Graceland, At Last: Notes on Hope and Heartache From the American South

Winner of the 2022 Southern Book Prize

Winner of the 2022 PEN/Diamonstein-Spielvogel Award for the Art of the Essay

An Indie Next Selection for September 2021

A Book Marks Best Reviewed Essay Collection of 2021

A Literary Hub Most Anticipated Book of 2021

A Country Living Best Book of Fall 2022

A Garden & Gun Recommended Read for Fall 2021

A Book Marks Best Reviewed Book of September 2021

From the author of the bestselling #ReadWithJenna/TODAY Show book club pick Late Migrations: A Natural History of Love and Loss

For the past four years, Margaret Renkl's columns have offered readers of The New York Times a weekly dose of natural beauty, human decency, and persistent hope from her home in Nashville. Now more than sixty of those pieces have been brought together in this sparkling collection.

“People have often asked me how it feels to be the `voice of the South,'” writes Renkl in her introduction. “But I'm not the voice of the South, and no one else is, either.” There are many Souths-red and blue, rural and urban, mountain and coast, Black and white and brown-and no one writer could possibly represent all of them. In Graceland, At Last, Renkl writes instead from her own experience about the complexities of her homeland, demonstrating along the way how much more there is to this tangled region than many people understand.

In a patchwork quilt of personal and reported essays, Renkl also highlights some other voices of the South, people who are fighting for a better future for the region. A group of teenagers who organized a youth march for Black Lives Matter. An urban shepherd whose sheep remove invasive vegetation. Church parishioners sheltering the homeless. Throughout, readers will find the generosity of spirit and deep attention to the world, human and nonhuman, that keep readers returning to her columns each Monday morning.

From a writer who “makes one of all the world's beings” (NPR), Graceland, At Last is a book full of gifts for Southerners and non-Southerners alike.

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Graceland, At Last: Notes on Hope and Heartache From the American South

Winner of the 2022 Southern Book Prize

Winner of the 2022 PEN/Diamonstein-Spielvogel Award for the Art of the Essay

An Indie Next Selection for September 2021

A Book Marks Best Reviewed Essay Collection of 2021

A Literary Hub Most Anticipated Book of 2021

A Country Living Best Book of Fall 2022

A Garden & Gun Recommended Read for Fall 2021

A Book Marks Best Reviewed Book of September 2021

From the author of the bestselling #ReadWithJenna/TODAY Show book club pick Late Migrations: A Natural History of Love and Loss

For the past four years, Margaret Renkl's columns have offered readers of The New York Times a weekly dose of natural beauty, human decency, and persistent hope from her home in Nashville. Now more than sixty of those pieces have been brought together in this sparkling collection.

“People have often asked me how it feels to be the `voice of the South,'” writes Renkl in her introduction. “But I'm not the voice of the South, and no one else is, either.” There are many Souths-red and blue, rural and urban, mountain and coast, Black and white and brown-and no one writer could possibly represent all of them. In Graceland, At Last, Renkl writes instead from her own experience about the complexities of her homeland, demonstrating along the way how much more there is to this tangled region than many people understand.

In a patchwork quilt of personal and reported essays, Renkl also highlights some other voices of the South, people who are fighting for a better future for the region. A group of teenagers who organized a youth march for Black Lives Matter. An urban shepherd whose sheep remove invasive vegetation. Church parishioners sheltering the homeless. Throughout, readers will find the generosity of spirit and deep attention to the world, human and nonhuman, that keep readers returning to her columns each Monday morning.

From a writer who “makes one of all the world's beings” (NPR), Graceland, At Last is a book full of gifts for Southerners and non-Southerners alike.

35.99 In Stock
Graceland, At Last: Notes on Hope and Heartache From the American South

Graceland, At Last: Notes on Hope and Heartache From the American South

by Margaret Renkl

Narrated by Joyce Bean

Unabridged — 7 hours, 56 minutes

Graceland, At Last: Notes on Hope and Heartache From the American South

Graceland, At Last: Notes on Hope and Heartache From the American South

by Margaret Renkl

Narrated by Joyce Bean

Unabridged — 7 hours, 56 minutes

Audiobook (Digital)

$35.99
(Not eligible for purchase using B&N Audiobooks Subscription credits)

Listen on the free Barnes & Noble NOOK app


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Overview

Winner of the 2022 Southern Book Prize

Winner of the 2022 PEN/Diamonstein-Spielvogel Award for the Art of the Essay

An Indie Next Selection for September 2021

A Book Marks Best Reviewed Essay Collection of 2021

A Literary Hub Most Anticipated Book of 2021

A Country Living Best Book of Fall 2022

A Garden & Gun Recommended Read for Fall 2021

A Book Marks Best Reviewed Book of September 2021

From the author of the bestselling #ReadWithJenna/TODAY Show book club pick Late Migrations: A Natural History of Love and Loss

For the past four years, Margaret Renkl's columns have offered readers of The New York Times a weekly dose of natural beauty, human decency, and persistent hope from her home in Nashville. Now more than sixty of those pieces have been brought together in this sparkling collection.

“People have often asked me how it feels to be the `voice of the South,'” writes Renkl in her introduction. “But I'm not the voice of the South, and no one else is, either.” There are many Souths-red and blue, rural and urban, mountain and coast, Black and white and brown-and no one writer could possibly represent all of them. In Graceland, At Last, Renkl writes instead from her own experience about the complexities of her homeland, demonstrating along the way how much more there is to this tangled region than many people understand.

In a patchwork quilt of personal and reported essays, Renkl also highlights some other voices of the South, people who are fighting for a better future for the region. A group of teenagers who organized a youth march for Black Lives Matter. An urban shepherd whose sheep remove invasive vegetation. Church parishioners sheltering the homeless. Throughout, readers will find the generosity of spirit and deep attention to the world, human and nonhuman, that keep readers returning to her columns each Monday morning.

From a writer who “makes one of all the world's beings” (NPR), Graceland, At Last is a book full of gifts for Southerners and non-Southerners alike.


Editorial Reviews

Publishers Weekly

07/26/2021

New York Times columnist Renkl (Late Migrations) effectively lifts the lid on Southern culture and challenges its stereotypes in this versatile compendium. Renkl’s essays cover the natural world, local politics, Southern-fried art and culture, and social justice issues from a Nashvillian perspective. Her nature writing shows an impressive predilection for botany and ornithology—in “The Eagles of Reelfoot Lake,” she describes Tennessee’s once-endangered bald eagles and their now-precarious relationship with their local ecosystem, and “Make America Graze Again” describes a local man who takes his itinerant flock of sheep around the city to “manage invasive vegetation.” Her most affecting and passionate writing, however, is on the volatile political climate of her hometown and being a “red-state liberal”—“There Is a Middle Ground on Guns” covers growing up “in a culture where guns are ubiquitous,” and “We’re All Addicts Here” movingly recounts how the opioid epidemic has ravaged her state and casts responses from politicians as “too little too late.” The only drawback to Renkl’s collection is that many of these essays feel like they deserve more long-form elaboration—to break them out of the confines of her column space. Still, this serves as a well-written collection for anyone interested in everyday life below the Mason-Dixon Line. (Sept.)

From the Publisher

"[Graceland, At Last] is Renkl at her most tender and most fierce . . . Renkl's gift, just as it was in her first book Late Migrations, is to make fascinating for others what is closest to her heart . . . What rises in me after reading her essays is [John] Lewis' famous urging to get in good trouble to make the world fairer and better. Many people in the South are doing just that—and through her beautiful writing, Renkl is among them." —NPR

"In this luminous collection, Margaret Renkl delivers smart, beautifully crafted personal and political observations . . . I keep this book nearby to revisit the humanity and hope in its pages." Minneapolis Star Tribune

"Amazing and inspiring. [Graceland, At Last] will help you figure out concrete things you can do to save the planet." —Ann Patchett

"Reading the short essays in this book has strengthened my understanding and love for the South, its people, its land, and its complexities. I especially have enjoyed reading Renkl's thoughtful reflections on flora and fauna, and I find myself looking to my changing backyard this fall with a new appreciation." Garden & Gun, "New Reads for Fall 2021"

"[Renkl] doesn't shy from hard topics but explores them with the careful hand of someone whose heart yearns for healing, growth, and understanding for the region she loves. A must read for those who live and love the South!" Country Living, "Best Books of Fall 2021"

"Everyone should have a friend like Margaret Renkl: thoughtful, engaged, compassionate and, above all, acutely observant. Since that's not always possible, the next best thing is to share her company in the diverse and consistently stimulating essay collection Graceland, At Last . . . Renkl is both unfailingly honest and deeply empathetic in creating the vivid portrait of her home region that emerges organically from these intensely personal and well-informed essays." —Shelf Awareness

"Margaret Renkl's perspective feels like a guiding light . . . No matter where you're from, column after column, Renkl will make you feel right at home." Pittsburgh Post-Gazette

"Readers can easily home in on one of the book's wide-ranging six sections, sample an essay or two from each, or barrel through from start to finish, as whim dictates. Renkl's voice is calm, steady and sometimes surprising . . . She celebrates a host of new voices in southern writing and sees in their world the light of justice and hope for the South." —Booklist

"From her home in Nashville—'a blue dot in the red sea of Tennessee'—[Renkl] writes perceptively of the region where she was born and raised (in Alabama), educated (in South Carolina), and settled . . . Renkl vividly evokes the lush natural beauty of the rivers, old-growth forests, 'red-dirt pineywoods,' marshes, and coastal plains that she deeply loves . . . A wide-ranging look at the realities of the South." —Kirkus Reviews

“If you’ve happened upon the poignant and off-road opinion pieces Renkl writes as a contributor to The New York Times, you already know that the natural world is something she closely observes and uses as a springboard to contemplate other, less tangible subjects. . . . Her life story and her life’s passion intertwine, like a fence post and a trumpet vine.”—Maureen Corrigan, NPR’s Fresh Air

"Graceland, At Last takes us to Renkl's homeland and shines a light on her life in the South, its complexities and its hopes. In these pages, you will find Black Lives Matter organizers, churches sheltering the homeless, and even helpful sheep. Reading Margaret Renkl is like seeing the world in color for the first time." —Literary Hub, "Most Anticipated Books of 2021"

"Graceland, At Last gathers a selection of Renkl's columns from the past four years, inviting loyal readers and newcomers alike to take in Renkl's perspective on the world . . . Whether extolling the wonders of a rattlesnake or lamenting Southern Christians' support of oppressive policies, Renkl engages with her home region's beauty and complexity." BookPage

"While [Graceland, At Last] is not a how-to, we come away with how to better 'belong to one another' in a time when we desperately need to." Arkansas International

"In her newest book, Graceland, At Last, Margaret Renkl invites readers—southerners and non-southerners alike—into her homeland, her city, her yard . . . What we discover along the way is a place that is both 'damaged and damaging,' but also full of people who inspire and landscapes too beautiful for words. Through these warm and heartfelt essays, Renkl shows us how to keep on loving this complicated place, how to look right at its 'appalling truths' and gesture, still, toward hope." Southern Humanities Review

"Renkl is a master prose stylist, her generation's E.B. White. Whatever she writes about comes alive through carefully crafted sentences in which sound and sense harmonize at the highest levels." California Review of Books

"Renkl is so likable, as a writer and an individual, with her rich family traditions, her concern for justice, and her observant and unsentimental love of nature, that every paragraph feels like a conversation with a friend." —Brevity

"It's heartening to see a columnist for a major American newspaper writing so regularly about nature with a passion the media's chattering classes typically reserve only for politics and entertainment . . . Renkl's columns deserve to be read again, and for years to come." Christian Science Monitor

"New York Times columnist Renkl effectively lifts the lid on the Southern culture and challenges its stereotypes in this versatile compendium. Renkl's essays cover the natural world, local politics, Southern-fried art and culture, and social justice issues from a Nashvillian perspective. Her nature writing shows an impressive predilection for botany and ornithology . . . [Graceland, At Last] serves as a well-written collection for anyone interested in everyday life below the Mason-Dixon Line." —Publishers Weekly

“Like nothing else in the newspaper, [Renkl’s columns] burst with awareness of the things of nature, awareness that our lives are led in that midst, permeated with and part of the natural world. All is written with an open, joyful, yet steady voice of wonder.”Philadelphia Inquirer

“In 1956, author E.B. White suggested that newspapers cover nature as eagerly as commerce, having columns devoted not only to the flow of business but also the arrival of birds. Renkl . . . seems like a belated answer to White . . . [crafting] graceful sentences that White would surely have enjoyed. A collection of her Times columns would be a welcome thing.”Wall Street Journal

“Renkl is a frequent op-ed writer for The New York Times, where she captures the spirit and contemporary culture of the American South better than anyone.”BookPage

"Margaret Renkl's essays alternate between balm for the soul and outrage at the world with all of its injustices. She makes me think and see things in a different light and for that I'm eternally grateful." —Indie Next List (September 2021), selected by Jayne Gowsam, Mystery to Me

"Margaret Renkl is one of my absolute favorite writers working today. Like Late Migrations before it, Graceland, At Last is a gift—full of sorrow, joy, grief, and yes—hope. I implore you to read her work." —Alex Brubaker, Midtown Scholar Bookstore

"Margaret Renkl is my favorite essayist. Every week I look for her column in the opinion pages of the New York Times. In a time when the country has such deep divisions, I can rely on her writing to be all heart, no snark. I'm so proud to have this fellow Nashvillian's newest collection on my shelf." —Karen Hayes, Parnassus Books

"It's one thing to be a good reporter. Another to be a good writer. And finally, and more rare, a good storyteller. Margaret Renkl is among our best at all three. To see her full powers on display in this collection is truly a gift. We are in a golden age of nonfiction, I feel, and Renkl is one of the brightest reasons why. I love this book." —Chris La Tray, Fact & Fiction

"Margaret Renkl wrote a favorite book of mine, Late Migrations, which was published in 2019. In this collection of essays, she expands upon what being a Southerner means to her, and not surprisingly I loved it. She writes about nature, her Christian faith, politics, systemic racism, musicians, and a variety of cultural influencers that are a rich variety of her reflections being raised in Alabama and as an adult living in Nashville. Through it all she searches with compassion and empathy for common ground so that all people can aspire to and live a better life." —Todd Miller, Arcadia Books

"The only thing better than a Margaret Renkl column appearing in my paper in the morning, is a book of columns that appears all at once! Margaret's grace of language, heart-filled societal goals and appreciation for the natural world fill this collection and give readers ideas, poignant facts to think about, and hope." —Kira Wizner, Merritt Bookstore

"With the same profound observation and sensitivity as in her first book, Margaret Renkl's collection of newspaper columns in Graceland, At Last explores even more aspects of the current American South, going beyond stereotypes and caricatures to reveal the real people, plants, and animals that live there, and how they band together during the dark times of the last few years. From social justice to family recipes, these short columns illuminate all manner of hidden things that often go overlooked." —Ellie Ray, Content Book Store

"It's a punch in the gut and a balm for the soul. Graceland, At Last is Margaret Renkl's collection of essays from the New York Times, and she has assembled a wide range of columns considering everything from birds to country music to social justice. Renkl is a writer who throws her whole self into her observations . . . Her observations on the American experience are hard to take sometimes. She pulls no punches about American failures in race relations, care of the environment, and political life. Yet, she is also a writer full of the wonder about the world, seeing and helping us to see the hope and possibility in humanity." —Sarah Young, Raven Book Store

"Since 2017, Mondays have been redeemed by the appearance of a new column by Margaret Renkl in the Opinion section of the New York Times. By turns humorous, angry, hopeful, or meditative—and always graceful, thought-provoking, and deftly observed—these views of life from Nashville show us our world in ways we may not have thought of it before. Now Renkl has gathered 59 of these bite-sized pieces into a substantial collection. Organized 'as a kind of patchwork quilt'—in homage to her foremothers—Graceland, At Last challenges the notion of a homogenous New South even as it gives a balanced view of the region through its distinctive natural landscape, political and cultural history, and the specifics of Renkl's own life and family. What emerges is a wide-ranging portrait of a place as rich in beauty and tradition as it is blighted by racism and bias. Renkl decries the worst of the South's Red State tendencies while celebrating its effort to face and transcend them with new institutions such as the Legacy Museum and the National Memorial for Peace and Justice. She laments the thoughtless cutting down of trees but finds hope in the sight of purple martins—a bird whose survival depends on human-supplied birdhouses. Other gems include the reminder that a rattlesnake is a gentle, not malign creature, and her donning of five inherited wedding bands as an amulet against her fears—one that works like a charm." —Laurie Greer, Politics & Prose

"Late Migrations is a staff favorite at our store. Not only do we hand sell it to customers, we have been giving copies as gifts far and wide. The author's writing is spare, beautiful, thoughtful and wise, and she captures a Southern life in a way no one else does. For those who relish Renkl's writing in the New York Times, Graceland provides a wonderful opportunity to reread favorite essays, as well as share her writing with others." —Lia Lent, Wordsworth Books

"Margaret Renkl's weekly New York Times columns about culture in the South call out our many failures while describing in beautiful details what makes our part of America so beautiful. Just when I think there's no possible way to capture the tension between the terrible and the special, Renkl's words are there to express what I am feeling." —Sissy Gardner, Parnassus Books

"Margaret Renkl is terrific. I loved dipping in and out of these essays." —Sheryl Cotleur, Copperfield's Books

Praise for Late Migrations

A TODAY Show #ReadWithJenna Book Club Pick
Winner of 2020 Phillip D. Reed Environmental Writing Award
Finalist for the Southern Book Prize
Named a “Best Book of the Year” by New Statesman, New York Public Library, Chicago Public Library, Foreword Reviews, and Washington Independent Review of Books
An Indie Next Selection, Indies Introduce Selection, and Okra Pick


“Beautifully written, masterfully structured, and brimming with insight into the natural world, Late Migrations can claim its place alongside Pilgrim at Tinker Creek and A Death in the Family. It has the makings of an American classic.”—Ann Patchett, author of The Dutch House

“[Renkl] is the most beautiful writer! I love this book. It’s about the South, and growing up there, and about her love of nature and animals and her wonderful family.”—Reese Witherspoon

“Reflective and gorgeous . . . I have recommended this book to everybody that I know. It is a beautiful book about love, and [how] . . . to find the beauty in the little things.”—Jenna Bush Hager, the TODAY Show

“A vivid and original essay collection . . . This is the kind of writing that makes me just want to stay put, reread and savor everything about that moment.”—Maureen Corrigan, NPR’s Fresh Air

“Equal parts Annie Dillard and Anne Lamott with a healthy sprinkle of Tennessee dry rub thrown in.”New York Times Book Review

“A compact glory, crosscutting between consummate family memoir and keenly observed backyard natural history. Renkl’s deft juxtapositions close up the gap between humans and nonhumans and revive our lost kinship with other living things.”—Richard Powers, author of The Overstory

“Magnificent . . . Conjure your favorite place in the natural world: beach, mountain, lake, forest, porch, windowsill rooftop? Precisely there is the best place in which to savor this book.”—NPR.org

“Late Migrations has echoes of Annie Dillard’s The Writing Life—with grandparents, sons, dogs and birds sharing the spotlight, it’s a witty, warm and unaccountably soothing all-American story.”People

“[Renkl] guides us through a South lush with bluebirds, pecan orchards, and glasses of whiskey shared at dusk in this collection of prose in poetry-size bits; as it celebrates bounty, it also mourns the profound losses we face every day.”O, the Oprah Magazine

“A lovely collection of essays about life, nature, and family. It will make you laugh, cry—and breathe more deeply.”Parade

“This warm, rich memoir might be the sleeper of the summer. [Renkl] grew up in the South, nursed her aging parents, and never once lost her love for life, light, and the natural world. Beautiful is the word, beautiful all the way through.”Philadelphia Inquirer

“Like the spirituality of Krista Tippett’s On Being meets the brevity of Joe Brainard . . . The miniature essays in Late Migrations approach with modesty, deliver bittersweet epiphanies, and feel like small doses of religion.”—Literary Hub

“In her poignant debut, a memoir, Renkl weaves together observations from her current home in Nashville and short vignettes of nature and growing up in the South.”Garden & Gun

“A book that will be treasured.”Minneapolis Star Tribune

“One of the best books I’ve read in a long time . . . [and] one of the most beautiful essay collections that I have ever read. It will give you chills.”—Silas House, author of Southernmost

“Renkl holds my attention with essays about plants and caterpillars in a way no other nature writer can.”—Mary Laura Philpott, author of I Miss You When I Blink

“This is the story of grief accelerated by beauty and beauty made richer by grief. . . . Like Patti Smith in Woolgathering, Renkl aligns natural history with personal history so completely that the one becomes the other. Like Annie Dillard in Pilgrim at Tinker Creek, Renkl makes, of a ring of suburbia, an alchemical exotica.”The Rumpus

“Renkl feels the lives and struggles of each creature that enters her yard as keenly as she feels the paths followed by her mother, grandmother, her people. Learning to accept the sometimes harsh, always lush natural world may crack open a window to acceptance of our own losses. In Late Migrations, we welcome new life, mourn its passing, and honor it along the way.”—Indie Next List (July 2019), selected by Kat Baird, The Book Bin

“[A] stunning collection of essays merging the natural landscapes of Alabama and Tennessee with generations of family history, grief and renewal. Renkl’s voice sounds very close to the reader’s ear: intimate, confiding, candid and alert.”—Shelf Awareness

“Late Migrations is a gift, and fortunate readers will steal away to a beloved nook or oasis to commune with its riches. Or they will simply dig into it, unprepared, like the mother with no gardening tools who determinedly pulls weeds until the ground blossoms. They might entrust it to fellow seekers they believe can handle its power. Consecrated, they’ll leave initiated into an art of observation lived beautifully in richness, connection, worry, and love.”The Christian Century

“How can any brief description capture this entirely original and deeply satisfying book? . . . I can’t help but compile a list of people I want to gift with Late Migrations. I want them to emerge from it, as I did, ready to apprehend the world freshly, better able to perceive its connections and absorb its lessons.”—Beth Ann Fennelly, Chapter 16

“[A] magnificent debut . . . Renkl instructs that even amid life’s most devastating moments, there are reasons for hope and celebration. Readers will savor each page and the many gems of wisdom they contain.”Publishers Weekly (starred review)

“Contemplative yet powerful . . . Renkl is so in touch with the birds and butterflies of her yard that one could mistake her for a trained naturalist.”Book Page (starred review)

“Compelling, rich, satisfying . . . The short, potent essays of Late Migrations are objects as worthy of marvel and study as the birds and other creatures they observe.”Foreword Reviews (starred review)

“Renkl captures the spirit and contemporary culture of the American South better than anyone.”Book Page, A 2019 Most Anticipated Nonfiction Book

“[Late Migrations] is shot through with deep wonder and a profound sense of loss. It is a fine feat, this book. Renkl intimately knows that ‘this life thrives on death’ and chooses to sing the glory of being alive all the same.”Booklist

“A series of redolent snapshots and memories that seem to halt time. . . . [Renkl’s] narrative metaphor becomes the miraculous order of nature . . . in all its glory and cruelty; she vividly captures ‘the splendor of decay.’”Kirkus

“A captivating, beautifully written story of growing up, love, loss, living, and a close extended family by a talented nature writer and memoirist that will appeal to those who enjoy introspective memoirs and the natural world close to home.”Library Journal

“A beautifully written collection of essays about nature and the author's childhood.”—NYPL.org (Best Book of 2019)

“Compact, delicate like a work of poetry, and often gorgeous in detail, this is a refreshing read for readers interested in family as well as nature.”—Chicago Public Library

“Late Migrations is such a beautiful book, you’ll want to gift it to someone you love. Meditative and poetic, without being stuffy, Renkl gets at the meanings in life.”—Campus Circle

“A close and vigilant witness to loss and gain, Renkl wrenches meaning from the intimate moments that define us. Her work is a chronicle of being. And a challenge to cynicism. Late Migrations is flat-out brilliant and it has arrived right on time.”—John T. Edge, author of The Potlikker Papers

“Gracefully written and closely observed, Renkl’s lovely essays are tinged with the longing for family and places now gone while rejoicing in the flutter of birds and life still alive.”—Alan Lightman, author of Einstein’s Dreams

“Here is an extraordinary mind combined with a poet’s soul to register our own old world in a way we have not quite seen before. Late Migrations is the psychological and spiritual portrait of an entire family and place presented in quick takes—snapshots—a soul’s true memoir. The dire dreams and fears of childhood, the mother’s mysterious tears, the imperfect beloved family . . . all are part of a charged and vibrant natural world also filled with rivalry, conflict, the occasional resolution, loss, and delight. Late Migrations is a continual revelation.”—Lee Smith, author of The Last Girls

“What a treasure. I was captivated by the astonishing vignettes she created in just a few short sentences; mere fragments conveyed a lifetime.”—Jenny Lyons, Vermont Bookshop (Literary Hub)

“In compact, lyrical essays, Renkl captures the fleeting brutal beauty of life. Renkl’s keen observations of suburban nature—birds, butterflies, and brambles—give depth and texture to the narratives she shares about her parents, her daily life, and her child’s clear-eyed curiosity. Like Helen Macdonald’s H is for Hawk, Renkl’s Late Migrations reads as a grief memoir bound up with deeply attentive nature writing.”—Trista Doyle, Left Bank Books

“Late Migrations is a gorgeous, somber treasure of a book. Death and its many forms permeate Renkl’s meditative work; from the death of her father to the death of a small bird in the road, grief is a constant companion throughout these pages. But the sorrow never becomes overwhelming; in fact, each passage takes on a unique, bittersweet wisdom that can only be gained by experiencing loss. Renkl’s part memoir, part nature writing, and part essay collection is such a unique reading experience and one I will remember and recommend for many years to come.”—Caleb Masters, Bookmarks

APRIL 2022 - AudioFile

Joyce Bean’s warm, friendly voice is by turns serious and smiling in her excellent narration of Margaret Renkl’s insightful new essay collection. Drawn from Renkl’s weekly NEW YORK TIMES column, the 60 pieces in this audiobook cover all manner of life in the American South, including animals, culture, plants, and politics. Renkl, who lives in Tennessee, is a detailed observer whether she’s watching a flock of sheep “mow” a lawn, considering John Prine’s music, or writing an open letter about racism to her fellow white Christians. She blends her private life throughout, giving listeners personal involvement with the essays. Bean’s clear, straightforward, and welcoming performance is perfectly in tune with Renkl’s mix of intimacy and objectivity. A.C.S. © AudioFile 2022, Portland, Maine

Kirkus Reviews

2021-06-24
A Southerner examines a complicated region.

Since August 2015, Renkl has contributed essays about the South to the New York Times, reflecting on nature and the environment, politics and religion, social justice, family and community, and arts and culture. From her home in Nashville—“a blue dot in the red sea of Tennessee”—she writes perceptively of the region where she was born and raised (in Alabama), educated (in South Carolina), and settled. “All I can do,” she writes, “is try to make it clear that there is far more to this intricate region than many people understand.” Of the nearly 60 essays she has gathered in what she calls a “patchwork quilt” collection, some are journalistic, some polemical, and some frankly personal: her son’s marriage during the pandemic, for one, and a long-deferred visit to Graceland. In many, Renkl vividly evokes the lush natural beauty of the rivers, old-growth forests, “red-dirt pineywoods,” marshes, and coastal plains that she deeply loves. As she shows, that land is in peril. The Tennessee River is polluted with microplastics; habitat destruction threatens monarch butterflies; climate change alters the trajectory of migratory birds. Renkl reports on efforts to address these and other problems that beset the region, including opioid addiction, gun violence, and racism. In Tennessee, she writes, tactics to suppress votes include confiscating driver’s licenses, impeding mail-in ballots, and “disqualifying voter registration applications for specious reasons.” Later, she notes that “Election Law Journal ranked Tennessee forty-eighth in ease of voting” (ahead of Virginia and Mississippi). Nevertheless, Renkl finds hope for change. “I know that Southern hospitality is a real thing, and that it isn’t race contingent,” she writes. “I know how very many people here are fighting to make life safer and more equitable for everyone, even for those who keep voting to make life less safe and less fair for everyone else.”

A wide-ranging look at the realities of the South.

Product Details

BN ID: 2940192739358
Publisher: Brilliance Audio
Publication date: 02/08/2022
Edition description: Unabridged

Read an Excerpt

Hawk. Lizard. Mole. Human.
Because William Blake was right: “Every thing that lives is holy.”
August 31, 2020

Hawk.

One of my sons noticed it before the rest of us did: a hawk perched on the edge of the birdbath mounted to our deck rail, only a few feet from the back door. One yellow claw gripped the edge of the shallow bowl; the other claw was curled up and tucked into the bird’s breast feathers as though for sleep. It was the middle of a bright Sunday afternoon, but the hawk had settled in for a stay. Its coloring—the brown streaking, the pale eyes—indicated a young Cooper’s hawk, not long out of the nest.

Food is abundant during these hot, dry days, but water is not, and many thirsty creatures make use of this birdbath. As we were marveling over the hawk, a young squirrel came around the edge of the nearest maple tree and leapt lightly onto the railing, heading over for a drink. It saw the hawk and stopped for a moment to look it over. Then, unbelievably, the squirrel continued to make its way toward the birdbath. The three humans standing at the back door all gasped.

Cooper’s hawks belong to the genus Accipiter, avian predators capable of immense speed and built to navigate dense vegetation in pursuit of prey. My field guide, Pete Dunne’s Birds of Prey, calls the Cooper’s hawk “a slate-backed, torpedo-shaped cruise missile of a raptor.” These birds eat mostly other birds, and they can be the bane of backyard bird-watchers because they often stake out feeders. It is terrible to watch what happens when a Cooper’s hawk kills a songbird—the explosion of feathers, the piteous cry.

At first the hawk remained in its resting position, but I wish you could have seen what happened to its eyes when it saw that squirrel. Its head turned; I swear I could see its pupils dilate.

The baby squirrel was lucky that this was a baby hawk: a goofy, inexpert chase scene unfolded in the maple tree, with no harm come to the squirrel, but already there was a focused savagery in that young bird’s eyes that I have never seen before except in photos and film. A thrilling ferocity—dangerous and urgent. Utterly, beautifully, inescapably wild.

Lizard.

On the other side of the house, a skink has taken up residence under the low ramp my husband built for his elderly father’s scooter chair. The ramp is covered with old roofing shingles, and last spring, when the skink was carrying eggs, she took to lying on those sun-warmed shingles and sprawling out like a teenager on a pool raft, or Superman in flight: arms extended, legs stretched out behind her. The broadhead skink is the largest lizard native to the Southeast, reaching up to thirteen inches in length. The skink who shares our front stoop is well past half that size.

Broadhead skinks are attentive mothers, and ours disappeared for a few weeks in early summer, presumably to lay her eggs and guard them till they’d safely hatched. I was afraid a feral cat had caught her, but she’s back now, and from time to time a miniature striped skink with a blue tail will join her on the stoop. It may be one of her babies, though of course I can’t be sure.

Broadhead skinks are often found in trees, but this one rarely leaves the shelter of our ramp except to hunt or to sun, and the spot she has picked out is rich in insects, so she needn’t range far. When she’s startled, she darts more quickly than you could possibly believe, but when she prowls, she moves in an undulation that mimics the gliding of a snake. I have watched delivery drivers jump back at the sight of her.

I like to watch our resident skink while she’s sunning, the way she looks up at me through the glass of the storm door, fully aware that I’m watching her. If I open the door, she’ll scoot under the ramp on reptilian principle, but she has learned that I am not a threat. Once she’s safely under cover, she’ll poke her head back out to see what I’m up to. There is such transparent intelligence in her eyes.

Really, it’s just one eye, for she always tilts her head sideways to look at me, exactly the way a songbird would. When I walk out front to feed the bluebirds, I always toss a few worms into the ground cover for the furtive house wrens, who, though ferocious, can’t compete with an entire bluebird family. The wrens are quick, but the skink, waiting at the stoop at the exact right time of day, always helps herself to a worm or two before the wrens even realize I’ve come outside.

Mole.

I haven’t actually seen a mole, but a mole lives here. Beyond the front stoop, its tunnels crisscross our yard, and walking there becomes an exercise in sinking. We once had a terrier mix named Betty who spent all autumn digging up mole runs. Every year she managed to make our yard look like someone had been conducting trench warfare there.

Millie, our current terrier mix, has never shown the first inclination to dig anywhere or to hunt anything, so the current mole remains unmolested. There are spots all over our yard where the mole has opened up a hole in the earth to push out the loose soil it has excavated in making its tunnels, or where its offspring have exited the tunnel in search of their own territories: as I learned from Marc Hamer’s wonderful memoir How to Catch a Mole: Wisdom from a Life Lived in Nature, hands down the most charming book I read in 2019, moles are combative, solitary creatures except during mating, and their youngsters don’t hang around.

Moles can wreck the appearance of a poisoned, sprinkler-watered lawn, but they have never done any harm to this scruffy, wildlife-friendly patch of ground. Many wildflower seeds require disturbed soil to germinate and take root, and molehills are a safe landing place for wildflower seeds carried on the wind. Meanwhile the mole is busy underground doing its useful work: aerating the soil and consuming vast quantities of worms, slugs, and grubs—often eating its own body weight in a day. A resident mole is always better pest control than any exterminator, and I will always choose a living creature over any field of poisoned grass.

Human.

How lucky I am to live in a home with windows. Against all odds—the encroachments of construction companies and lawn services and exterminators—these windows still open onto a world that stubbornly insists on remaining wild. I love the bluebirds, and I also love the murderous hawk who reminds me that the peace of the backyard is only a fiction. I love the lizard who looks so much like a snake, and I also love the snake who would eat her if it could.

And my friend the mole, oh how I love my old friend the mole. In these days that grow ever darker as fears gather and autumn comes on, I remember again and again how much we all share with this soft, solitary creature trundling through invisible tunnels in the dark, hungry and blind but working so hard to move forward all the same.

***

A Slow-Motion Coup in Tennessee
For years, Republicans in this state have attempted to undermine the foundation of democratic government: the vote.
November 5, 2018

Emblazoned on the front page of the website for Vote.org, which was founded in 2008 to increase voter turnout, there’s a quotation from Ronald Reagan: “For this Nation to remain true to its principles, we cannot allow any American’s vote to be denied, diluted, or defiled. The right to vote is the crown jewel of American liberties, and we will not see its luster diminished.”

The party of Reagan no longer shares this particular ideal, at least not here in the South. In Tennessee, transparent voter suppression efforts have included an array of tactics:
Confiscating the driver’s licenses of citizens who can’t afford to pay traffic fines. This onerous law prevents the impoverished not only from voting but also from working—93.4 percent of working Tennesseans need cars to get to their jobs—and being unable to work prevents them from paying their fines. “Since 2012, at least 250,000 driver’s licenses have been suspended for nonpayment of traffic fines and costs,” according to a class-action lawsuit filed against the state. In October, a federal judge issued a preliminary injunction in the case, ordering Tennessee to stop the practice of revoking licenses and requiring the state to allow people to apply to get their licenses back. The state is appealing the decision.

Effectively disenfranchising college students. It’s not permissible to mail in a ballot in Tennessee unless you registered to vote in person before an election commission official, or have voted in a previous election. This law makes it extremely difficult for students to vote in national elections, which are held in November and thus in the middle of a school term. The rules about voting by mail in Tennessee are so complicated that the campaign staff of United States Representative Jim Cooper, a Democrat, created a graphic to help explain it. Even the graphic is complicated.

Disqualifying voter registration applications for specious reasons. Shelby County is Tennessee’s largest county. It is also a county where African Americans are in the majority. Last month, the Memphis branch of the NAACP and the Tennessee Black Voter Project sued the Shelby County Election Commission over a backlog of more than ten thousand voter registration applications that had not yet been processed because, according to election officials, they were incomplete. (The election commission considered an application incomplete even if only the field designating the citizen’s title—Mr., Ms., or Mrs.—was left blank.) A chancery court judge ordered the commission to allow citizens to complete the forms and vote on Election Day. The Tennessee Supreme Court subsequently ruled that such voters could cast provisional ballots only.

Indifference to the prospect of election interference. Despite a cyberattack last May during the primary election in Knox County, and despite dire warnings from national intelligence agencies that elections all over the country are vulnerable to attack by hostile foreign governments, we have almost no voting machines in Tennessee that are capable of producing a backup paper ballot in the event of an electronic attack.

Representative Cooper has been arguing for months—since well before the attack in Knox County—that we need to safeguard our vote with a paper-ballot backup system. Forty-six other states will have (or will be in the process of instituting), a system called the Voter Verified Paper Audit Trail in time for the 2020 election, but Tennessee will have no such thing. And here’s the kicker: we actually have the money to pay for those upgrades via funding allocated under the Help America Vote Act.

“The State of Tennessee has over $28 million left over from federal funds provided to the states after the ‘hanging chad’ fiasco in Florida in 2000,” Lisa Quigley, Mr. Cooper’s chief of staff and someone who has made a specialty of studying voter suppression in this state, said in an email. “These funds can be used only for improving our election system, and Tennessee sits on that money year after year.” Perhaps that’s because most of the dozen or so identified cyberattacks of the midterm so far have been directed against Democratic candidates.

One of the most burdensome requirements of voting in Tennessee is the state-issued photo ID itself. The necessary documentation to register to vote includes two proofs of residence, proof of identity, a Social Security number, and proof of citizenship or lawful residence—all of which can be hard to come by for anyone without a steady job, stable housing, and internet access. It’s almost like Tennessee doesn’t want the poor to vote.

All of this explains why a new state-by-state analysis in the September issue of Election Law Journal ranked Tennessee forty-eighth in ease of voting. Only Mississippi and Virginia made voting harder for their own citizens.

You might be forgiven for believing that elected officials here have been trying to stage a coup. What is voter suppression but an attempt to thwart the will of the people? And what is democracy itself if not a government formed by the will of the people and designed to protect their rights—the rights of all of them, whether they are in the majority or the minority? In its baldest terms, any attempt to prevent people from voting, or to dilute the governing force of those who do manage to vote, is really nothing less than an act of treason.

Is it fair to blame Republicans for voter suppression in our state? Democrats are certainly not immune to the temptation to take advantage of all available avenues to power. Gerrymandering and dark money offer bipartisan appeal. Nevertheless, Democrats can’t hold a candle to Republicans in erecting barriers to voting. Statehouses held by Democrats tend to pass laws that encourage voting; when Democrats are in charge, the barriers to voting typically fall.

But here in Tennessee Republicans are in charge. Our governor and both of our senators are Republicans; our state Congressional delegation is made up of seven Republicans and two Democrats. On an electoral map of Tennessee, the entire state is red but for two lonely blue districts: Nashville and Memphis. That’s why Republicans hold a supermajority in both houses of the Tennessee General Assembly. If elections are messed up here, it’s the Republicans’ fault.

One thing we do get right in Tennessee is early voting. In most elections, there are fifteen preelection days during which a limited number of poll sites is open. The number of sites and the hours they are open can vary, but the practice does allow for the kind of flexibility that makes voting easier, at least for those who are actually registered and have the necessary ID. Roughly three times as many Tennesseans voted early this year than the number who voted early in the last midterm election. Here’s hoping these new voters truly believe in the power of the words Ronald Reagan spoke so long ago.

***

An Open Letter to My Fellow White Christians
Our sins are grievous, but we are not yet beyond redemption.
June 8, 2020

Since long before it was a country, our country has been in flames. When we arrived on our big ships and decimated this land’s original peoples with our viruses and our guns, when we used our Christian faith as a justification for killing both “heretic” and “heathen,” we founded this country in flames. And every month, every week, every day, for the last four hundred years, we have been setting new fires.

White Christians who came before us captured human beings and beat them and raped them and stole their babies from them and stole their parents from them and stole their husbands and their wives from them and locked them in chains and made them work in inhuman conditions. Our spiritual ancestors went to church and listened to their pastors argue that these human beings weren’t even human. Our pastors don’t tell us that anymore, but we are still setting fires.

Christians set a fire every time we allow our leaders to weaponize our fears against us. We set a fire every time our faith in good police officers prevents us from seeing the bad ones. Christian voters preserve a system that permits police violence, unjust prosecutions, and hellhole prisons filled with people who should have received the same addiction treatment we give our own troubled kids.

We set a fire every time we fail to scrutinize a police culture that allows an officer’s own fear and hatred to justify the most casual brutality against another human being. It would be almost unbelievable to match an adjective like “casual” with a noun like “brutality,” but we have seen the videos. Watch the faces of justice shove an old man aside and leave him bleeding on the ground. Watch them drive their vehicles into protesters protected by the United States Constitution. Watch them fire rubber bullets directly at journalists doing work that is also protected by the United States Constitution. In video after video, note their unconcern with people who are bleeding or screaming in pain.

Make yourself look. Study the air of perfect nonchalance on Derek Chauvin’s face as he kneels on the neck of George Floyd. Register the blithe indifference in his posture, the way he puts his hand in his pocket as though he were just walking along the street on a sunny summer day. Nothing in his whole body suggests concern. He is not the least bit troubled by taking another human life.

We created Derek Chauvin.

Every single aspect of our criminal justice system is permeated by racism, but too many Christians continue to vote for “law and order” candidates anyway, failing to notice that more cops and more weapons and more prisons have done exactly nothing to make us safer. Failing to notice that they have instead endangered all Americans, but Black Americans most of all.

We should know better by now. There are so many resources to help us know better, yet too many Christians ignore the history books that document the terrible legacy of slavery. We ignore the novelists who tell us why the caged bird sings. We ignore the poets who teach us the cruel cost of a dream deferred. In our carefully preserved ignorance, we pile all their books up in a great pyre, and we set them on fire.

We set the fire when we heard a peaceful crowd singing, “We shall overcome someday,” and understood that someday would never be today, that someday was at best still decades and decades away. We set the fire when we heard a peaceful crowd singing, “Lean on me when you’re not strong,” and believed it was time to call in the military. We set the fire when our “Christian” president cleared a peaceful crowd by spraying them with tear gas as though they were enemy combatants, marched to a nearby church for a photo op, and held up a Bible to imply that God is on his side.

We have to stop letting this president turn our faith into a travesty. Love is the only way to put out this fire, love and listening and the hard work of changing, but this “Christian” president doesn’t want to put out the fire. Fire is his homeplace. Fire is his native land.

Perhaps it is ours, as well.

“Blessed are the merciful,” Jesus taught us, but we built prison after prison. “If anyone strikes you on the right cheek, turn to him the other also,” Jesus taught us, but we did not turn our cheek. We turned instead our billy club. We turned instead our pepper spray. We turned instead our rubber bullets and our tear gas and our riot gear. To George Floyd, and to so many others, we turned instead our knee.

There are positive models for what Christian faith in the public sphere can look like. Think of John Alexander, a Baptist philosophy teacher who published a journal designed to convert white evangelicals to the cause of civil rights. Think of the Reverend Daniel J. Berrigan, a Jesuit priest who opposed the Vietnam War. Think of the Reverend Jennifer Butler, a Presbyterian minister who founded the activist group Faith in Public Life. Here in Nashville we have the Reverend Stacy Rector, the Presbyterian executive director of Tennesseans for Alternatives to the Death Penalty, and the Reverend Becca Stevens, an Episcopal priest and founder of a nonprofit that works to “rise up against systems that commoditize, criminalize, and abuse women,” as the Thistle Farms website puts it. There are many, many others, all across the country.

Our sins are grievous, but these Christians remind us that we are not yet beyond redemption. It is time to act on what we say we believe. We need to remember the words of the prophet Isaiah: “And they shall beat their swords into plowshares, and their spears into pruning hooks.” We need to remember the words of Jesus—“Blessed are those who are persecuted for righteousness’s sake”—and join the righteous cause of the protesters. For theirs is the kingdom of heaven.

***

All the Empty Seats at the Table
Even before the pandemic, Thanksgiving was a reminder of loved ones gone before.
November 23, 2020

In the box of old photos I found after my mother’s death, there’s a picture of me taken on Thanksgiving Day 1983, in the fall of my senior year of college. I’m lying on the sofa reading James Agee’s letters to Father Flye. I don’t know why the photo exists—we were not a family who documented ordinary moments. Our pictures centered on people gathered around birthday cakes and Christmas trees. Film wasn’t wasted on someone who has no idea a picture is being taken. Certainly not on someone who isn’t even smiling.

I remember that day, not because it was documented in a photograph but because I ran into my Shakespeare professor outside the liberal arts building when I got back to school, and he asked me how I’d spent the break. “All I did was eat and sleep and read James Agee,” I told him. “That sounds like the perfect Thanksgiving,” he said.

Maybe I remember that conversation because it startled me. It had not felt like the perfect Thanksgiving. My great-grandmother, the quiet, steady, patient anchor of the entire extended family, was missing. She’d broken her hip the year before, at age ninety-six, and then pneumonia—“the old folks’ friend,” my great-grandfather, a country doctor, called it—had taken hold. Mother Ollie was still herself right until up until the day she fell, and I suppose that’s what my great-grandfather must have meant by “friend”: that there are fates worse than death for the very aged. But a year later, the empty place at the table still felt like a rebuke. As with every death before or since, I could not get over the shock. How can love not be enough to save someone so deeply loved?

A year earlier, too, my grandmother had barely survived a shooting that shattered the feeling of safety in her close-knit farming community. She recovered, eventually, but she always needed help after that, and holidays shifted to our house. All the Thanksgiving gatherings of my childhood, the sideboards laid with pies and casseroles and corn cakes glistening with butter, with bowls of creamed corn and lady peas; the arrangements of pink camellias and the delicate custard dishes of ambrosia, each with a sprinkling of coconut on top; the rocking on the porch afterward, the catching-up talk and the stories about loved ones long since buried in the graveyard just down the road—all of it was gone.

One year my grandmother was still cooking the feast she had always prepared, and the next year it was just our family at our own ordinary house in the ordinary suburbs. Overnight, it seemed, my mother became the de facto matriarch, and it was not a role she ever came to relish.

Mom would have been happy to serve stuffing out of a box and cranberry sauce out of a can, but my father was committed to the traditions he had acquired by marriage. A child of the Depression, growing up with a single mother forced to travel for work, he spent most of his childhood in what amounted to an orphanage. Having gained an extended family at the age of thirty-two, he would not give up the groaning table so easily and thereafter pitched in as a wholehearted sous chef. Mother Ollie took the recipe for corn cakes with her to the grave, but the scaled-back Thanksgiving menu at our house included almost all the other favorites—plus, it must be said, some horrific innovations, like brandied fruit and cranberry Jell-O mold, that my mother must have picked up from a magazine.

After I left home, I came to recognize the gift of those gatherings, of being with my family together under one roof, but Thanksgiving never stopped reminding me of that homely old house in the country with pecan trees to climb and cousins to play with and bird dogs sleeping in a patch of sunshine in the yard. Of all the empty seats at the table.

Now I am the matriarch, the one who cuts the flowers and puts them in vases, the one who spends days in the kitchen, chopping and sautéing and stirring and buttering, all for the sake of two hours at the table with everyone we love. My own husband is the wholehearted sous chef these days, but I admit that there have been times when I was still cross about it all. Times when, like my mother, I didn’t want to be the matriarch. Why hadn’t I understood, all those years before, what luck it was to be the cherished child returning home, with a whole day set aside for eating and sleeping and reading the intoxicating words of James Agee?

But today I am wondering why I haven’t always appreciated the crowded house and the days of preparation for the two-table feasts of my own matriarch years. In this pandemic holiday, no one will gather here but our adult children, and once again there will be too many empty seats at the table. That’s a metaphor: in fact there will be no table, for we’ll be sitting outside with our plates in our laps, trusting the distance and the open air to keep us safe.

If my sons ever look back at photos of this gathering from the vantage of decades, they will surely see a poor approximation of their own Thanksgivings past: no aunts and uncles this year, no cousins, no beloved friends. The pictures won’t remind them that when it came time for the blessing, we gave thanks that our bouts with the virus have all been relatively mild, or that we prayed for the families, more than a quarter of a million already, who will have empty chairs at their own tables forever after. That we prayed for our country as winter came on.

But maybe they will remember the joy of being together for a little while, if only at a distance, and the quiet pleasure of an unencumbered afternoon at the end of a hard, hard year. I hope they will know somehow, even if no one thinks to tell them, that such days are rare—and truly perfect.

***

Graceland, at Last
For reasons I cannot explain, some part of me needed to go there.
January 6, 2018

In 1986, Paul Simon released his seventh solo album, Graceland. One year later, my fiancé and I moved to Nashville. He was driving my father’s secondhand panel van with the fake wood-grain wraparound made of shelf liner that masked the previous owner’s business logo. Attached to the van was a trailer too heavy for the hitch. I was driving the Exploding Pinto, a nickname derived from that ancient model’s fuel-tank fires, and on top of the Pinto were several hundred pounds of books, provisionally contained in a homemade roof rack built of two-by-fours.

Between South Carolina, where we had just finished graduate school, and Tennessee, where we would start our new teaching jobs, lay the Appalachian Mountains. Getting over them in one piece would be the first real test of our lives as fully employed adults.

Top-heavy and buffeted by winds, the chugging old Pinto struggled. My traveling companion—a cat who badly needed to pee but refused to use the litter box on the back seat—was perched on my headrest, her claws gripping my head as eighteen-wheelers barreled around us in the dark. In the cassette player on the passenger seat, Paul Simon was singing “Graceland.” It is not too much to say that “Graceland” got me safely over Monteagle Mountain when I was in danger of going over the edge.

I grew up in a house without a stereo, and my parents’ car radio was always tuned to big band music, so my formative years were in no way informed by Elvis Presley. But you hear cheerful music just as you’re thinking you might truly die, and you form a kind of bond with it. Driving over Monteagle Mountain with a cat latched to my head, I vowed to see Graceland someday. How lucky to be moving to the very state where Graceland could be found!

Decades passed, and we still hadn’t made it. We once went to a conference in Memphis, but three hours after we checked in we got word of a death in the family, and so we got back in the car and headed home. Our babies—who were worse traveling companions than the cat—kept road trips confined to far-flung family reunions.

In 2010, when our oldest son chose a college in Memphis, I thought I would surely see Graceland at last. We packed up our two younger sons, then fourteen and twelve, and made a vacation of the college’s Family Weekend. We toured the Stax Museum of American Soul Music, took a walk along the Mississippi River, visited the ducks in the fountain at the Peabody Hotel, ate ribs at the Rendezvous, and peeked into blues joints on Beale Street.

What we did not do was visit Graceland. Halfway through our tour, the kids rebelled. They did not want to pay homage to Dr. King at the National Civil Rights Museum. They did not want to visit Sun Records. Most of all, they did not want to visit Graceland. “It’ll be fun,” I said. “There’s a Jungle Room.” They said they’d rather go back to their brother’s dorm and shoot each other with the Nerf guns they’d packed in lieu of clean underwear.

By the time we’d dropped them at the college, there wasn’t time to make it to Graceland before closing, so my husband and I sat outside in the hotel hot tub and drank a bottle of wine out of plastic cups and looked at the gray Memphis skyline. How sharper than a serpent’s tooth it is to have a thankless child who won’t even go to Graceland with you.

Fast-forward another seven years. Our oldest son—who had transferred to another school after only a semester—was all grown up, the middle boy was in college, and the youngest was almost on his way. We were hosting an Australian exchange student, a teenaged boy who loved American music. One day my husband said, “I wonder if the guys would like to go to Memphis.” Unbelievably, they were game, and this time I didn’t make the same mistake. First stop: Graceland.

It was not at all what I’d envisioned. Outside on a rainy Sunday in January, the crowd-control stanchions were entirely unnecessary, the massive parking lot nearly empty. In thirty years of waiting, had I inflated Graceland in my own mind? Had I read too much spiritual significance into its name, expecting some sort of blessing?

Then, like Alice through the looking glass, I stepped through a door still bearing a desiccated Christmas wreath, and that’s when everything got awesome. Graceland’s formal rooms are all white carpet and gold trimmings and mirrors—walls and walls of mirrors. With its hide-covered furniture and lamps hanging from chains and vines draping a stone wall, the Jungle Room did not disappoint, but downstairs was the real action: a room with three televisions embedded in the walls, a sectional sofa with sequin-bedecked pillows, and a mirror-topped coffee table bearing a bizarre porcelain creature of indeterminate origin gazing toward the door; a billiard room with walls and ceiling entirely upholstered in pleated floral fabric that might have been fashioned by a seamstress on mushrooms.

By today’s measure of lavish wealth, Elvis’s mansion would be dwarfed by any family home in an upscale suburb, but to a girl of the ’70s who grew up poor enough for contact paper to seem like a reasonable way to embellish a used van, it was perfect. Walking past all those mirrors, I kept catching glimpses of myself, grinning.

Somehow it felt like more than checking off an item on a bucket list. Maybe it had something to do with a dawning sense that I was moving past the delayed gratifications of motherhood, past the time of putting off what I wanted to do. Or maybe it had something to do with coming full circle, of making a vow just as our marriage was beginning and finally seeing it through just as we were on the verge of being alone again. Mirror after mirror, there I was, right in the heart of Graceland: smiling and smiling and smiling.

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