Genes and the Bioimaginary: Science, Spectacle, Culture
Genes and the Bioimaginary examines the dramatic rise and contemporary cultural apotheosis of 'the gene'. The book traces not only the genetification of modern life but is also a journey through the complex relationship between science and culture. At the heart of this book are three interlinked questions. The first concerns the paradigmatic transformations of the 'genetics revolution': how can we understand the impact of genes on social arenas as diverse as law and agriculture, politics and medicine, genealogy and jurisprudence? Second, how has the language of genes come to pervade public discourse - as much a trope of personal narrative as of the popular imaginary? And third, how can we gain critical purchase not only on the conditions and consequences of a particular science, but on its projective seductions, the terms of its persuasion, and the dilemmas and anxieties provoked in its wake? Through a series of illuminating case studies ranging from 'gay genes' to 'Jew genes', to genes for crime; from CSI to the Innocence Project, from genetics (post)racial imaginary to its phantasies of redemption, the book examines the emergence of the gene as a pre-eminent locus of both scientific and social explanation, and as a powerful object of spectacle, projective phantasy and attachment. Genes and the Bioimaginary makes a distinctive contribution to our understanding of how knowledge comes to be not only powerful, but plausible.
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Genes and the Bioimaginary: Science, Spectacle, Culture
Genes and the Bioimaginary examines the dramatic rise and contemporary cultural apotheosis of 'the gene'. The book traces not only the genetification of modern life but is also a journey through the complex relationship between science and culture. At the heart of this book are three interlinked questions. The first concerns the paradigmatic transformations of the 'genetics revolution': how can we understand the impact of genes on social arenas as diverse as law and agriculture, politics and medicine, genealogy and jurisprudence? Second, how has the language of genes come to pervade public discourse - as much a trope of personal narrative as of the popular imaginary? And third, how can we gain critical purchase not only on the conditions and consequences of a particular science, but on its projective seductions, the terms of its persuasion, and the dilemmas and anxieties provoked in its wake? Through a series of illuminating case studies ranging from 'gay genes' to 'Jew genes', to genes for crime; from CSI to the Innocence Project, from genetics (post)racial imaginary to its phantasies of redemption, the book examines the emergence of the gene as a pre-eminent locus of both scientific and social explanation, and as a powerful object of spectacle, projective phantasy and attachment. Genes and the Bioimaginary makes a distinctive contribution to our understanding of how knowledge comes to be not only powerful, but plausible.
54.99 In Stock
Genes and the Bioimaginary: Science, Spectacle, Culture

Genes and the Bioimaginary: Science, Spectacle, Culture

by Deborah Lynn Steinberg
Genes and the Bioimaginary: Science, Spectacle, Culture
Genes and the Bioimaginary: Science, Spectacle, Culture

Genes and the Bioimaginary: Science, Spectacle, Culture

by Deborah Lynn Steinberg

Paperback

$54.99 
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Overview

Genes and the Bioimaginary examines the dramatic rise and contemporary cultural apotheosis of 'the gene'. The book traces not only the genetification of modern life but is also a journey through the complex relationship between science and culture. At the heart of this book are three interlinked questions. The first concerns the paradigmatic transformations of the 'genetics revolution': how can we understand the impact of genes on social arenas as diverse as law and agriculture, politics and medicine, genealogy and jurisprudence? Second, how has the language of genes come to pervade public discourse - as much a trope of personal narrative as of the popular imaginary? And third, how can we gain critical purchase not only on the conditions and consequences of a particular science, but on its projective seductions, the terms of its persuasion, and the dilemmas and anxieties provoked in its wake? Through a series of illuminating case studies ranging from 'gay genes' to 'Jew genes', to genes for crime; from CSI to the Innocence Project, from genetics (post)racial imaginary to its phantasies of redemption, the book examines the emergence of the gene as a pre-eminent locus of both scientific and social explanation, and as a powerful object of spectacle, projective phantasy and attachment. Genes and the Bioimaginary makes a distinctive contribution to our understanding of how knowledge comes to be not only powerful, but plausible.

Product Details

ISBN-13: 9780367598921
Publisher: Taylor & Francis
Publication date: 06/30/2020
Pages: 200
Product dimensions: 6.12(w) x 9.19(h) x (d)

About the Author

Deborah Lynn Steinberg is Professor of Gender, Culture and Media Studies in the Department of Sociology at the University of Warwick, UK. Her books include: Bodies in Glass: Genetics, Eugenics, Embryo Ethics (1997); Made to Order: The Myth of Reproductive and Genetic Progress (1987, with P. Spallone); Border Patrols: Policing the Boundaries of Heterosexuality (1989, with D. Epstein and R. Johnson); Mourning Diana: Nation, Culture and the Performance of Grief (1999, with A. Kear); and Blairism and the War of Persuasion: Labour’s Passive Revolution (2004, with R Johnson).

Table of Contents

Acknowledgements vii

Introduction 1

1 Languages of Risk: Genetic Encryptions of the Female Body 9

2 Metaphor, Materiality and the Gene 25

3 Genes and the (Post)Radal Imaginary 51

4 Monster X: On Gays, Genes, Mothers and Mad Scientists 67

5 Trace: On Genes and Crime 91

6 Beggars and Choosers: Genes and the Neoliberal Subject 111

7 Seeking the Jew's Gene: Science, Spectacle, Redemption 129

8 Between Biology and Culture - What is "Real' About Genes? 151

Bibliography 167

Index 187

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