Praise for From the Shadows
Publishers Weekly “Top 10 Books of the Year” selection
Thrillist “Best Books of the Year” selection
World Literature Today “Notable Translations of the Year” selection
Asymptote Book Club selection
New York Public Library “Contemporary Classics Book Discussion” selection
Big Other Book Award Finalist
“Begins as entertaining slapstick, subtly metamorphoses into fable. . . . As [the narrator’s] vivid imaginary world fuses with reality this deceptively ethereal novel advances toward a dark and startling finale.” —Wall Street Journal
“Spectacularly surreal and cerebral. . . . [From the Shadows] carves a labyrinthine path through a mind withstanding both physical and mental confinements, and the language, rife with darkness and comedy, traces the fine walls of worlds both real and imagined with Kafkaesque soliloquy.” —Asymptote Journal
A seductive narrator, brisk dialogue, and a unique claustrophobic setting contribute to a distinctive blend of Kafka’s surrealism and Pirandello’s absurdism. . . . A quick, riveting read.” —World Literature Today
“The compact, surreal story . . . is uproarious and unnerving in equal measure, and is far too riveting to put down.” —Thrillist
“Hilarious and unique.” —Crime Reads
“Equal parts psychotic, suspenseful, and tenderly funny. . . . This novel forever changed how I feel when I’m home alone.” —TorNightfire.com
“Incredibly strange, truly bizarre—one of the most original stories. . . . Impossible to put down.” —Shelf Unbound
“An entertainingly presented look at social isolation and dependency.” —Complete Review
“A fable of survival in a consumerist society.” —Seattle Review of Books
“[From the Shadows is] about alienation, loneliness, voyeurism, and the power of fantasy to transform claustrophobic, humdrum lives. . . . [It] pays tribute to a very Spanish tradition, embodied by, among others, surrealists like Luis Buñuel [whose] 1962 film, The Exterminating Angel, [is] another claustrophobic allegory that turns middle-class comfort into a desert island.” —Public Books
“Part surreal comedy, part dark parable, Millás’s wild work brings readers face to face with the mundane facets of middle-class suburban life. . . . A page-turner of the strangest order, Millás’s debut stuns and entrances. It’s impossible to put down.” —Publishers Weekly (starred review)
“Spectacularly bizarre. . . . A Kafkaesque story about transformation and our collective human desire to connect with one another.” —Kirkus Reviews
“A compelling stew of comedy, philosophy, and even tragedy, From the Shadows maintains a light touch, even as sinister undertones bubble underneath.” —Foreword Reviews
“A penetrating parable of suburban family life. . . . Millás tells a compelling story of human connection in a way that is sometimes crude but also darkly funny, insightful and ultimately surprising.” —Shelf Awareness for Readers
More Praise for Juan José Millás
Publishers Weekly “Writer to Watch”
“One of Spain’s most original and important authors . . . [Millás holds] down a place in the country’s pantheon of living literary greats—on a par with Javier Marías or Almudena Grandes, and comparable to the place Ian McEwan or Hilary Mantel occupy in the United Kingdom.” —Public Books
“The narrative of Juan José Millás, our literary Buster Keaton, is inimitable and unique.” —La Vanguardia
“Millás makes the incredulous believable.” —World Literature Today
2019-05-27
A nicotine- and porn-addicted Spanish misanthrope secretly lives in the closet of a family of strangers.
This novel by celebrated Spanish author Millás, his first to be published in North America, is spectacularly bizarre. The protagonist is Damián Lobo, age 43, and after a 25-year career as a maintenance man, he's recently been fired from his job. He's addicted to cigarettes and internet porn, specifically the Asian variety, as we learn that his formational sexual experiences were with his Chinese adoptive sister. Our boy masturbates a lot, as you might have guessed. To balance out his other habits, it's also pretty apparent that he's mentally ill, to the point where half his waking day is spent in hallucinated interviews with Sergio O'Kane, a Spanish journalist, which are broadcast around the world in Lobo's imagination. After nicking a stupid tie clip from an antiques market in a fit of pique and nearly getting caught, he takes refuge in a smelly old wardrobe that winds up being delivered to a family's home. Hidden most of the time, he secretly insinuates himself into the lives of Federico, who owns an electronic-toy store, his unhappy wife, Lucía, and their troubled daughter, María. As he begins to clean up their home, Damián (also naked most of the time and occasionally masturbating under the parents' bed) reimagines his role as "Ghost Butler," posting about his exploits on internet forums and achieving a bit of anonymous fame. There's certainly a change here between Lucía's blossoming, María's trying to conquer her teenage troubles, and a troubling revelation about Federico, but readers will need to surmount a lot of hurdles to embrace our eccentric leading man despite Millás' obviously imaginative style and literary weight.
A Kafkaesque story about transformation and our collective human desire to connect with one another.