From Cover to Cover: Evaluating and Reviewing Children's Books
229
From Cover to Cover: Evaluating and Reviewing Children's Books
229Paperback(Revised Edition)
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Overview
This revised edition of From Cover to Cover offers a fresh, up-to-date look at some of the best examples of children’s literature and also includes practical advice on how to write clearly articulated, reasoned opinions so that others can learn about books they have not yet read.
A brief, updated introduction clearly explains how children’s books evolve from manuscripts into bound books and the importance of the many different parts of a book (jacket flaps, title page, copyright, etc.) and changes in the children’s book industry, such as the creation of two new major genre awards. In addition, the author demonstrates how to think about and critically evaluate several different genres of children’s books.
Included are sections about books of information (and the author’s responsibility to document sources); traditional literature (myths, legends, tall tales, folktales); poetry, verse, rhymes, and songs; picture books; easy readers and traditional books; and fiction and graphic novels. There is also a concluding chapter on how to write reviews that are both descriptive and analytical, including a segment on children’s literature blogs.
Updated material includes:
•An introduction that reflects the many changes in the children’s book industry
•A section on genres, including a discussion of graphic novels
•A section on children’s literature blogs
•An introduction of two new major genre awards: the Robert F. Sibert Informational Book Award and the Theodor Seuss Geisel Award
•And more than 90% of the books cited have been updated from the first edition to more recent publications!
Product Details
| ISBN-13: | 9780060777579 |
|---|---|
| Publisher: | HarperCollins |
| Publication date: | 04/27/2010 |
| Edition description: | Revised Edition |
| Pages: | 229 |
| Sales rank: | 1,111,703 |
| Product dimensions: | 5.90(w) x 8.90(h) x 0.80(d) |
| Age Range: | 14 - 17 Years |
About the Author
Ms. Horning was the president of the Association for Library Service to Children of the American Library Association in 2007, as well as president of the United States Board on Books for Young People in 2003. She has chaired or served on a variety of children's book award committees, including the Américas Award, the Charlotte Zolotow Award, the John Newbery, USBBY's Hans Christian Andersen Award, the Coretta Scott King Award, the Mildred L. Batchelder Award, the ALA/ALSC's Notable Children's Books, and the NCTE Lee Bennett Hopkins Award committees, and she was selected to deliver the 2010 May Hill Arbuthnot Honor Lecture.
She is the coauthor with Ginny Moore Kruse of Multicultural Literature for Children and Young Adults and of CCBC Choices, an annual publication reviewing the best books for children and young adults. She has a BA in linguistics and a master's degree in library and information studies, both from the University of Wisconsin-Madison.
Read an Excerpt
A Critical Approach to Children's Books
Reading a book for the purposes of evaluation and review requires more attention to detail than reading a book for personal pleasure or for information. When you read to evaluate, your assessment of the book will ultimately affect other potential readers. It may make a difference as to whether or not a book is purchased for a library or school or as a birthday gift for a child you'll never meet. In fact, it may make a difference as to whether or not the book is read by a child at all. It is your professional responsibility to try to take your evaluation beyond a personal response.
This is not to say that your personal response doesn't matter. It would be impossible, of course, for you to put it completely aside --you are a reviewer, after all, not a robot! What the responsible reviewer strives for is an informed and reasoned opinion, clearly articulated so that others can learn about books they haven't seen.
In essence, a children's book reviewer reads and writes with two audiences in mind: (1) adults who read reviews to help them select books for children and (2) the children themselves. It may also be read by the author and publisher of the book in question; however, neither is the intended audience for your review. In other words, it is not your goal to write a review to stroke an author's ego or to pick a bone with a publisher.
Still, it is important to remember that most books for children are created with the best intentions in mind. No one sets out to produce a crummy book that kids will hate. If this is your initial assessment of a book you're reviewing, it would be unfair and unwise to let it stand asyour final one without a great deal of further consideration. You'll need to take a closer look at the book. What was the author's intent in writing the book? What qualities did the editor see that led her to believe that the book merited publication? Why did the illustrator choose this particular style? The answers to all these questions have their origins in the history of the book's creation. While it isn't necessary for you know the details of a book's publishing history in order to review it, an understanding of the general context in which children's books are created will help you read more critically.
Many publishing houses have divisions or departmentsthat are especially devoted to publishing books for young people. These were, for the most part, established in the 1920s and developed through the pioneering efforts of women such as Louise Seaman Bechtel, May Massee, Helen Dean Fish, Marian Fiery, and Virginia Kirkus, who were the first children's book editors. Unlike adult book divisions, which are driven by the consumer market (bookstore sales), children's book divisions developed largely in response to an institutional market. Sales to libraries and schools accounted for a high percentage of the total number of children's books sold. As library budgets began to shrink in the 1970s and 1980s, children's book publishers began to turn their marketing toward consumer sales as well, although the institutional market continues to be an important influence in the children's book industry.
There are books that are created specifically for one market or the other. Those that are produced for the institutional school market alone are called textbooks. They are generally sold to entire school districts rather than to individuals. They are also created in a separate division of the publishing industry that specializes in producing books to fit the exact needs of teachers working with specific school curricula and guidelines at various grade levels. Books that are produced with only the consumer market in mind are called mass-market books. These are generally produced as paperbacks or as picture books with inexpensive cardboard covers (such as Little Golden Books), and they may be sold in supermarkets, airports, dime stores, and convenience stores as well as bookstores. While there are publishers that specialize in producing mass-market books, most children's book departments produce mass-market books to some degree.
Books created for both the consumer market and the institutional market are called trade books. These are sold to schools and libraries. They are also sold directly to consumers through bookstores. Both quality and child appeal are taken into account when weighing the sales potential. From the publisher's point of view, the best kind of children's trade book is one that will succeed in both the consumer and the institutional markets and will continue to sell well for decades. This is the type of success guaranteed to a book that wins the Newbery or Caldecott Medal.
Most children's books start out as an idea in the mind of an author. That may seem obvious to you, but I mention it here because many people seem to have the notion that ideas start with publishers, who then assign them to authors. I often hear people ask children's editors: "Why don't you publish more books about X?" in a tone that suggests they hold editors personally responsible for the lack of X books. But editors don't tell authors what to write. They must wait for X to develop in the mind of the author, and then they have to determine if it's good enough to publish. The editors' role is to find and nurture the talents of authors and artists who will create good children's books. If they cast their nets wide enough, their catch may include an author who will come up with the idea of writing about X on her own.
Once a manuscript is accepted for publication, the editor works with the author to help shape the book into its final form. An editor may make suggestions about chapters that need to be rewritten, characters that need to be developed, or ideas that need to be clarified. The ultimate responsibility for the writing, however, rests with the author. From Cover to Cover. Copyright © by Kathleen Horning. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
Table of Contents
Introduction 1
Distinctions Between Evaluation and Review 1
What Makes a Good Children's Book? 2
New to the Second Edition 2
1 A Critical Approach to Children's Books 5
How Children's Books Are Published 6
The Parts of a Book 11
Categories of Children's Books 20
2 Books Of Information 23
Authority and Responsibility of the Author 27
Organization 29
Illustrations 34
Design 37
Writing Style 39
Documentation of Sources 44
3 Traditional Literature 48
Classification of Traditional Literature 50
Original Sources 53
Narrative Style 57
Illustrations 61
Collections 64
Literary Folktales 65
Fractured Fairy Tales 66
4 Poetry, Verse, Rhymes, And Songs 68
The Sound of Poetry 69
The Images of Poetry 72
The Ideas of Poetry 73
Nursery Rhymes 74
Humorous Poetry and Light Verse 77
Poetry Collections 79
Verse Novels 82
Songs 83
5 Picture Books 85
Text 88
Pictures 95
6 Easy Readers and Transitional Books 114
Easy Readers 121
Transitional Books 132
7 Fiction 138
Literary Genres 140
Plot 145
Characterization 151
Point of View 156
Setting 157
Style 159
Theme 163
8 Writing a Review 165
The Distinction Between Reviewing and Literary Criticism 167
Preparing to Review 168
Writing the Review 173
Source Notes and Bibliography 181
Index 213