Genealogical Fictions: Cultural Periphery and Historical Change in the Modern Novel

Explores the enduring link between national space and genealogy in the modern novel.

Winner of the CHOICE Outstanding Academic Title of the Choice ACRL

Taking its cue from recent theories of literary geography and fiction, Genealogical Fictions argues that narratives of familial decline shape the history of the modern novel, as well as the novel’s relationship to history. Stories of families in crisis, Jobst Welge argues, reflect the experience of historical and social change in regions or nations perceived as “peripheral.” Though geographically and temporally diverse, the novels Welge considers all demonstrate a relation among family and national history, genealogical succession, and generational experience, along with social change and modernization.

Welge’s wide-ranging comparative study focuses on the novels of the late nineteenth century, but it also includes detailed analyses of the pre-Victorian origin of the genealogical-historical novel and the evolution of similar themes in twentieth-century literature. Moving through time, he uncovers often-unsuspected novelistic continuities and international transformations and echoes, from Maria Edgeworth’s Castle Rackrent, published in 1800, to G. Tomasi di Lampedusa’s 1958 book Il Gattopardo.

By revealing the “family resemblance” of novels from Great Britain, Italy, Spain, Portugal, and Brazil, this volume shows how genealogical narratives take on special significance in contexts of cultural periphery. Welge links private and public histories, while simultaneously integrating detailed accounts of various literary fields across the globe. In combining theories of the novel, recent discussions of cultural geography, and new approaches to genealogical narratives, Genealogical Fictions addresses a significant part of European and Latin American literary history in which texts from different national cultures illuminate each other in unsuspected ways and reveal the repetition, as well as the variation, among them. This book should be of interest to students and scholars of comparative literature, world literature, and the history and theory of the modern novel.

"1119462104"
Genealogical Fictions: Cultural Periphery and Historical Change in the Modern Novel

Explores the enduring link between national space and genealogy in the modern novel.

Winner of the CHOICE Outstanding Academic Title of the Choice ACRL

Taking its cue from recent theories of literary geography and fiction, Genealogical Fictions argues that narratives of familial decline shape the history of the modern novel, as well as the novel’s relationship to history. Stories of families in crisis, Jobst Welge argues, reflect the experience of historical and social change in regions or nations perceived as “peripheral.” Though geographically and temporally diverse, the novels Welge considers all demonstrate a relation among family and national history, genealogical succession, and generational experience, along with social change and modernization.

Welge’s wide-ranging comparative study focuses on the novels of the late nineteenth century, but it also includes detailed analyses of the pre-Victorian origin of the genealogical-historical novel and the evolution of similar themes in twentieth-century literature. Moving through time, he uncovers often-unsuspected novelistic continuities and international transformations and echoes, from Maria Edgeworth’s Castle Rackrent, published in 1800, to G. Tomasi di Lampedusa’s 1958 book Il Gattopardo.

By revealing the “family resemblance” of novels from Great Britain, Italy, Spain, Portugal, and Brazil, this volume shows how genealogical narratives take on special significance in contexts of cultural periphery. Welge links private and public histories, while simultaneously integrating detailed accounts of various literary fields across the globe. In combining theories of the novel, recent discussions of cultural geography, and new approaches to genealogical narratives, Genealogical Fictions addresses a significant part of European and Latin American literary history in which texts from different national cultures illuminate each other in unsuspected ways and reveal the repetition, as well as the variation, among them. This book should be of interest to students and scholars of comparative literature, world literature, and the history and theory of the modern novel.

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Genealogical Fictions: Cultural Periphery and Historical Change in the Modern Novel

Genealogical Fictions: Cultural Periphery and Historical Change in the Modern Novel

by Jobst Welge
Genealogical Fictions: Cultural Periphery and Historical Change in the Modern Novel

Genealogical Fictions: Cultural Periphery and Historical Change in the Modern Novel

by Jobst Welge

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Overview

Explores the enduring link between national space and genealogy in the modern novel.

Winner of the CHOICE Outstanding Academic Title of the Choice ACRL

Taking its cue from recent theories of literary geography and fiction, Genealogical Fictions argues that narratives of familial decline shape the history of the modern novel, as well as the novel’s relationship to history. Stories of families in crisis, Jobst Welge argues, reflect the experience of historical and social change in regions or nations perceived as “peripheral.” Though geographically and temporally diverse, the novels Welge considers all demonstrate a relation among family and national history, genealogical succession, and generational experience, along with social change and modernization.

Welge’s wide-ranging comparative study focuses on the novels of the late nineteenth century, but it also includes detailed analyses of the pre-Victorian origin of the genealogical-historical novel and the evolution of similar themes in twentieth-century literature. Moving through time, he uncovers often-unsuspected novelistic continuities and international transformations and echoes, from Maria Edgeworth’s Castle Rackrent, published in 1800, to G. Tomasi di Lampedusa’s 1958 book Il Gattopardo.

By revealing the “family resemblance” of novels from Great Britain, Italy, Spain, Portugal, and Brazil, this volume shows how genealogical narratives take on special significance in contexts of cultural periphery. Welge links private and public histories, while simultaneously integrating detailed accounts of various literary fields across the globe. In combining theories of the novel, recent discussions of cultural geography, and new approaches to genealogical narratives, Genealogical Fictions addresses a significant part of European and Latin American literary history in which texts from different national cultures illuminate each other in unsuspected ways and reveal the repetition, as well as the variation, among them. This book should be of interest to students and scholars of comparative literature, world literature, and the history and theory of the modern novel.


Product Details

ISBN-13: 9781421414362
Publisher: Johns Hopkins University Press
Publication date: 02/16/2015
Sold by: Barnes & Noble
Format: eBook
Pages: 272
File size: 2 MB
Age Range: 18 Years

About the Author

Jobst Welge teaches Romance literature and cultural studies at the University of Konstanz.

Table of Contents

List of Abbreviations
Acknowledgments
1. Introduction
2. Periphery and Genealogical Discontinuity: The Historical Novel of the Celtic Fringe (Maria Edgeworth and Walter Scott)
3. Progress and Pessimism: The Sicilian Novel of Verismo (Giovanni Verga and Federico De Roberto)
4. National and Genealogical Crisis: The Spanish Realist Novel (Benito Pérez Galdós)
5. Nature, Nation, and De-/Regeneration: The Spanish Regional Novel (Emilia Pardo Bazán)
6. Dissolution and Disillusion: The Novel of Portuguese Decline (Eça de Queirós)
7. Surface Change: A Brazilian Novel and the Problem of Historical Representation (Machado de Assis)
8. The Last of the Line: Foretold Decline in the Twentieth- Century Estate Novel (José Lins do Rego)
9. Death of a Prince, Birth of a Nation: Time, Place, and Modernity in a Sicilian Historical Novel (G. Tomasi di Lampedusa)
10. Epilogue: The Perspective from the End
Notes
Bibliography
Index

What People are Saying About This

William Egginton

Jobst Welge’s observation of the centrality of genealogical fictions to the question of national identity—and the potential this concept has for clarifying problems of peripheral modernities and their relation to or inflection of the novelistic form—is highly original and will be of great interest to the field, particularly to scholars focusing on the history of the novel in the European tradition. The author demonstrates fluency in a wide array of Western literary traditions; he is a true comparativist, with the ability to work equally closely on Spanish, Italian, Portuguese, and English texts. This book should be required reading for any comparativist approach to the history of the novel.

Jeffrey Schnapp

Genealogical Fictions: Cultural Periphery and Historical Change in the Modern Novel is a mature, distinguished contribution to the history of the novel that establishes Welge as one of the leading comparativists of his generation. It is a work whose brilliance lies in its impressive scope and patiently constructed, historically informed, compelling arguments regarding the role of genealogy and family history in the modern novel from the United Kingdom to Brazil to Italy to Spain.

Jeffrey T. Schnapp

Genealogical Fictions is a mature, distinguished contribution to the history of the novel that establishes Welge as one of the leading comparativists of his generation. It is a work whose brilliance lies in its impressive scope and patiently constructed, historically informed, compelling arguments regarding the role of genealogy and family history in the modern novel from the United Kingdom to Brazil to Italy to Spain.

From the Publisher

Jobst Welge’s observation of the centrality of genealogical fictions to the question of national identity—and the potential this concept has for clarifying problems of peripheral modernities and their relation to or inflection of the novelistic form—is highly original and will be of great interest to the field, particularly to scholars focusing on the history of the novel in the European tradition. The author demonstrates fluency in a wide array of Western literary traditions; he is a true comparativist, with the ability to work equally closely on Spanish, Italian, Portuguese, and English texts. This book should be required reading for any comparativist approach to the history of the novel.
—William Egginton, Johns Hopkins University

Genealogical Fictions is a mature, distinguished contribution to the history of the novel that establishes Welge as one of the leading comparativists of his generation. It is a work whose brilliance lies in its impressive scope and patiently constructed, historically informed, compelling arguments regarding the role of genealogy and family history in the modern novel from the United Kingdom to Brazil to Italy to Spain.
—Jeffrey T. Schnapp, Harvard University, coauthor of The Library Beyond the Book

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