Paperback(First Edition)
-
PICK UP IN STORECheck Availability at Nearby Stores
Available within 2 business hours
Related collections and offers
Overview
"To my mind, fiction that tastes like medicine is no damn good. If it isn't a wonderful story first, who cares how 'important' it is?" - Orson Scott Card
Future on Ice is an anthology of stories that will freeze you in your tracks-and change the way you think. Here are early stories from widely varied and immensely talented authors who have since shattered the face of science fiction: George R. R. Martin, Octavia E. Butler, Isaac Asimov, Nancy Kress, Lisa Goldstein, Greg Bear, Gregory Benford, David Zindell, John Crowley, Andrew Weiner, C. J. Cherryh, John Varley, Walter Jon Williams, Karen Joy Fowler, Lewis Siner, Rockabye Baby, and John Kessel.
A widely varied, immensely enjoyable, and historically important anthology, Future on Ice is a showcase for the hottest stories by the coolest SF writers of the 1980s. Complete with a preface, introduction, and story notes by Card himself, here are early stories from eighteen incredibly talented authors who have since shattered the face of science fiction.
Product Details
ISBN-13: | 9780312872960 |
---|---|
Publisher: | Tor Publishing Group |
Publication date: | 01/01/2000 |
Series: | Future on Fire , #2 |
Edition description: | First Edition |
Pages: | 432 |
Product dimensions: | 5.50(w) x 8.50(h) x 0.97(d) |
About the Author
Hometown:
Greensboro, North CarolinaDate of Birth:
August 24, 1951Place of Birth:
Richland, WashingtonEducation:
B.A. in theater, Brigham Young University, 1975; M.A. in English, University of Utah, 1981Website:
http://www.hatrack.comRead an Excerpt
FUTURE ON ICECopyright (Introduction to "Robot Dreams")
by Isaac Asimov
I've already written a lot about Isaac Asimov: how I think him the supreme practitioner of the American tradition of plain style. How I find his work, though he was an avowed atheist, some of the most deeply religious writing I've read. How, unlike many other writers, he seemed only to get better (and wiser) as he got older. Those essays were printed elsewhere; they're still true, in my opinion.
Asimov is dead now; his string of great science fiction writing has ended. A few books are being written in his name, continuing some of his stories, but those aren't Asimov novels anymore. None of us can match the brilliant clarity of his writing, and none of us will ever be able to approach issues and stories from his viewpoint, with his insights and wisdom.
Nowhere is Asimov more clearly revealed than in the story you're about to read. "Robot Dreams" is a morally recursive dilemma, forcing us to face the limits of tolerance and liberality even as we yearn to erase those limits. Asimov was often accused of not creating characters (a charge he tacitly accepted in an essay he wrote called "The Little Tin God of Characterization") but the charge was never true. There are characters here, powerful ones; great heroes, in fact, carrying the futures of species within them in their majesty. It's just that, like his style, Asimov's characterizations are so subtle that you aren't aware of them. He slips them into our memories unnoticed. But that's when they have the power to change us.
I met Asimov only twice, once merely to shake hands and say hi, the second time for a little longer. It was the Nebula banquet where he was given his Grandmaster Award and I received something or otherand I honestly don't remember whatbut we stood side by side as they snapped pictures of us. With his typical modesty (the boasting was a public persona) he pointed to my Nebula and said, "That's the real award. This one"his Grandmaster Award"they gave me for not being dead yet."
I couldn't let that statement go unchallenged. I tried to tell him how wrong he was, what a giant he was, how we all learned from him, howbut he didn't want to hear it. I was embarrassing him. I stopped talking. It didn't matter: He either knew what he had accomplished, or he never would, certainly not from my babbling.
And later, I was invited to contribute a story to a Festschrift anthology in Asimov's honor. He had opened his fictional worlds to us. I was able to write a Foundation story. So I wrote about a brilliant old man who doubted the worth of his contribution to humanity, and received valediction when he least expected it. I wrote my judgment of Asimov, and my feelings about him, and set the story within his Foundation universe, at the very center, in the library on Trantor. I took one of Asimov's favorite themes, the need for scientists and scholars to break down boundaries between disciplines, and made it the heart of how the library worked. Every word was written to him.
And he never read it. I should have known. Word came back to me that Asimov simply wasn't reading any of the stories. Why? Because, with typical modesty, he was sure that we would have written Foundation and Robot stories that were better than his, and having read our work, he wouldn't be able to find the heart to continue with his own.
So...he never got my letter.
I can only hope he's not too stubborn to read it now.
FUTURE ON ICECopyright 1998 by Orson Scott Card
Table of Contents
Orson Scott Card / Introduction: Science Fiction and "The Force"Isaac Asimov / Robot Dreams
George R. R. Martin / Portraits of His Children
Lisa Goldstein / Tourists
Greg Bear / Blood Music
Gregory Benford / Time's Rub
David Zindell / Shanidar
Octavia E. Butler / Speech Sounds
John Crowley / Snow
Andrew Weiner / Klein's Machine
C. J. Cherryh / Pots
John Varley / Press Enter
Walter Jon Williams / Dinosaurs
Karen Joy Fowler / Cabracan
Lewis Siner / Rockabye Baby
John Kessel / The Pure Product
Nancy Kress / Out of All Them Bright Stars
Orson Scott Card / The Fringe