Ghostwriting: W. G. Sebald's Poetics of History

Ghostwriting: W. G. Sebald's Poetics of History

Ghostwriting: W. G. Sebald's Poetics of History

Ghostwriting: W. G. Sebald's Poetics of History

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Overview

Ghostwriting provides the first comprehensive analysis of the fictional prose narratives of one of contemporary Germany's most recognized authors, the émigré writer W. G. Sebald. Examining Sebald's well-known published texts in the context of largely unknown unpublished works, and informed by documents and information from Sebald's literary estate, this book offers a detailed portrait of his characteristic literary techniques and how they emerged and matured out of the practices and attitudes he represented in his profession as a literary scholar.

The title "Ghostwriting+? signals the convergence in Sebald's works of a set of diverse historical questions, philosophical views, and literary practices. Many historical ghosts haunt Sebald's narratives on the level of story. Moreover, Sebald's narrator plays the role of a ghostwriter in the profound sense that his stories fictionally re-enact the histories of obscure, but once-living individuals whose lives they revitalize, and whose fates are tied up with the most virulent historical conjunctures of the modern world. This study thus seeks to comprehend the constitutive elements of Sebald's "poetics of history, +? his implementation of literary tools for effective historical memorializing.

Product Details

ISBN-13: 9781501352614
Publisher: Bloomsbury Academic
Publication date: 05/30/2019
Series: New Directions in German Studies
Edition description: Reprint
Pages: 464
Product dimensions: 5.50(w) x 8.50(h) x 0.94(d)

About the Author

Richard T. Gray is the Byron W. and Alice L. Lockwood Professor in the Humanities and Professor of German and European Studies at the University of Washington, USA. He is the author of five books, including Money Matters: Economics and the German Cultural Imagination, 1770-1850 (2008), A Franz Kafka Encyclopedia (with Ruth V. Gross, Rolf Goebel, and Clayton Koelb; 2005), About Face: German Physiognomic Thought from Lavater to Auschwitz (2004), and Stations of the Divided Subject: Contestation and Ideological Legitimation in German Bourgeois Literature, 1770-1912 (1995). He is the editor and/or translator of 11 books, including Volumes 2 and 11 of The Complete Works of Friedrich Nietzsche in 20 Volumes and Approaches to Teaching Kafka's Short Fiction (1995). He is Editor-at-large of Journal of the Kafka Society of America and General Editor of book series Literary Conjugations.

Table of Contents

List of Abbreviations
List of Illustrations
Acknowledgments

Introduction: Sebald's Literary Séance
1. Wittgenstein's Ghost: Toward Understanding Sebald's Literary Turban
2. The Birth of the Prose Fictionalizer from the Spirit of Biographical Criticism: Schwindel. Gefühle
3. Sebald's Literary Refinement: “Dr. Henry Selwyn” and Its Textual Predecessor
4. Neither Here Nor There: Exile as Dis-Placement in “Dr. Henry Selwyn”
5. Sebald's Ectopia: Homelessness and Alienated Heritage in “Max Aurach”/“Max Ferber”
6. Fabulation and Metahistory: W. G. Sebald and the Problematic of Contemporary (German) Holocaust Fiction
7. Sebald's Segues: Performing Narrative Contingency in Die Ringe des Saturban
8. Writing at the Roche Limit: Order and Entropy in Die Ringe des Saturban
9. Narrating Environmental Catastrophe: Ecopsychology and Ecological Apocalypse in Sebald's Corsica Project

Bibliography
Index

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