Peter Galison
In the pages of her Graphic Women, Hillary L. Chute shows, in engaging, unflinching prose, the accomplishment of five key figures from a generation of women graphic novelists who have used this medium to record history, testify about the cross-currents of life and memory, and draw and write against silence about abuse, dislocation, and sexuality. We have today no more important or gifted writer on the graphic novel than Chute: read the book and you will be plunged headlong into the riveting world of comics today.
— Peter Galison, Harvard University
Donald Ault
Elegantly written and profusely documented, Chute's breakthrough Graphic Women is a remarkable and original book that relentlessly pursues verbal/visual details of graphic narrative. Through constant invention/intervention of powerful interpretive strategies, the volume reveals how gender, trauma, and autobiography are uniquely embodied in the fundamental material dimensions of the comic book form. It will become a new starting point for future comics studies.
— Donald Ault, founder and editor of ImageTexT: Interdisciplinary Comics Studies, University of Florida
Marianne Hirsch
If you are not yet convinced that comics is the avant-garde genre par excellence and that it has provided feminist writers with a prime medium for telling life narratives, then read this book. Read it also to learn a critical vocabulary with which to appreciate and discuss the layered sophistication of this hybrid form and to discover a powerful and diverse tradition of 'graphic women' whose haunting works are beautifully elucidated in this powerful book.
— Marianne Hirsch, Columbia University
Gillian Whitlock
The strange alchemy of comics is inspiring new ways of thinking about gender, trauma, and life narrative. Graphic Women captures the state of the art in this rapidly growing field.
— Gillian Whitlock, author of Soft Weapons: Autobiography in Transit
Bella Brodzki
An exciting and theoretically sophisticated gender and genre study, the kind of book that interpellates its reader, defines its territory, and stakes its claims immediately.
— Bella Brodzki, Sarah Lawrence College
