Global Culture after Gombrich: Art, Mind, World

Ernst Gombrich can be considered the most influential art historian of the 20th-century. Until now, however, the global impact of his work has been under-appreciated. Global Culture after Gombrich: Art, Mind, World presents essays by historians of art and culture - themselves students of Gombrich or associated with his scholarly home, the Warburg Institute - from Asia, the USA, and Europe.

Subjects range from picture-making’s place in human evolution to the visual marginalia of the Renaissance, and from nineteenth-century modernism to the implications of the latest neuroscience for cultural history. Other chapters treat fundamental issues, such as the notion of connoisseurship, the fate of the idea of ‘culture’, or the cultural specificity of modernism. They range from theoretical broadsides – notably, a defence of the ‘intelligence’ of art - to intricate reflections – for example on caricature as a style.

In showing how Gombrich initiated enquiries that have spread in numerous – and global – directions, Global Culture after Gombrich: Art, Mind, World makes a vital contribution to contemporary debates around the languages of art history and showcases the range of approaches and methods by which art history is, and has yet to be, written.

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Global Culture after Gombrich: Art, Mind, World

Ernst Gombrich can be considered the most influential art historian of the 20th-century. Until now, however, the global impact of his work has been under-appreciated. Global Culture after Gombrich: Art, Mind, World presents essays by historians of art and culture - themselves students of Gombrich or associated with his scholarly home, the Warburg Institute - from Asia, the USA, and Europe.

Subjects range from picture-making’s place in human evolution to the visual marginalia of the Renaissance, and from nineteenth-century modernism to the implications of the latest neuroscience for cultural history. Other chapters treat fundamental issues, such as the notion of connoisseurship, the fate of the idea of ‘culture’, or the cultural specificity of modernism. They range from theoretical broadsides – notably, a defence of the ‘intelligence’ of art - to intricate reflections – for example on caricature as a style.

In showing how Gombrich initiated enquiries that have spread in numerous – and global – directions, Global Culture after Gombrich: Art, Mind, World makes a vital contribution to contemporary debates around the languages of art history and showcases the range of approaches and methods by which art history is, and has yet to be, written.

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Global Culture after Gombrich: Art, Mind, World

Global Culture after Gombrich: Art, Mind, World

Global Culture after Gombrich: Art, Mind, World

Global Culture after Gombrich: Art, Mind, World

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Overview

Ernst Gombrich can be considered the most influential art historian of the 20th-century. Until now, however, the global impact of his work has been under-appreciated. Global Culture after Gombrich: Art, Mind, World presents essays by historians of art and culture - themselves students of Gombrich or associated with his scholarly home, the Warburg Institute - from Asia, the USA, and Europe.

Subjects range from picture-making’s place in human evolution to the visual marginalia of the Renaissance, and from nineteenth-century modernism to the implications of the latest neuroscience for cultural history. Other chapters treat fundamental issues, such as the notion of connoisseurship, the fate of the idea of ‘culture’, or the cultural specificity of modernism. They range from theoretical broadsides – notably, a defence of the ‘intelligence’ of art - to intricate reflections – for example on caricature as a style.

In showing how Gombrich initiated enquiries that have spread in numerous – and global – directions, Global Culture after Gombrich: Art, Mind, World makes a vital contribution to contemporary debates around the languages of art history and showcases the range of approaches and methods by which art history is, and has yet to be, written.


Product Details

ISBN-13: 9781789389975
Publisher: Intellect Books
Publication date: 11/25/2024
Sold by: Barnes & Noble
Format: eBook
Pages: 240

About the Author

Cao Yiqiang is the director of the School of Arts and Humanities at China Academy of Art. His research focuses on the construction of Chinese Art History, and the relationships between art and ideology, image and history, and international exchange.

John Onians is Professor Emeritus of World Art at the University of East Anglia, UK. Founder Editor of the journal Art History in 1978, his work has been instrumental in exploring the biological basis of art and establishing Neuroarthistory as a distinct set of methodologies.

Nicolas Penny is an art historian and former director of the National Gallery in London. He has held several professorships at Oxford University, UK and was senior curator of sculpture at the National Gallery of Art in Washington, D.C. , USA.

Matthew MacKisack is an art historian and writer who has held research fellowships at the University of Exeter Medical School and China Academy of  Art, Hangzhou. He has written widely on the relationships between modernity, artistic practice, and the mind.

Table of Contents

Acknowledgements

Preface

   John Onians, Nicolas Penny and Cao Yiqiang 

Introduction

   Cao Yiqiang 


ART

1. Doodling With Ernst Gombrich

  William H. Sherman 

2. Caricature as ‘The Language of Things’

   Sybille Moser-Ernst 

3. Dorothea Beside Ariadne

   Nicolas Penny 


MIND

4. The Idea of Culture: Rise, Fall, Revival

   Peter Burke 

5. Seeing the Mind: How a Knowledge of the Brain Can Help Us to Rewrite the History of Culture

   John Onians 

6. Pictorial Art and Global Psychological Modernity

   Whitney Davis 


WORLD

7. Art History in a Global Perspective, A Modest Proposal, Once Again

   Carlo Ginzberg 

8. Gombrich, Vasari and the Modernist Canon

   Partha Mitter 

9. Art and Intelligence: Reflections on Gomrich’s Observation, ‘Art Historians Talk About Everything Except Art’

   Cao Yiqiang 

 

AFTERWORD

10. What China Meant to Ernst H. Gombrich

   Leonie Gombrich 

11. Gombrich and China: a Mutual Discovery

   Cao Yiqiang 

 

Notes on Contributors 

Index 

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