Praise for Donna Leon’s Commissario Guido Brunetti Mysteries:
“This endlessly enjoyable series, with its deep thoughts about justice and vengeance and charming classical allusions, can’t help making you smile.” —Marilyn Stasio, New York Times Book Review
“[Leon] has never become perfunctory, never failed to give us vivid portraits of people and of Venice, never lost her fine, disillusioned indignation.” —Ursula K. LeGuin, New York Times
“You become so wrapped up in these compelling characters . . . Each one is better than the last.” —Louise Erdrich, PBS NewsHour
“Few detective writers create so vivid, inclusive, and convincing a narrative as Donna Leon . . . One of the most exquisite and subtle detective series ever.” —Washington Post
“The sophisticated but still moral Brunetti, with his love of food and his loving family, proves a worthy custodian of timeless values and verities.” —Wall Street Journal
“[Leon] uses the relatively small and crime-free canvas of Venice for rips about Italian life, sexual styles and—best of all—the kind of ingrown business and political corruption that seems to lurk just below the surface.” —Chicago Tribune
“Hers is an unusually potent cocktail of atmosphere and event.” —New Yorker
“For those who know Venice, or want to, Brunetti is a well-versed escort to the nooks, crannies, moods, and idiosyncrasies of what residents call La Serenissima, the Serene One . . . Richly atmospheric, [Leon] introduces you to the Venice insiders know.” —USA Today
“Donna Leon is the undisputed crime fiction queen . . . Leon’s ability to capture the social scene and internal politics [of Venice] is first-rate.” —Baltimore Sun
“Terrific at providing, through its weary but engaging protagonist, a strong sense of the moral quandaries inherent in Italian society and culture.” —San Francisco Chronicle
“Brunetti is one of the most attractive policemen in crime fiction today.” —Philadelphia Inquirer
“As always, Brunetti is highly attuned to (and sympathetic toward) the failings of the humans around him.” —Seattle Times
“Leon’s writing trembles with true feeling.” —Minneapolis Star Tribune
“Leon started out with offhand, elegant excellence, and has simply kept it up.” —Guardian
“Compassionate yet incorruptible, Brunetti knows that true justice doesn’t always end in an arrest or a trial.” —Publishers Weekly
“[Brunetti] is a superb police detective—calm, deliberate, and insightful as he investigates with a reflective thoroughness.” —Library Journal
“The appeal of Guido Brunetti, the hero of Donna Leon's long-running Venetian crime series, comes not from his shrewdness, though he is plenty shrewd, nor from his quick wit. It comes, instead, from his role as an Everyman . . . [his life is] not so different from our own days at the office or nights around the dinner table. Crime fiction for those willing to grapple with, rather than escape, the uncertainties of daily life.” —Booklist
“It’s difficult to describe the work of Donna Leon other than in superlatives . . . An annual blessing, a fine series—one of the finest (see what I mean) in the mystery (or any) genre . . . There are few reading joys that equal cracking the binding of a new Leon novel . . . If you have not experienced this world, so exotic and yet so familiar, you can pick up literally any volume in the series and begin a comfortable entry into Brunetti’s Venice.” —BookReporter
“One of the most popular crime series worldwide . . . While the Brunetti books, with their abundance of local color and gastronomic treats, appeal to the fans of the traditional mystery, Leon has something darker and deeper in mind.” —Life Sentence
“No author has delved into Venetian society quite like Leon, whose insider’s view shows how crime seeps throughout the city, touching all strata of society.” —Mystery Scene
2022-01-26
Things are slow at the Questura—perhaps there's less crime in Venice since the pandemic is keeping tourists away?—so Commissario Guido Brunetti has plenty of time to look into something that's been troubling an old neighbor.
Brunetti had never really liked Elisabetta Foscarini when they briefly lived in the same building as teenagers, but her mother was kind to him, and more important, she was kind to his mother, who was raising a family with far less money than the Foscarinis. So when Elisabetta comes to see him at the Questura, telling him she's worried about her daughter, Flora, a veterinarian, Brunetti decides to look into it unofficially. Flora's husband, Enrico, is an accountant, and apparently he's been acting funny lately and told Flora it could be dangerous if people found out about something having to do with his work. Enrico helped Elisabetta's husband, Bruno, set up a charity several years earlier, and since then he's been working for a number of small clients. With the help of the usual crew—Commissario Claudia Griffoni, Ispettore Lorenzo Vianello, and the crafty secretary Signorina Elettra Zorzi, who Brunetti is finally prepared to admit (to himself) actually breaks the law in her pursuit of information—Brunetti sets out to interview Enrico's clients and the people involved in Bruno's charity. Then Flora finds her clinic broken into and a dog injured: Is it a warning? This book is classic Leon: Brunetti is less focused on any actual crime than on figuring out whether some other unknown crime has been committed, whether he himself is doing something wrong by using official resources on an unofficial investigation, whether the ends of finding information he needs justifies Signorina Elletra's shadowy means of procuring it: "His opinion of that, he knew, had changed in the last few years, and he had grown more suspicious of the desire to expand the limits of the permissible."
Still the next best thing to moving to Venice.