God Is Not a Story: Realism Revisited
A challenging critique of narrative theologies, including the works of George Lindbeck, Robert Jenson, and Herbert McCabe. Francesca Aran Murphy argues that the use of the concept of story or narrative in theology is circular and self-referential, and that the widespread notion that the role of the theologian is to 'tell God's story' has not helped theology to advance the reality of its doctrines. Murphy contends that the scriptural revelation on which Christian theology depends is not a story or a plot but a dramatic encounter between mysterious, free, and unpredictable persons. She offers her own alternative approach, making use of cinema and film theory, and engaging in particular in a dialogue with the work of Hans Urs von Balthasar.
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God Is Not a Story: Realism Revisited
A challenging critique of narrative theologies, including the works of George Lindbeck, Robert Jenson, and Herbert McCabe. Francesca Aran Murphy argues that the use of the concept of story or narrative in theology is circular and self-referential, and that the widespread notion that the role of the theologian is to 'tell God's story' has not helped theology to advance the reality of its doctrines. Murphy contends that the scriptural revelation on which Christian theology depends is not a story or a plot but a dramatic encounter between mysterious, free, and unpredictable persons. She offers her own alternative approach, making use of cinema and film theory, and engaging in particular in a dialogue with the work of Hans Urs von Balthasar.
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God Is Not a Story: Realism Revisited

God Is Not a Story: Realism Revisited

by Francesca Aran Murphy
God Is Not a Story: Realism Revisited

God Is Not a Story: Realism Revisited

by Francesca Aran Murphy

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Overview

A challenging critique of narrative theologies, including the works of George Lindbeck, Robert Jenson, and Herbert McCabe. Francesca Aran Murphy argues that the use of the concept of story or narrative in theology is circular and self-referential, and that the widespread notion that the role of the theologian is to 'tell God's story' has not helped theology to advance the reality of its doctrines. Murphy contends that the scriptural revelation on which Christian theology depends is not a story or a plot but a dramatic encounter between mysterious, free, and unpredictable persons. She offers her own alternative approach, making use of cinema and film theory, and engaging in particular in a dialogue with the work of Hans Urs von Balthasar.

Product Details

ISBN-13: 9780191607684
Publisher: OUP Oxford
Publication date: 07/19/2007
Sold by: Barnes & Noble
Format: eBook
File size: 2 MB

About the Author

Francesca Aran Murphy is Reader in Systematic Theology, University of Aberdeen.

Table of Contents

1. Introduction: Spectacle2. The Church as Anonymous Celebrity3. Naming God4. Theodicy and Melodrama5. A Close Run In with Death6. Cinematizing the Trinity7. Conclusion: A God Who Is Love
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