Futureland: Nine Stories of an Imminent World
The citizenry of America struggles for survival in a dangerous, twisted future.

In this critically acclaimed collection of stores, noir legend Walter Mosley takes his unique vision of American society into the future. As the nation descends into chaos, its citizens wonder, is the world ending, or has the apocalypse already come and gone?

In “Whispers in the Dark,” an ex-con sells his organs to ensure his brilliant nephew’s future. The boy will grow up to have the highest IQ ever recorded, but the uncle, who sold his eyes, won’t be able to see it. In “Voices,” a history professor becomes addicted to a drug called pulse, which gives him access to a world of vivid fantasy while tearing his brain to shreds. By the time the professor qualifies for a brain transplant, he’s no longer sure what’s real and what’s imagined. And in “Angel’s Island,” a convict in the world’s largest private prison reveals the facility’s chilling secrets
1100624298
Futureland: Nine Stories of an Imminent World
The citizenry of America struggles for survival in a dangerous, twisted future.

In this critically acclaimed collection of stores, noir legend Walter Mosley takes his unique vision of American society into the future. As the nation descends into chaos, its citizens wonder, is the world ending, or has the apocalypse already come and gone?

In “Whispers in the Dark,” an ex-con sells his organs to ensure his brilliant nephew’s future. The boy will grow up to have the highest IQ ever recorded, but the uncle, who sold his eyes, won’t be able to see it. In “Voices,” a history professor becomes addicted to a drug called pulse, which gives him access to a world of vivid fantasy while tearing his brain to shreds. By the time the professor qualifies for a brain transplant, he’s no longer sure what’s real and what’s imagined. And in “Angel’s Island,” a convict in the world’s largest private prison reveals the facility’s chilling secrets
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Futureland: Nine Stories of an Imminent World

Futureland: Nine Stories of an Imminent World

Futureland: Nine Stories of an Imminent World

Futureland: Nine Stories of an Imminent World

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Overview

The citizenry of America struggles for survival in a dangerous, twisted future.

In this critically acclaimed collection of stores, noir legend Walter Mosley takes his unique vision of American society into the future. As the nation descends into chaos, its citizens wonder, is the world ending, or has the apocalypse already come and gone?

In “Whispers in the Dark,” an ex-con sells his organs to ensure his brilliant nephew’s future. The boy will grow up to have the highest IQ ever recorded, but the uncle, who sold his eyes, won’t be able to see it. In “Voices,” a history professor becomes addicted to a drug called pulse, which gives him access to a world of vivid fantasy while tearing his brain to shreds. By the time the professor qualifies for a brain transplant, he’s no longer sure what’s real and what’s imagined. And in “Angel’s Island,” a convict in the world’s largest private prison reveals the facility’s chilling secrets

Product Details

ISBN-13: 9781574782356
Publisher: Black Classic Press
Publication date: 12/10/2024
Pages: 370
Product dimensions: 6.00(w) x 9.00(h) x 83.00(d)

About the Author

About The Author
Walter Mosley is one of the most versatile and admired writers in America. He is the author of more than sixty critically acclaimed books that cover a wide range of ideas, genres, and forms including fiction (literary, mystery, and science fiction), political monographs, writing guides including Elements of Fiction a memoir in paintings, and a young adult novel called 47. His work has been translated into twenty-five languages.

From a collection of short stories, The Awkward Black Man, to his daring novel John Woman, which explored deconstructionist history, and his standalone crime novel Down the River and Unto the Sea, which won an Edgar Award for Best Novel, the rich storylines that Mosley has created and deepened the understanding and appreciation of Black life in the United States. He has introduced an indelible cast of characters into the American canon starting with his first novel, Devil in a Blue Dress, which brought Easy Rawlins, his private detective in postwar Los Angeles and his friends Jackson Blue and Raymond “Mouse” Alexander into reader’s lives. Mosley has explored both large issues and intimate realities through the lens of characters like the Black philosopher Socrates Fortlow; the elder suffering from Alzheimer’s, Ptolemy Grey; the bluesman R L; the boxer and New York private investigator Leonid McGill; Debbie Dare, the porn star of Debbie Doesn’t Do It Anymore; and Tempest Landry and his struggling angel, among others.

Mosley has also written and staged several plays including The Fall of Heaven, based on his Tempest Landry stories and directed by the acclaimed director Marion McClinton. Several of his books have been adapted for film and television including Devil in a Blue Dress (starring Denzel Washington, Don Cheadle and Jennifer Beals) and the HBO production of Always Outnumbered (starring Laurence Fishburne and Natalie Cole). His short fiction has been widely published, and his nonfiction – long form essays and op-eds-have appeared in the New York Times, and The Nation among other publications. He is also a writer and executive producer on the John singleton FX series, “Snowfall.”

Concerned by the lack of diversity in all levels of publishing, Mosley established The Publishing Certificate Program with the City University of New York to bring together book professionals and students hailing from a wide range of racial, ethnic and economic communities for courses, internships, and job opportunities. In 2013, Mosley was inducted into the New York State Writers Hall of Fame, and he is the winner of numerous awards, including a O. Henry Award, The Mystery Writers of America’s Grand Master Award, a Grammy , several NAACP Image awards, and PEN America’s Lifetime Achievement Award. In 2020, he was named the recipient of the Robert Krisch Award for lifetime achievement from Los Angeles Times Festival of Books. Born and raised in Los Angeles, Mosley now lives in Brooklyn and Los Angeles.


John Jennings is a professor, author, graphic novelist, curator, Harvard Fellow, New York Times Bestseller, 2018 Eisner Winner, and all-around champion of Black culture.

As Professor of Media and Cultural Studies at the Universityat the University of California at Riverside (UCR), Jennings examines the visual culture of race in various media forms including film, illustrated fiction, and comings and graphic novels. He is also the director of Abrams ComicArts imprint Megascope, which publishes graphic novels focused on the experiences of people of color. His research interests include the visual culture of Hip Hop, Afrofuturism and politics, Visual Literacy, Horror, and the EthnoGothic, and Speculative Design and its applications to visual rhetoric.

Jennings is co-editor of the 2016 Eisner Award-winneg collection The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art (Rutgers) and co-founder/organizer of the The Schomburg Center’s Black Comic Book Festival in Harlem. He is co-founder and organizer of the MLK NorCal’s BlackComix Arts Festival in San Francisco and SOL-CON: The Brown and Black Comix Expo and The Ohio State University.

Hometown:

New York, New York

Date of Birth:

January 12, 1952

Place of Birth:

Los Angeles, California

Education:

B.A., Johnson State College

Read an Excerpt

Whispers in the Dark

"Yeth he did too. Popo called me on the vid hithelf an' he wath on'y two year ole," Misty Bent said to her wide-eyed niece, Hazel Bernard. They were sitting out on the screened porch above the Tickle River. Misty's drooping left eyelid and gnarled, half-paralyzed hands did not mask her excitement. "You kiddin'?" Hazel exclaimed.

"Tole me hith mama wath thick on the flo', that he called the hothpital but he wanted me to know too." Misty shook her head,remembering Melba's death. "I beat the ambulanth but Death got there quicker thtill. Doctor Maynard called it a acthidental overdoth tho we could put her in the ground with a prietht and thome prayer beadth,but you know Melba had had all thee could take. You know it hurt me tho bad that the blood vethel broke in my head."

"Her life wasn't no harder than what we all have to go through," Hazel Bernard said. She shifted her girth looking for a comfortable perch in the cheap plastic chair,but there was none.

"But you cain't compare her an'uth, or you'n me for that matter. Ith all diff'rent."

"What's that crazy talk s 'posed to mean?" the big woman challenged. Hazel said she dropped by to see how Misty was coming along after the stroke but really she was there to see if Chill Bent, Misty's ex-convict son, had come back to live with her as she had heard.

"Ith juth what you thinkin'," Misty replied. "What you know 'bout what I'm thinkin'?" Hazel asked. She was thirty years younger than Misty, but she was also the eldest of thirteen. Hazel had been the ruler of the roost since the age of nine, and no old woman 's pretending was going to trick her.

"You thinkin 'that the tht'oke done methed wit' my mind, that I'm feeble in the head 'cuth my left thide ith parali'ed. You think I cain't take care'a Popo but you wrong."

"I do not think any such thing."

"Oh yeth you do too," Misty said.. "That'th why you heah. I know. And you wrong but you done anthered your own queth'ton in bein' wrong."

Hazel shifted again and grunted. This was a day taken away from her housework and her children.

She swallowed her anger and asked, "Are you tired,Auntie?"

Little Popo wandered onto the deck then. He was small for thirty months but his movements seemed more like those of an old man lost in memories than those of a child discovering the world.

"Hi, Popo," Hazel said. "Come here." "Huth," Misty hissed. "He thinkin'. He 'll talk when he want to."

"What? You don't call him to come sit on your lap?"

Popo went up to the edge of the deck and pressed his face against the loose screen.

"Don't fall, baby," Misty whispered.

The boy rocked back on his heels,his tiny black hands replacing his face upon the screen. He wore a white T-shirt and denim blue jeans with no shoes. His thick hair stood out long and wild but it wasn't matted.

"Rain's comin'," Popo said.

"That's right," Hazel said. "Weatherman said that a storm's gonna come outta the Gulf tonight. You're right, Aunt Misty. He is smart to hear that on ITV and remember it like that."

"No Internet in thith home," Misty proclaimed. "Not even no old TV or radio that work. Thill thay it would meth Popo up."

"Chill? No ITV?" Hazel didn't know which road to hell was worse. Both together tied her tongue.

"I smell it," Popo said,looking at the big visitor in the purple dress. "It smell like the knife an 'fo'k when they wet."

The boy climbed up onto Hazel's big thigh and sat like a tiny Buddha staring into her eyes. Beyond him Misty wheezed and doddered, grinning madly.

"He been readin 'though," Misty said. "Thometime he read in the paper an 'then he try an' fool uth,actin' like he got the thight."

"No uh-uh Gramma no. Not Popo. I smelt it. I did."

Hazel was a little disconcerted by the steady stare of the toddler. She was used to children his age having wandering, slightly amazed eyes. She shifted him to the crook of her left arm and bent over to snag the edge of the newspaper from the dinner tray between her and Misty. Popo giggled at the sudden movement. When Hazel sat back he hugged her big breast.

"Read to me from this," she commanded,handing him the Thaliaville Sparrow.

Popo took the paper from his aunt and looked at it as if it were some sort of foreign document that he had to study before he could even tell which way it was meant to be read.

"Hm," Hazel grunted. Misty grinned and drooled just a bit. Popo shifted the paper around and finally held it sideways.

"'Jacksonville, Mississippi,'" he said, pronouncing each syllable as if it were its own word, "'was rewarded yesterday by one of its native sons, Lyle Crandal. Today that son of a carpenter performed a miracle by breaking the four zero second bar-I-er on the four zero zero met-er at the two zero two four Oil-Im-pics.'"

"No," Hazel said on an intake of air. "Uh-huh," Popo squeaked indignantly. "This is amazin'," Hazel said to Misty.

"You thee," Misty replied. "You cain't compare yo'thelf to Melba'th mind or mine or hith. I got a blood clot and Melba had the blueth tho bad that thee couldn't breathe right half the time. Popo got thomethin' in hith head that thmell thunderthtormth an' read before he potty trained. Tho Melba could die if thee want to and that don't make her leth than you. Ith on'y God can make a judgment. On'y God can thave uth or no."

"On'y God," Popo said,staring deeply into Hazel's eyes. "You got to get him tested," Hazel said over the child's head. "You got to get him registered and trained by the Elite Education Group in Houston or San Francisco."

"No." At the sound of the masculine voice Popo's head jerked around.

"Chilly!" the boy shouted excitedly.

Popo jumped out of Hazel's lap, tumbled down her shins and hit the floor. His tiny lips trembled near tears from the fall but his eyes stayed focused on the powerful man in the denim overalls.

"Hey, baby boy," Chill said. He bent over and scooped Popo off the floor with one hand. In his other arm he cradled a colorful box and a big red book. "You got to stay up off' a the flo'. It's dirty down there."

"Sorry," the boy said as he snatched the book from the crook in his uncle's arm.

"My first shimistree set," the boy read out loud. "It's got all kinds'a experiments you could do with chemicals," Chill said. "They got ones for electricity and computers too."

Popo giggled and bounced on Chill's arm to indicate that he wanted to be put down. Chill leaned over again, allowing Popo to sit in an empty plastic chair. The clear-eyed child was already deep into the words of the book.

"What you mean no?" Hazel said.

"I mean we not sendin 'Popo away to some white man's idea of what smart and good is. All they do is wanna turn him against hisself. He's my nephew an 'he belongs with his family."

"But you can't help him, Chill," Hazel argued. "He needs computers and tests and teachers smart enough so he cain't fool 'em."

"He ain't gonna fool me," Chill said dismissively. The pale and jagged scar along his black jawline spoke of the violence and rage in the young man's life. "An' the books all say that he just needs to keep his mind busy learnin'. First books and things to keep his hands and mind busy, and then later he can be taught by teaching computers. That's what the experts say."

Chill put the bag down next to his nephew,who was already halfway through the children's chemistry primer.

"Look," Hazel said,pointing. "He almost finished with that book already."

"Naw. He just read the words. He have to go through it five or six times 'fore he be through with it. It'a be more than a week 'fore he gets through all those experiments."

"And you gonna buy him a chemistry set or whatever every week? Where you gonna get money like that? Do you even have a job?"

"I'm workin 'for the catfish farms and doin 'some work around here and there."

"That's gonna pay for a boy like Popo's education?" "I got other plans." "Like the plans put you on Angola Farm?" "Prison," Popo said even as he turned a page.

Chill stared at Hazel. He clenched his fists hard enough to make his sinewy forearms tremble.

"Thtop!" Misty Bent commanded.

Popo sat up in his Buddha position and Hazel flinched.

Misty had pulled herself to her feet by holding on to her plastic walker.

"Aunt Misty, sit down," Hazel said.

"You go," the elder woman replied. "You go and don't meth with uth. Thilly want to do right. Popo jutht lotht hith mama an' he never knew hith daddy. That Johnny Delight wath juth a hit'n run with hith mama. We ain't thendin' him nowhere."

Copyright (c) 2001 Walter Mosley

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