Table of Contents
Part I: “Displacing” Galician Studies: Diasporic and Linguistic Perspectives.- 1 A Place to live and a Place to Die: Displacement and Settlement in Contemporary Galician Culture.- 2 Language as Object of Research vs. Language as Political Object: Old and New Horizons in the Study of Galician.- Part II: Bodies, Sexes and Genders I: Intimate and Political Bodies.- Lobos 3 Sucios: Nazis, Meigas and Mouros in the Galician Wolfram Mines During WWII.- 4
Alma e o mar: About Love, Myths and Landscapes in Galicia.- 5 Semellantes as feridas? Feminist De-Colonial Readings of Galician Fiction.- Part III: Bodies, Sexes and Genders II: Seductions, Motherhoods and Rebellions.- 6 “Seducible” Souls, “Bastard” Republics: Fear of a Literate Demos in Emilia Pardo Bazán’s
La Tribuna (1883).- 7 Motherhood and Social Progress in Emilia Pardo Bazán’s
Los Pazos de Ulloa (1886).- 8 María Vinyals: A Multidisciplinary Writer.- Part IV: Folk Arts and the Professional Art Circuit: Artistic Production and Cultural Dissemination.- 9 Notes on the Cultural Policy of the Commons in a Cooperative Framework:
Numax’s Presence in Santiago de Compostela.- 10 The Forest for the Tree: Artist
Willy Taboada and the Galician Transition to Neoliberalism.- 11 Emilio Araúxo and the Foundations of a Galician Poetic Ethnography.- 12 The True Story of Three Musical Prodigies from Ferrol: José Arriola, and Pilar and Carmen Osorio Rodríguez.