While stars like
Garoto,
Carmen Miranda,
Jorge Ben, and
Antonio Carlos Jobim may be credited in both developing and spreading Brazilian music around the globe, local heroes like
Dorival Caymmi,
Luiz Gonzaga, and
Jackson do Pandeiro were just as beloved in their own country.
From Bahia to the Sertoes: Brazil 1939-1955, Songs of the Sea and the Land, compiled and issued by French label
Fremeaux & Associes, presents these lesser-known artists to the rest of the world. The first disc is completely comprised of music by
Caymmi, a
singer/songwriter from a coastal town in the northern province of Bahia who performs three types of pieces here: songs of the sea,
sambas de roda (which relate to Bahia), and urban carioca-inspired
sambas. The opener,
"O Mar," is a lovely song full of
Caymmi's deep, rich vocals and acoustic guitar chords that roll like waves upon the beach, while the
samba "La Vem a Baiana" is quicker, with plinked strings and playful rhythms.
"O Vento" features whistling and minor chords and speaks of the relationship between the wind, the sea, the boats, and the people who depend on all of those for their livelihood. It's eerily haunting, reminiscent of
folk songs from the Mediterranean, and even if the Portuguese is not understood, it paints a clear picture of the world with which
Caymmi was familiar and loved. On the second disc, Songs of the Land, the traditions of the
forro are explored. There is a definite difference between this music and the more plaintive
sambas on the first disc. The accordion plays a dominant role in much of disc two, which makes sense, because the
forro is meant to be danced to. Because of this, the lyrics are lighter -- stories about everyday life and enjoying oneself -- and the pieces move happily along.
"Forro do Mane Vito," from 1950, and the first song to ever include the word "
forro" in it, has a fun, rollicking melody, with words written by
Ze Dantas and sung by
Luiz Gonzaga.
Gonzaga, in fact, contributes eight of the 18 tracks on Songs of the Land, while percussionist and singer
Jackson do Pandeiro adds his unique rhythms to four, including his first ever recording,
"Forro em Limoeiro." It's a nice collection of music from northern Brazil, and for those interested in the history of
samba and
MPB, or
world music in general, it's a good place to start. ~ Marisa Brown
