved a bit under his body armor. In a moment of instinct and adrenaline, Ricky had dragged the man free of the wreck as he crawled into a shop next to the crash, only to be discovered by wide-eyed Iraqi kids a minute later.

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