Publishers Weekly
★ 11/15/2021
In 1985, a four-year-old Hmong child sees her first glimpse of the world in this poetic autobiographical account by Yang. Born in the Ban Vinai Refugee Camp in Thailand, per an author’s note, young Kalia plays with her cousins as their families, Hmong refugees, struggle with hunger, racism, and fear: “They are scared to return to the old country. They are scared to go to a new country.” When Kalia innocently asks if “all of the world a refugee camp,” her father climbs to the top of the tallest tree with her on his back to show her the wide view and distant mountains. Lush, multilayered art in a natural color palette by Wada emphasizes family and community interactions, rendered in a combination of traditional media, including graphite and watercolor, and digitally. A stirring, lyrical portrait of hope and intergenerational bonds. Back matter includes an author’s note, a brief glossary, and a map. Ages 5–9. (Oct.)
From the Publisher
"A stirring, lyrical portrait of hope and intergenerational bonds."—starred, Publishers Weekly
School Library Journal
★ 11/01/2021
Gr 1–3—In this moving, positive story, a father encourages his young daughter to confront challenges and look beyond borders. In Wada's scenes, no Hmong refugee appears skeletal, but the "Humane Deterrence Policy" of the camp in Thailand, in 1985, includes just three days' worth of food a week. Kids play happily together, ride dogs and chase chickens; the aunties of the extended families embroider calmly; but soldiers appear as splotchy memory-shadows, behind pretty blue-green foreground leaves. Kalia has overheard talk about the war and adults' fears, and asks, "Is all the world a camp?" Then, from a treetop, her father changes her perspective, assuring her she'll "travel far to find peace." Autobiographically based, like Yang's The Most Beautiful Thing, this book includes an account of the writer's successful subsequent life, pronunciation help, and a map. Wada seamlessly mixes media (graphite, watercolor, digital) in subdued hues into a simple, sensitive child's-eye depiction of the camp and its people, scaled for reading to a group. VERDICT This is a gentle celebration of vision, hope, and determination in a book for all collections.—Patricia D. Lothrop, formerly at St. George's Sch., Newport, RI
Kirkus Reviews
★ 2021-06-29
The author recounts a formative childhood experience that continues to inspire her today.
Born to Hmong refugees, Kalia has only ever known the confines of the Ban Vinai refugee camp in Thailand. Even while playing with her cousins, reminders of the hardships of their life are always present. She overhears the aunties sharing their uncertainty and fear of the future. They are a people with no home country and are still trying to find peace. Kalia asks her father why they live behind a gate and wonders what lies beyond the fences that surround the camp. The next day they climb a tall tree, and he shows her the vast expanse around them, from familiar camp landmarks to distant mountains “where the sky meets earth.” This story of resilience and generational hope is told in an expressive, straightforward narrative style. The simplicity of the text adds a level of poignancy that moves readers to reflection. The layered and heavily textured illustrations complement the text while highlighting the humanity of the refugees and providing a quiet dignity to camp life. The militarylike color palette of olive greens, golden yellows, and rich browns reinforces the guarded atmosphere but also represents the transitional period from winter to spring, a time ripe with anticipation and promise.
A visually striking, compelling recollection. (author's note, glossary, map.) (Picture book/memoir. 5-9)
