Give and Take: with audio recording

by Chris Raschka, Chris Raschka (Illustrator)

Overview

A clever story of greed and goodness, and the art of finding the in-between, from two-time Caldecott Medalist Chris Raschka, creator of the New York Times bestselling A Ball for Daisy.

Watch the farmer’s ear.

Now watch the two small, clever fellows in pointy hats whispering into it, first one, then the other.

Give and Take. They cannot agree.

Listen now to the farmer talk back—and, in this story of apples, pumpkins, pigs, and a final surprise, he just might get the better of both of them.

Product Details

ISBN-13:	9781481409322
Publisher:	Atheneum Books for Young Readers
Publication date:	08/26/2014
Sold by:	SIMON & SCHUSTER
Format:	eBook
Pages:	40
Lexile:	AD510L (what's this?)
File size:	48 MB
Note:	This product may take a few minutes to download.
Age Range:	4 - 8 Years

About the Author

Chris Raschka is the illustrator of The Hello, Goodbye Window, which was awarded the Caldecott Medal. He is also the illustrator of the Caldecott Honor Book Yo! Yes?; Charlie Parker Played Be Bop; Mysterious Thelonious; John Coltrane’s Giant Steps; Can’t Sleep; In the City; and The Magic Flute. He lives with his wife and son in New York City.

Editorial Reviews

06/01/2014
K-Gr 3—A farmer goes to pick apples in his orchard and encounters a little man named Take, who urges him to take all the pumpkins a neighbor offers. He carries them home and—following his neighbor's advice—makes gallons of pumpkin soup that neither he nor his dog will eat. Sending Take away, the farmer again gathers apples and meets another little man named Give, who offers him advice, so this time he gives his ripe apples—and his opinions—to a pig farmer. That evening the farmer has an empty stomach and an empty head. He sends Give away. Picking apples a third time, he sees the little men fighting over who is best and puts both of them into his basket. He then gives some apples to the miller and takes some flour. Back home, he makes an apple pie that he, his dog, and Give and Take enjoy. Artwork is done in ink and watercolor. Strong black lines make eye-catching use of the white space. In some illustrations the colors are mottled and images are indistinct, perhaps reflecting ambiguous attitudes toward give and take, generosity and greed. The farmer finds inspiration hearing the little men shout their names. Eating pie sweetens them, and they take each other's hands and and then hug each other. The contrast between the traditional telling and the bold, edgy illustrations may not appeal to everyone, but this is a good choice for storytime and will spark interesting discussions.—Mary Jean Smith, formerly at Southside Elementary School, Lebanon, TN

School Library Journal

…an original folk tale featuring a gullible farmer and two elflike mischief makers. The story's old-timey feel is perfectly captured in [Raschka's] simple watercolor illustrations, with their rough, extra-thick black lines and limited red, green, orange and yellow palette. The book's clever bluntness and friskiness should win over children, but it may also strike a nerve with parents. It taps right into our present anxiety over ever-growing inequality and the lopsided distribution of the world's resources. This little story makes you think hard about the double-sided question, How much is enough for one person, and when we have more than what we need, how much of our bounty should we give away?

The New York Times - Maria Russo

★ 05/19/2014
Two strong-willed elves harry a farmer in this pitch-perfect folktale by Caldecott Medalist Raschka. While harvesting apples, the farmer meets Take, “a tiny little man” dressed in black. The farmer heeds Take’s advice to “take as much as we can,” trades all his apples for pumpkins, and ends up with “gallons of pumpkin soup.” The next day, he sends Take away and meets Give, another Rumpelstiltskin lookalike dressed all in white. “Give away everything you have,” Give orders. Unfortunately, once the farmer dispenses with his opinions and his apples, he goes home alone and hungry. On the third day, the man balances Give and Take’s input, resulting in an apple pie for all to share. Raschka illustrates in wide strokes and swoops of India ink, daubed with jewel-toned watercolors, for a rustic, handcrafted feel. Give and Take recall a classic angel-and-devil duo (or Spy vs. Spy), but neither is all good or bad. This isn’t a flashy story, but one whose wisdom flows naturally from a well-structured setup amid dashes of visual and verbal humor. Ages 4–8. Agent: Brenda Bowen, Sanford J. Greenburger Associates. (Sept.)

Publishers Weekly

2014-05-28
Imagine Rumpelstiltskin with an equally imperious twin, and you’d approximate Take and Give, a tiny pair who bedevil a farmer with conflicting advice.Borrowing motifs and pacing from traditional folklore, Raschka introduces a mild man intent on harvesting apples. First Take emerges, promising a “finer” life. When a neighbor woman offers the farmer some of her pumpkins, Take urges, “Take them. Take all of them. Take as many as you see.” Hauling a voluminous load of pumpkins, the farmer trudges all day at Take’s pointless urging to “take a hike.” Returning home to make the pumpkin soup the neighbor had suggested, the exhausted fellow realizes that he and his dog both dislike it. Next morning, having banished Take, the farmer picks a second tree, only to be visited by Give, who promises a “sweeter” life. Give similarly beleaguers the farmer, making him relinquish all his apples to a pig farmer. The third harvest day, the tiny duo’s argumentative wrestling sparks new ideas for the farmer. He gives the miller apples and takes some flour, and soon, a happy ending (and a lovely pie) is shared by all. Raschka’s customary thick, dry, brushy black shapes and contours dominate a rather somber palette of gray, red, teal and orange. This marriage of a well-told, folklore-reminiscent tale, dynamic line and muted palette evoke the 1950s-era work of Paul Galdone and Nicolas Mordvinoff.Inventive as ever. (Picture book. 4-8)

Kirkus Reviews