The Glass Castle: A Memoir

by Jeannette Walls Narrated by Jeannette Walls

Overview

Jeannette Walls grew up with parents whose ideals and stubborn nonconformity were both their curse and their salvation. Rex and Rose Mary Walls had four children. In the beginning, they lived like nomads, moving among Southwest desert towns, camping in the mountains. Rex was a charismatic, brilliant man who, when sober, captured his children's imagination, teaching them physics, geology, and above all, how to embrace life fearlessly. Rose Mary, who painted and wrote and couldn't stand the responsibility of providing for her family, called herself an "excitement addict." Cooking a meal that would be consumed in fifteen minutes had no appeal when she could make a painting that might last forever.

Later, when the money ran out, or the romance of the wandering life faded, the Walls retreated to the dismal West Virginia mining town -- and the family -- Rex Walls had done everything he could to escape. He drank. He stole the grocery money and disappeared for days. As the dysfunction of the family escalated, Jeannette and her brother and sisters had to fend for themselves, supporting one another as they weathered their parents' betrayals and, finally, found the resources and will to leave home.

What is so astonishing about Jeannette Walls is not just that she had the guts and tenacity and intelligence to get out, but that she describes her parents with such deep affection and generosity. Hers is a story of triumph against all odds, but also a tender, moving tale of unconditional love in a family that despite its profound flaws gave her the fiery determination to carve out a successful life on her own terms.

For two decades, Jeannette Walls hid her roots. Now she tells her own story. A regular contributor to MSNBC.com, she lives in New York and Long Island and is married to the writer John Taylor.

Editorial Reviews

DECEMBER 2010 - AudioFile

Jeannette Walls’s honest and straightforward narration of her memoir unfolds like a fictional cliffhanger. Her childhood stories are humorous and awe inspiring, while her tone becomes appropriately sober and sometimes angry when she recounts her teenage experience. Her alcoholic father’s inability to keep a job and her artist mother’s aversion to work mired the family with four children into extreme poverty, yet they were taught positive values and given a literary and scientific education. But listening to the final chapters is tedious, perhaps because Walls tells less about herself (a casual mention of her two husbands) and repeats much of what we already know about her homeless but intellectual parents. Still, this audiobook about child survival and success offers gems of insight. K.P. © AudioFile 2010, Portland, Maine

bn.com

Gossip columnist Jeanette Walls dishes the dirt on her own troubled youth in this remarkable story of survival against overwhelming odds. The child of charismatic vagabonds who left their offspring to raise themselves, Walls spent decades hiding an excruciating childhood filled with poverty and shocking neglect. But this is no pity party. What shines through on every page of this beautifully written family memoir is Walls's love for her deeply flawed parents and her recollection of occasionally wonderful times.

Francine Prose

The Glass Castle falls short of being art, but it's a very good memoir. At one point, describing her early literary tastes, Walls mentions that ''my favorite books all involved people dealing with hardships.'' And she has succeeded in doing what most writers set out to do -- to write the kind of book they themselves most want to read.
— The New York Times

Publishers Weekly

Freelance writer Walls doesn't pull her punches. She opens her memoir by describing looking out the window of her taxi, wondering if she's "overdressed for the evening" and spotting her mother on the sidewalk, "rooting through a Dumpster." Walls's parents-just two of the unforgettable characters in this excellent, unusual book-were a matched pair of eccentrics, and raising four children didn't conventionalize either of them. Her father was a self-taught man, a would-be inventor who could stay longer at a poker table than at most jobs and had "a little bit of a drinking situation," as her mother put it. With a fantastic storytelling knack, Walls describes her artist mom's great gift for rationalizing. Apartment walls so thin they heard all their neighbors? What a bonus-they'd "pick up a little Spanish without even studying." Why feed their pets? They'd be helping them "by not allowing them to become dependent." While Walls's father's version of Christmas presents-walking each child into the Arizona desert at night and letting each one claim a star-was delightful, he wasn't so dear when he stole the kids' hard-earned savings to go on a bender. The Walls children learned to support themselves, eating out of trashcans at school or painting their skin so the holes in their pants didn't show. Buck-toothed Jeannette even tried making her own braces when she heard what orthodontia cost. One by one, each child escaped to New York City. Still, it wasn't long before their parents appeared on their doorsteps. "Why not?" Mom said. "Being homeless is an adventure." Agent, Jennifer Rudolph Walsh. (Apr.) Copyright 2005 Reed Business Information.

Library Journal

Not a blissful childhood: MSNBC.com contributor Walls's alcoholic dad stole the grocery money, and her mother would rather paint than parent. Scribner's big book for March. Copyright 2004 Reed Business Information.

Kirkus Reviews

An account of growing up nomadic, starry-eyed, and dirt poor in the '60s and '70s, by gossip journalist Walls (Dish, 2000). From her first memory, of catching fire while boiling hotdogs by herself in the trailer park her family was passing through, to her last glimpse of her mother, picking through a New York City Dumpster, Walls's detached, direct, and unflinching account of her rags-to-riches life proves a troubling ride. Her parents, Rex Walls, from the poor mining town of Welch, West Virginia, and Rose Mary, a well-educated artist from Phoenix, love a good adventure and usually don't take into account the care of the children who keep arriving-Lori, Jeannette, Brian, and Maureen-leaving them largely to fend for themselves. For entrepreneur and drinker Rex, "Doing the skedaddle" means getting out of town fast, pursued by creditors. Rex is a dreamer, and someday his gold-digging tool (the Prospector), or, better, his ingenious ideas for energy-efficiency, will fund the building of his desert dream house, the Glass Castle. But moving from Las Vegas to San Francisco to Nevada and back to rock-bottom Welch provides a precarious existence for the kids-on-and-off schooling, living with exposed wiring and no heat or plumbing, having little or nothing to eat. Protesting their paranoia toward authority and their insistence on "true values" for their children ("What doesn't kill you will make you stronger," chirps Mom), these parents have some dubious nurturing practices, such as teaching the children to con and shoplift. The deprivations do sharpen the wits of the children-leading to the family's collective escape to New York City, where they all make good, even the parents, who are content tolive homeless. The author's tell-it-like-it-was memoir is moving because it's unsentimental; she neither demonizes nor idealizes her parents, and there remains an admirable libertarian quality about them, though it justifiably elicits the children's exasperation and disgust. Walls's journalistic bare-bones style makes for a chilling, wrenching, incredible testimony of childhood neglect. A pull-yourself-up-by-the-bootstraps, thoroughly American story. Agent: Jennifer Rudolph Walsh/William Morris Agency

The New York Times Book Review, front page - Francine Prose

"Readers will marvel at the intelligence and resilience of the Walls kids."

Vogue

"The Glass Castle is the kind of story that keeps you awake long after the rest of the house has fallen asleep."

New York Newsday

"Some people are born storytellers. Some lives are worth telling. The best memoirs happen when these two conditions converge. In The Glass Castle, they have."

The Atlanta Journal-Constitution

"Charles Dickens's scenes of poverty and hardship are no more audacious and no more provocative than those in the pages of this stunning memoir."

Chicago Tribune

"On the eighth day, when God was handing out whining privileges, he came upon Jeannette Walls and said, 'For you, an unlimited lifetime supply.' Apparently, Walls declined His kind offer."

The Plain Dealer

"Each memory is more incredible than the last... That Walls recounts them so well and in such detail is our good fortune."

Time

"Extraordinary."

Entertainment Weekly

"The Glass Castle is nothing short of spectacular."

People

"Walls has joined the company of writers such as Mary Karr and Frank McCourt who have been able to transform their sad memories into fine art."

DECEMBER 2010 - AudioFile

Jeannette Walls’s honest and straightforward narration of her memoir unfolds like a fictional cliffhanger. Her childhood stories are humorous and awe inspiring, while her tone becomes appropriately sober and sometimes angry when she recounts her teenage experience. Her alcoholic father’s inability to keep a job and her artist mother’s aversion to work mired the family with four children into extreme poverty, yet they were taught positive values and given a literary and scientific education. But listening to the final chapters is tedious, perhaps because Walls tells less about herself (a casual mention of her two husbands) and repeats much of what we already know about her homeless but intellectual parents. Still, this audiobook about child survival and success offers gems of insight. K.P. © AudioFile 2010, Portland, Maine

Product Details

BN ID:	2940170654338
Publisher:	Simon & Schuster
Publication date:	09/15/2010
Edition description:	Unabridged
Sales rank:	390,999

Read an Excerpt

Chapter 1: A Woman on the Street

I was sitting in a taxi, wondering if I had overdressed for the evening, when I looked out the window and saw Mom rooting through a Dumpster. It was just after dark. A blustery March wind whipped the steam coming out of the manholes, and people hurried along the sidewalks with their collars turned up. I was stuck in traffic two blocks from the party where I was heading.

Mom stood fifteen feet away. She had tied rags around her shoulders to keep out the spring chill and was picking through the trash while her dog, a black-and-white terrier mix, played at her feet. Mom's gestures were all familiar -- the way she tilted her head and thrust out her lower lip when studying items of potential value that she'd hoisted out of the Dumpster, the way her eyes widened with childish glee when she found something she liked. Her long hair was streaked with gray, tangled and matted, and her eyes had sunk deep into their sockets, but still she reminded me of the mom she'd been when I was a kid, swan-diving off cliffs and painting in the desert and reading Shakespeare aloud. Her cheekbones were still high and strong, but the skin was parched and ruddy from all those winters and summers exposed to the elements. To the people walking by, she probably looked like any of the thousands of homeless people in New York City.

It had been months since I laid eyes on Mom, and when she looked up, I was overcome with panic that she'd see me and call out my name, and that someone on the way to the same party would spot us together and Mom would introduce herself and my secret would be out.

I slid down in the seat and asked the driver to turn around and take me home to Park Avenue.

The taxi pulled up in front of my building, the doorman held the door for me, and the elevator man took me up to my floor. My husband was working late, as he did most nights, and the apartment was silent except for the click of my heels on the polished wood floor. I was still rattled from seeing Mom, the unexpectedness of coming across her, the sight of her rooting happily through the Dumpster. I put some Vivaldi on, hoping the music would settle me down.

I looked around the room. There were the turn-of-the-century bronze-and-silver vases and the old books with worn leather spines that I'd collected at flea markets. There were the Georgian maps I'd had framed, the Persian rugs, and the overstuffed leather armchair I liked to sink into at the end of the day. I'd tried to make a home for myself here, tried to turn the apartment into the sort of place where the person I wanted to be would live. But I could never enjoy the room without worrying about Mom and Dad huddled on a sidewalk grate somewhere. I fretted about them, but I was embarrassed by them, too, and ashamed of myself for wearing pearls and living on Park Avenue while my parents were busy keeping warm and finding something to eat.

What could I do? I'd tried to help them countless times, but Dad would insist they didn't need anything, and Mom would ask for something silly, like a perfume atomizer or a membership in a health club. They said that they were living the way they wanted to.

After ducking down in the taxi so Mom wouldn't see me, I hated myself -- hated my antiques, my clothes, and my apartment. I had to do something, so I called a friend of Mom's and left a message. It was our system of staying in touch. It always took Mom a few days to get back to me, but when I heard from her, she sounded, as always, cheerful and casual, as though we'd had lunch the day before. I told her I wanted to see her and suggested she drop by the apartment, but she wanted to go to a restaurant. She loved eating out, so we agreed to meet for lunch at her favorite Chinese restaurant.

Mom was sitting at a booth, studying the menu, when I arrived. She'd made an effort to fix herself up. She wore a bulky gray sweater with only a few light stains, and black leather men's shoes. She'd washed her face, but her neck and temples were still dark with grime.

She waved enthusiastically when she saw me. "It's my baby girl!" she called out. I kissed her cheek. Mom had dumped all the plastic packets of soy sauce and duck sauce and hot-and-spicy mustard from the table into her purse. Now she emptied a wooden bowl of dried noodles into it as well. "A little snack for later on," she explained.

We ordered. Mom chose the Seafood Delight. "You know how I love my seafood," she said.

She started talking about Picasso. She'd seen a retrospective of his work and decided he was hugely overrated. All the cubist stuff was gimmicky, as far as she was concerned. He hadn't really done anything worthwhile after his Rose Period.

"I'm worried about you," I said. "Tell me what I can do to help."

Her smile faded. "What makes you think I need your help?"

"I'm not rich," I said. "But I have some money. Tell me what it is you need."

She thought for a moment. "I could use an electrolysis treatment."

"Be serious."

"I am serious. If a woman looks good, she feels good."

"Come on, Mom." I felt my shoulders tightening up, the way they invariably did during these conversations. "I'm talking about something that could help you change your life, make it better."

"You want to help me change my life?" Mom asked. "I'm fine. You're the one who needs help. Your values are all confused."

"Mom, I saw you picking through trash in the East Village a few days ago."

"Well, people in this country are too wasteful. It's my way of recycling." She took a bite of her Seafood Delight. "Why didn't you say hello?"

"I was too ashamed, Mom. I hid."

Mom pointed her chopsticks at me. "You see?" she said. "Right there. That's exactly what I'm saying. You're way too easily embarrassed. Your father and I are who we are. Accept it."

"And what am I supposed to tell people about my parents?"

"Just tell the truth," Mom said. "That's simple enough."

Copyright © 2005 by Jeannette Walls

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