AUG/SEP 01 - AudioFile
Left alone by her mother’s sudden death in a savage future where life is ruled by fear and memory and humans feel powerless to affect their fate, Kira is a different breed, an artist who expresses her vision in colored thread on cloth. Such a gift, however, matters little to the general populace, scrabbling as they must to survive in a hostile physical world, particularly when the artist is imperfect, as Kira is, with her twisted leg and hobbled walk. Katherine Borowitz delivers an unimpassioned, measured reading, a superb match for the dispassionate tone of Lowry’s novel. Her voice softens and glimmers with emotion only when the text rests solidly within Kira’s thoughts, or when she remembers her dead mother’s loving tones. The solemnity and mystery of the novel are frequently relieved, however, by the charming impulsivity and crude Fen dialect of the waif, Matt, which Borowitz flawlessly captures. T.B. Winner of AudioFile Earphones Award. © AudioFile 2001, Portland, Maine
Publishers Weekly - Publisher's Weekly
After conjuring the pitfalls of a technologically advanced society in The Giver, Lowry looks toward a different type of future to create this dark, prophetic tale with a strong medieval flavor. Having suffered numerous unnamed disasters (aka, the Ruin), civilization has regressed to a primitive, technology-free state; an opening author's note describes a society in which "disorder, savagery, and self-interest" rule. Kira, a crippled young weaver, has been raised and taught her craft by her mother, after her father was allegedly killed by "beasts." When her mother dies, Kira fears that she will be cast out of the village. Instead, the society's Council of Guardians installs her as caretaker of the Singer's robe, a precious ceremonial garment depicting the history of the world and used at the annual Gathering. She moves to the Council Edifice, a gothic-style structure, one of the few to survive the Ruin. The edifice and other settings, such as the Fen--the village ghetto--and the small plot where Annabella (an elder weaver who mentors Kira after her mother's death) lives are especially well drawn, and the characterizations of Kira and the other artists who cohabit the stone residence are the novel's greatest strength. But the narrative hammers at the theme of the imprisoned artist. And readers may well predict where several important plot threads are headed (e.g., the role of Kira's Guardian, Jamison; her father's disappearance), while larger issues, such as the society's downfall, are left to readers' imaginations. Ages 10-up. (Sept.) Copyright 2000 Cahners Business Information.
School Library Journal
Gr 5-9-As Gathering Blue (HM, 2000) begins, a harsh, barbaric community of the future challenges the right of Kira to remain a part. Orphaned by the recent death of her mother, Kira has been cursed by a deformed leg and blessed by unsurpassed artistic talent. Facing the Council of Guardians, she pleads her case and finds an important role that plunges her deep into the heart of this enigmatic civilization. Lois Lowry, the consummate yarn-spinner, has deftly woven this cautionary tale so reminiscent of her Newbery tour-de-force, The Giver. She takes a bleak and colorless landscape, embroiders it richly with her storytelling prowess, and even treats us to an introductory spoken passage filled with insight into her thoughts and motivations for writing the story. Gathering Blue lends itself well to the medium of audiobook. The unusual-yet-familiar vocabulary used by the villagers can be recognized readily through the expert reading of actress Katherine Borowitz. The story is loquacious, mysterious, and thought provoking a must-have for young adults. The audio version is certain to be popular on circulation lists and with teachers.-Lisa Denton, J.S. Russell Junior High School, Lawrenceville, VA Copyright 2001 Cahners Business Information.
In Gathering Blue, Kira is summoned to judgement by a village Council which abhors deformity, and she eXxpects to die; but rescue by one member preserves her life in eXxchange for hard work on a ceremonial cape. Her talents come alive and Kira faces a new life herself in this story of survival and community involvements.
Kirkus Reviews
Lowry returns to the metaphorical future world of her Newbery-winning The Giver (1993) to explore the notion of foul reality disguised as fair. Born with a twisted leg, Kira faces a bleak future after her mother dies suddenly, leaving her without protection. Despite her gift for weaving and embroidery, the village women, led by cruel, scarred Vandara, will certainly drive the lame child into the forest, where the "beasts" killed her father, or so she's been told. Instead, the Council of Guardians intervenes. In Kira's village, the ambient sounds of voices raised in anger and children being slapped away as nuisances quiets once a year when the Singer, with his intricately carved staff and elaborately embroidered robe, recites the tale of humanity's multiple rises and falls. The Guardians ask Kira to repair worn historical scenes on the Singer's robe and promise her the panels that have been left undecorated. Comfortably housed with two other young orphansThomas, a brilliant wood-carver working on the Singer's staff, and tiny Jo, who sings with an angel's voiceKira gradually realizes that their apparent freedom is illusory, that their creative gifts are being harnessed to the Guardians' agenda. And she begins to wonder about the deaths of her parents and those of her companionsespecially after the seemingly hale old woman who is teaching her to dye expires the day after telling her there really are no beasts in the woods. The true nature of her society becomes horribly clear when the Singer appears for his annual performance with chained, bloody ankles, followed by Kira's long-lost father, who, it turns out, was blinded andleftfor dead by a Guardian. Next to the vividly rendered supporting cast, the gentle, kindhearted Kira seems rather colorless, though by electing at the end to pit her artistic gift against the status quo instead of fleeing, she does display some inner stuff. Readers will find plenty of material for thought and discussion here, plus a touch of magic and a tantalizing hint (stay sharp, or you'll miss it) about the previous book's famously ambiguous ending. A top writer, in top form. (author's note) (Fiction. 11-13)
From the Publisher
"Lowry returns to the metaphorical future world of her Newbery-winning The Giver. . . . Plenty of material for thought and discussion here, plus a touch of magic and a tantalizing hint about the previous book’s famously ambiguous ending." — Kirkus Reviews
"Lowry is a master at creating worlds, both real and imagined, and this incarnation of our civilization some time in the future is one of her strongest creations." — Booklist (starred review)
AUG/ SEP 01 - AudioFile
Left alone by her mother’s sudden death in a savage future where life is ruled by fear and memory and humans feel powerless to affect their fate, Kira is a different breed, an artist who expresses her vision in colored thread on cloth. Such a gift, however, matters little to the general populace, scrabbling as they must to survive in a hostile physical world, particularly when the artist is imperfect, as Kira is, with her twisted leg and hobbled walk. Katherine Borowitz delivers an unimpassioned, measured reading, a superb match for the dispassionate tone of Lowry’s novel. Her voice softens and glimmers with emotion only when the text rests solidly within Kira’s thoughts, or when she remembers her dead mother’s loving tones. The solemnity and mystery of the novel are frequently relieved, however, by the charming impulsivity and crude Fen dialect of the waif, Matt, which Borowitz flawlessly captures. T.B. Winner of AudioFile Earphones Award. © AudioFile 2001, Portland, Maine