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Overview
How could colorless Frederica, the sixth of the famous Armitage sisters, withstand a Season’s scrutiny after the five beauties before her had married so magnificently? Disguised as a chambermaid, Freddie found her way into the household of the fashionable Duke of Pembury. That wild gentleman was soon on to her tricks and found himself escorting the lady to London. Once on the marriage mart, the five sisters preened and primped the youngest until Freddie could not recognize herself! They did not seem to notice that a certain gentleman’s attention had Freddie blooming, and that perhaps Freddie was not fated to be plain—or unmarried—after all . . .
Praise for M. C. Beaton and her novels
“The best of the Regency writers.” —Kirkus Reviews
“A delightful tale . . . romance fans are in for a treat.” —Booklist
“Nicely atmospheric, most notable for its gentle humor and adventurous spirit.” —Publishers Weekly
Product Details
| ISBN-13: | 9780795310904 |
|---|---|
| Publisher: | RosettaBooks |
| Publication date: | 09/05/2019 |
| Series: | Six Sisters Series , #6 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 233 |
| Sales rank: | 532,156 |
| File size: | 237 KB |
About the Author
M. C. Beaton is the pen name of bestselling novelist Marion Chesney. She is a prolific writer of historical romances and small village mysteries. Born in Scotland, the author began her writing career as a fiction buyer for a Glasgow bookstore and has worked as a theater critic, newspaper reporter, and editor.
The author has written under various names, most notably as M. C. Beaton for her Hamish Macbeth and Agatha Raisin series. She also has written under the names Sarah Chester, Helen Crampton, Ann Fairfax, Marion Gibbons, Jennie Tremaine, and Charlotte Ward.
The author lived in the United States, but now splits her time between the Cotswolds, England and Paris, France.
M.C. Beaton is the pen name of bestselling novelist Marion Chesney. She is a prolific writer of historical romances and small village mysteries. Born in Scotland, the author began her writing career as a fiction buyer for a Glasgow bookstore and has worked as a theater critic, newspaper reporter, and editor.
The author has written under various names, most notably as M.C. Beaton for her Hamish Macbeth and Agatha Raisin series. She also has written under the names Sarah Chester, Helen Crampton, Ann Fairfax, Marion Gibbons, Jennie Tremaine, and Charlotte Ward.
The author lived in the United States, but now splits her time between the Cotswolds, England and Paris, France.
Read an Excerpt
CHAPTER 1
'Dear Minerva,' Frederica Armitage wrote. 'By the time you receive this, I shall be Far Away in a Foreign Country.'
Frederica was shy, dowdy, and timid. But family circumstances had caused the worm to turn.
She had decided to run away from the ladies' seminary in which she had passed a sedate year being groomed with all the boring educational arts considered necessary for a young lady of fashion.
The blow of her mother's death had been severe, and almost as severe had been the one delivered by her father, the Reverend Charles Armitage, vicar of the parish of St Charles and St Jude. He had blithely announced his intention of marrying again. Frederica's new 'mama' was to be the young vicarage maid, Sarah Millet — Sarah with her flirty, bouncy ways and her supreme vulgarity.
Had Frederica been as beautiful as her five sisters, the famous Armitage girls, then she might have borne her lot with better fortitude, knowing that marriage would provide an escape from her home after her first Season. But Frederica was the youngest and sadly plain. Her early promise of beauty had faded. Her dark curls had changed to faded wispy locks of an indeterminate colour. Her eyes seemed to have no colour at all. Sometimes they looked blue, sometimes green, sometimes grey, but most of the time — just colourless.
She was very small for her seventeen years, only just above five feet high. Her figure was slight and her ankles neat, but her bosom was disappointingly small.
Her sisters had all made stunningly successful marriages; Minerva, the eldest, had married Lord Sylvester Comfrey. After her, Annabelle had married the Marquess of Brabington; then Deirdre, Lord Harry Desire; Daphne, the rich Mr. Garfield; and, a month ago, Diana had married Lord Mark Dantrey.
Frederica dreaded the idea of a Season in London. She had nightmares about sitting in hot ballrooms, propping up the wall.
But more than anything else did she dread the idea of having Sarah Millet for a stepmama. Frederica's term at the seminary was to finish in a month's time. Her father had written to say that Sarah would arrive on that day to escort her home. It was not the fact that Sarah was a mere vicarage maid that dismayed Frederica — it was Sarah herself: Sarah, with her bold, wandering eye and cackling laugh.
Frederica had sadly decided flight was the only answer. She had some money saved from the generous gifts sent her by her sisters. But she knew that would not last forever. She would have to find a job. She knew she was far too young to find a post as a governess. She would need to find work as a servant.
After some hard thought, Frederica had determined it was not the rank or position of servant that mattered, it was the standing and nature of the employer.
It would need to be some establishment far enough away from the school to escape notice, but not too far. It would also need to be a place with a very large staff where she would have less chance of being noticed, one of those large mansions which were like small villages.
From gossip in the seminary, she had learned that the Duke of Pembury's country seat was some ten miles distant. Maria McLellan, one of the pupils, had been there with her parents on the day of the duke's annual fete and had said the servants were as well-dressed and well-fed as fine ladies and gentlemen.
But in order to gain employ in any household, let alone a ducal one, references were needed. With great ingenuity, Frederica had set about forging two. She wrote one letter purporting to come from a Mrs. Betwynd- Pargeter which said that Miss Sarah Millet — Frederica had decided it would be a nicely ironical touch to use Sarah's name — was a neat and exemplary sort of person who had started work as a kitchen maid, and, by dint of hard work, diligence, and honesty, been appointed to the position of chambermaid. The second letter, from a Mrs. Hamworth, lauded the praises of this chambermaid-extraordinaire. Frederica had decided the post of chambermaid would not be too fatiguing or demand too much expertise.
The trouble was that she dare not write from the seminary, applying for a post. She would need to escape from the school and turn up at the duke's kitchen door with her letters, and leave the rest to fate.
The last letter she had to write was the hardest one of all. She could not bear the thought of her family worrying themselves ill over her disappearance, and so, after much thought, she decided to write to her eldest sister, Minerva.
After the first sentence, Frederica put down the quill and rested her little pointed chin on her hands and thought wistfully of a magical foreign country full of sunshine and gaudy parrots, palm trees, and blue seas, a country that had never heard the name Sarah Millet, and where she, Frederica, would be hailed as a great beauty. She sighed and dipped the quill into the ink well on the standish and continued her letter. 'I feel since there is no hope of my securing an Eligible Parti due to a sad lack of looks, a Season would be a deal of unnecessary expense. I cannot, dear Minerva, countenance the thought of having Sarah Millet as a stepmother. I fear she does not love Papa, but is merely Using him for her own Sinister Ends.' 'Sinister Ends' seemed rather strong, but in the novels which Frederica loved to read, people were always using other people for their Sinister Ends. 'Therefore, I am Running Away. Do not worry about me, but be assured of all my Love and Affection for you and my other Dear Sisters. Yr. Loving Friend and Sister, Frederica.'
A tear blotted the signature. Frederica felt very young and alone. But return to the vicarage with Sarah Millet, she would not!
She sanded the letters. The one to Minerva would be sent off as soon as she left.
Now, to escape.
But was it necessary to do anything so uncomfortable as climb down knotted sheets in the middle of the night?
Frederica picked up the quill again. The next letter she wrote was supposed to have come from her father.
She deftly copied his large, clumsy script and appalling spelling. Addressed to the head of the seminary, Miss Grunton, the fake letter from the vicar asked that his daughter be put in a post-chaise directly and sent home. Miss Grunton could keep the rest of the school fees which had been paid in advance. When the post-chaise arrived, thought Frederica, she would simply direct it to the Duke of Pembury's home. No, that would not do! When her flight was discovered, they would question the driver of the post-chaise and he would tell them she had been taken to Hatton Abbey, the duke's home. Frederica scowled horribly. Then her brow cleared. She would ask the driver to take her to a respectable inn as near as possible to the ducal residence and then dismiss him. That way, she could fortify herself with a good meal before her ordeal.
A letter had arrived that day for Frederica from Squire Radford, her father's friend and neighbour. The squire had merely written a short note giving Frederica the gossip of the village of Hopeworth. But she could tell Miss Grunton that the letter from her father had been enclosed with the squire's.
The seminary was an expensive one, and Frederica had a room of her own. She was able to begin packing her clothes without being observed.
After half an hour of packing, she felt strong enough to go to see Miss Grunton.
Miss Grunton was a tall, thin lady who wore starched caps of an enormous height and stiffness. Her eyes were weak and watery and her nose was long and red. As usual, she smelled of a mixture of bleach, parma violets, and gin.
As Frederica entered, Miss Grunton, with the ease of long practise, neatly deposited a thick, green glass bottle in the flower vase on her desk.
'Miss Armitage,' she said, baring black and yellow teeth. 'You was absent from Miss Chichester's class.'
'I was packing, ma'am,' said Frederica.
'Packing?'
'Yes, ma'am. Here is a letter from my father which was enclosed in the letter to me from Mr. Radford. I did not read it, of course, since it was addressed to you, but Mr. Radford tells me that Papa wants me home immediately.'
Miss Grunton fumbled in the lace at her bosom for her quizzing glass and then studied the letter, her lips moving soundlessly.
'Lawks!' she said finally. 'It is too late to send you today, Miss Armitage.'
'First thing tomorrow will do,' said Frederica.
'Very well. Most odd. My gels never travel without a maid. Perhaps I can send my Lucy.'
'Please do not, ma'am. Lucy has the cold and Papa is frightened of colds.'
'Dear, dear, yes. Well, I will send round to John's Livery and have them come round at nine tomorrow morning. But I will write to your papa, Miss Armitage, a most stern letter, telling him this is not a genteel way to go on. Your time is not yet finished, and yet your fees have been paid. ...'
'Perhaps he says something about not wanting any money back?' said Frederica, wondering, not for the first time, whether Miss Grunton were illiterate.
Once more the eye glass came out and the letter came up.
Frederica sighed with a mixture of impatience and guilt as Miss Grunton tried to decipher the letter.
'The light is failing,' said Frederica at last. 'Please let me read it to you.'
'Will you, dear child? How very thoughtful.'
Frederica read the letter, laying emphasis on the bit about the vicar waiving the return of any of the school fees.
'How generous!' said Miss Grunton. 'Of course we must do as he requests. You will want to take leave of your friends, Miss Armitage, so I will allow you to join the other girls.' But Frederica was too shy and retiring to have made any friends, apart from Bessie Bradshaw who had left three months ago, although she was glad to have an excuse to leave the room, relieved that the first part of her plan had worked.
Frederica made her way back upstairs to complete her packing. She then knelt down and said a brief prayer for her dead mother's soul, feeling grief wrenching at her heart. Frederica never quite knew whether she was grieving for her mother or grieving for some dream mother she had never had. Mrs. Armitage had been a professional invalid and had died the previous year after overdosing herself with patent medicines. Frederica had never really known her very well since Mrs. Armitage had either been in the throes of her latest Spasm or had been sunk into an opium-induced dream.
Miss Grunton announced at supper that night that Miss Armitage was leaving the seminary. Frederica was immediately surrounded by a crowd of twittering, caressing misses. Dear Freddie. Quite the bestest friend anyone ever had.
Innocent Frederica was moved to tears. She had not realised everyone was so fond of her.
They ran away to their rooms to find little gifts for her. They pressed addresses on her and made her promise to write.
The sad fact was they did not care for Frederica in the slightest — only for the very high standing in London society of Frederica's sisters. Any hopeful debutante could hope to further her marriage career by being on intimate terms with the Armitages. Each had meant to do something about befriending dreary little Frederica before the end of term and all were now scrabbling to make up for lost time.
But naïve Frederica was deeply touched and nearly made up her mind to give up the whole idea of the Great Escape. But that would mean forging more letters to explain why she was not going, and then, when she did leave, Sarah Millet would be waiting to take her back to Hopeworth. Hopeworth was the village where the Armitage vicarage stood.
The next eldest of the sisters to Frederica, Diana, had once run away from home dressed as a boy. But Diana, thought Frederica wistfully as she prepared for bed, was an expert huntress and horsewoman. Frederica was secretly afraid of horses and thought hunting was cruel.
Before she fell asleep, she consoled herself with the thought that she could always change her mind, even at the very last minute.
But next morning, and the last minute, came all too soon. Had it been a rainy day then perhaps Frederica might have changed her mind. But the sun was shining brightly, the sky was blue, and a south wind carried all the promise of spring. It was a day for adventure.
Frederica kissed all her brand new friends goodbye and climbed into the post-chaise promising, yes, she would write.
As soon as the gates of the seminary were closed behind her, she called to the driver to set her down at 'that inn near Hatton Abbey.' She mendaciously added that her father who was to meet her there had given her the name but she had lost it.
'That'll be The Magpie,' said the driver, and Frederica quickly agreed.
The horses clopped through the early spring sunshine. The thick hawthorn hedges on both sides of the road were faintly tinged with green. The bright little song of the hedge sparrow trilled through the open window of the carriage. Flowers were already beginning to colour the fields and hedgerows, dandelion, daisy, groundsel, thistle, and hawkweed.
Frederica leaned her head back and decided to enjoy the drive and forget about her future life as a servant. She imagined instead that she was going home, driven by the vicarage coachman, John Summer. Betty, the former maid, would be waiting at the door, and all her sisters, still unmarried, would be there to greet her and make a fuss over her. The twins, her brothers Peregrine and James, would not be young men at Oxford University, but schoolboys, laughing and joking the way they used to. They would all laugh and gossip and then Minerva would tuck them all up in bed and read them a story.
The vicarage had never really been the same after Minerva left to get married, thought Frederica wistfully. Minerva had been the real 'mother,' the one to whom they all had turned. Now Minerva had a husband and children of her own.
Minerva!
Frederica sat bolt upright. She had asked Miss Grunton to post that letter to Minerva. What if Minerva did not yet know of their father's proposed marriage? Certainly, the vicar had shown no signs of saying anything about it at Diana's wedding.
She bit her lip. Well, Minerva would need to know about it sooner or later.
But worries came crowding into Frederica's mind. What if she did not get a post in the duke's household? What then?
She thought furiously and then decided to bespeak a room for the night at the inn. She would also, if she secured the job, need to leave behind most of her belongings. She did not want to occasion comment by arriving with a wardrobe of fine gowns. A chambermaid would be expected to have a summer dress and a winter dress, and very little else apart from her uniform, a uniform which Frederica hoped would be supplied. And if she did not get the job, then she would have somewhere to stay the night while she planned what to do next.
Most of her clothes were much too pretty anyway, thought Frederica gloomily. She had been pretty once, she remembered, but when she was thirteen she had contracted the smallpox, which, although it had left her unmarked, had somehow seemed to fade everything about her — her eyes, her hair, and her personality. Things and people seemed to hurt so much, thought Frederica. And the more they hurt, the more you crept farther back into your shell for fear of being hurt again.
Once, when she was fourteen, she had been shopping in Hopeminster, the county town near Hopeworth, with her mother. A deaf, elderly gentleman had suddenly said in a loud voice to his companion, 'Never tell me that's one of the Armitage gels! She's a homely little thing.'
How that had hurt! For weeks and weeks it had smarted and burned.
But Frederica's spirits took a mercurial upsurge as she looked around the smiling countryside. She could hardly believe she, of all people, had finally and actually run away, the sort of thing only very bold people did. 'So I cannot be so very timid and lifeless,' said Frederica aloud. Her little bosom swelled with pride. Diana was Frederica's heroine. Now she was behaving as bravely as Diana!
'I shall go on being brave,' said Frederica, still speaking out loud, that habit of the solitary. 'It is such a wonderful feeling.'
She smiled sunnily at the driver of the post-chaise as he helped her down outside The Magpie, a wide, enchanting smile which seemed to turn her eyes as blue as the sky above.
'Bless my heart!' thought the driver. 'What a pretty little thing.'
He good-naturedly told miss that she would find The Magpie thin of company because it had, until recently, the worst food for miles around and the lumpiest beds. But the new proprietors, Mr. and Mrs. Gilpin, had made a fair job of bringing it up to scratch, and miss would find everything of the best.
Frederica thanked him and tripped into the inn.
(Continues…)
Excerpted from "Frederica in Fashion"
by .
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