Table of Contents
Contents: Introduction: from museum critique to the critical museum, Katarzyna Murawska-Muthesius and Piotr Piotrowski. Part I Histories: A very brief history of the art museum in the United States (focusing mainly but not exclusively on the nineteenth century), Alan Wallach; ‘The contemporary museum is a laboratory of knowledge’: the origins of the Museum of Contemporary Art in Russia, Andrzej Turowski; Wilhelm R. Valentiner’s Reshaping Museums in the Spirit of the New Age (1919) and its reception, Monika Flacke; Myth and reality of the White Cube, Charlotte Klonk; Jerzy Ludwiński's testing of the dysfunction of the museum: on the Museum of Current Art in Wrocław (1966), Magdalena Ziółkowska. Part II Tools: Objects, Space, Viewing Practices: Masterpieces and the critical museum, Katarzyna Murawska-Muthesius; From the White Cube to a critical museography: the development of interrogative, plural and subjective museum discourses, J. Pedro Lorente; From the inside looking out: the possibility of a critical establishment, Penelope Curtis; Making the National Museum critical, Piotr Piotrowski; Historical space and critical museologies: POLIN Museum of the History of Polish Jews, Barbara Kirshenblatt-Gimblett; Museums that listen and care? Central Europe and critical museum discourse, Mária Orišková; Towards embodied, agonistic museum viewing practices in contemporary Manchester, England, Alpesh Kantilal Patel. Part III Critique: The context and practice of post-critical museology, Victoria Walsh; ‘Is the contemporary already too late?’ (Re-)producing criticality within the art museum, Jacob Birken; Neuromuseology, John Onians. Index.