From Mimesis To Interculturalism: Readings of Theatrical Theory Before and After 'Modernism'
From Mimesis to Interculturalism offers a series of critical readings of key texts in the history of European and American theatrical and performance theory. It answers the need for a detailed critique of theatrical theory from its origins in Greek antiquity to the present day, asking the reader to re-examine the basis of what have become assumptions, but are all too often perceived as truths. The book complements existing studies of the major modern theorists by giving close attention to the European tradition before Stanislavski, and to the theorists who have gained prominence after Grotowski. The use of language and the creation of meaning is the primary concern of all the readings. Part One considers classical and classicizing theorists from Greece and the European enlightenment, and Part Two twentieth-century theorists after Grotowski; a concluding Part Three indicates how the approach might be applied to exemplary theorists from the modern canon, and to certain contemporary theoretical proposals.
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From Mimesis To Interculturalism: Readings of Theatrical Theory Before and After 'Modernism'
From Mimesis to Interculturalism offers a series of critical readings of key texts in the history of European and American theatrical and performance theory. It answers the need for a detailed critique of theatrical theory from its origins in Greek antiquity to the present day, asking the reader to re-examine the basis of what have become assumptions, but are all too often perceived as truths. The book complements existing studies of the major modern theorists by giving close attention to the European tradition before Stanislavski, and to the theorists who have gained prominence after Grotowski. The use of language and the creation of meaning is the primary concern of all the readings. Part One considers classical and classicizing theorists from Greece and the European enlightenment, and Part Two twentieth-century theorists after Grotowski; a concluding Part Three indicates how the approach might be applied to exemplary theorists from the modern canon, and to certain contemporary theoretical proposals.
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From Mimesis To Interculturalism: Readings of Theatrical Theory Before and After 'Modernism'

From Mimesis To Interculturalism: Readings of Theatrical Theory Before and After 'Modernism'

by Graham Ley
From Mimesis To Interculturalism: Readings of Theatrical Theory Before and After 'Modernism'

From Mimesis To Interculturalism: Readings of Theatrical Theory Before and After 'Modernism'

by Graham Ley

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Overview

From Mimesis to Interculturalism offers a series of critical readings of key texts in the history of European and American theatrical and performance theory. It answers the need for a detailed critique of theatrical theory from its origins in Greek antiquity to the present day, asking the reader to re-examine the basis of what have become assumptions, but are all too often perceived as truths. The book complements existing studies of the major modern theorists by giving close attention to the European tradition before Stanislavski, and to the theorists who have gained prominence after Grotowski. The use of language and the creation of meaning is the primary concern of all the readings. Part One considers classical and classicizing theorists from Greece and the European enlightenment, and Part Two twentieth-century theorists after Grotowski; a concluding Part Three indicates how the approach might be applied to exemplary theorists from the modern canon, and to certain contemporary theoretical proposals.

Product Details

ISBN-13: 9780859896405
Publisher: University of Exeter Press
Publication date: 11/01/1999
Series: Exeter Performance Studies
Edition description: 1
Pages: 360
Product dimensions: 6.30(w) x 9.49(h) x 1.00(d)

About the Author

Graham Ley is Lecturer in Drama, University of Exeter. He has taught drama in the University of London and Greek literature in Auckland, New Zealand. He is the author of A Short Introduction to the Ancient Greek Theater and has written on theory for New Theatre Quarterly and other journals.

Table of Contents

Part I Before The idea of sight - Plato and Aristotle Performances of the mind - Rousseau and Diderot Part II And after Brook and the theory of rhetoric Theatre anthropologies - Victor Turner, Richard Schechner, Eugenio Barba Part III: some observations on Stanislavski and Brecht The significance of theory
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