Germans as Victims in the Literary Fiction of the Berlin Republic
First comprehensive look at how today's German literary fiction deals with questions of German victimhood.

In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of "ethnic" Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's The Air War and Literature and Grass's Crabwalk are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety ofthese texts. An opening section on the 1950s — a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration — provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on "ordinary Germans," and on the balance between historical empathy and condemnation.

Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schödel, and Stuart Taberner.

Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds. Karina Berger holds a PhD in German from the University of Leeds.
1102015387
Germans as Victims in the Literary Fiction of the Berlin Republic
First comprehensive look at how today's German literary fiction deals with questions of German victimhood.

In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of "ethnic" Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's The Air War and Literature and Grass's Crabwalk are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety ofthese texts. An opening section on the 1950s — a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration — provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on "ordinary Germans," and on the balance between historical empathy and condemnation.

Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schödel, and Stuart Taberner.

Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds. Karina Berger holds a PhD in German from the University of Leeds.
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Overview

First comprehensive look at how today's German literary fiction deals with questions of German victimhood.

In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of "ethnic" Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's The Air War and Literature and Grass's Crabwalk are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety ofthese texts. An opening section on the 1950s — a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration — provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on "ordinary Germans," and on the balance between historical empathy and condemnation.

Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schödel, and Stuart Taberner.

Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds. Karina Berger holds a PhD in German from the University of Leeds.

Product Details

ISBN-13: 9781571135575
Publisher: BOYDELL & BREWER INC
Publication date: 12/01/2012
Series: Studies in German Literature Linguistics and Culture , #33
Edition description: Reprint
Pages: 268
Product dimensions: 6.00(w) x 9.00(h) x 0.40(d)

About the Author

STUART TABERNER is Professor of German at the University of Leeds, UK.

CAROLINE SCHAUMANN is Professor and Chairperson of German Studies at Emory College, GA.

HELEN FINCH is Professor of German Literature at the University of Leeds.

Mary Cosgrove is Professor in German at Trinity College Dublin. Her research and teaching foci include Holocaust memory and representation in literature and culture; German Jewish writing; the cultural history and theory of melancholia and boredom in European letters; and literary and narrative economics. Key publications include Born under Auschwitz: Melancholy Traditions in Postwar German Literature (Camden House,
2014); German Memory Contests: The Quest for Identity in Literature, Film, and Discourse since 1990 (Camden House, 2006; paperback 2010).

STEPHEN BROCKMANN is Professor of German with courtesy appointments in English and History at Carnegie Mellon University.

STUART TABERNER is Professor of German at the University of Leeds, UK.

Table of Contents

Introduction - Stuart Taberner and Karina Berger
W. G. Sebald and German Wartime Suffering - Stephen Brockmann
The Natural History of Destruction: W. G. Sebald, Gert Ledig, and the Allied Bombings - Colette Lawson
Expulsion Novels of the 1950s: More than Meets the Eye? - Karina Berger
"In this prison of the guard room": Heinrich Böll's Briefe aus dem Krieg 1939-1945 in the Context of Contemporary Debates - Frank Finlay
Family, Heritage, and German Wartime Suffering in Hanns-Josef Ortheil, Stephan Wackwitz, Thomas Medicus, Dagmar Leupold, and Uwe Timm - Helmut Schmitz
Lost Heimat in Generational Novels by Reinhard Jirgl, Christoph Hein, and Angelika Overath - Elizabeth Boa
"A Different Family Story": German Wartime Suffering in Women's Writing by Wibke Bruhns, Ute Scheub, and Christina von Braun - Caroline Schaumann
The Place of German Wartime Suffering in Hans-Ulrich Treichel's Family Texts - David Clarke
"Why only now?": The Representation of German Wartime Suffering as a "Memory Taboo" in Günter Grass's Novella Im Krebsgang - Katharina Hall
Rereading Der Vorleser, Remembering the Perpetrator - Rick Crownshaw
Narrating German Suffering in the Shadow of Holocaust Victimology: W. G. Sebald, Contemporary Trauma Theory, and Dieter Forte's Air Raids Epic - Mary Cosgrove
Günter Grass's Account of German Wartime Suffering in Beim Häuten der Zwiebel: Mind in Mourning or Boy Adventurer? - Helen Finch
Jackboots and Jeans: The Private and the Political in Uwe Timm's Am Beispiel meines Bruders - Frank Finlay
Memory-Work in Recent German Novels: What (if Any) Limits Remain on Empathy with the "German Experience" of the Second World War? - Stuart Taberner
"Secondary Suffering" and Victimhood: The "Other" of German Identity in Bernhard Schlink's "Die Beschneidung" and Maxim Biller's "Harlem Holocaust" - Kathrin Schodel
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