Framing Mary: The Mother of God in Modern, Revolutionary, and Post-Soviet Russian Culture

Framing Mary: The Mother of God in Modern, Revolutionary, and Post-Soviet Russian Culture

Framing Mary: The Mother of God in Modern, Revolutionary, and Post-Soviet Russian Culture

Framing Mary: The Mother of God in Modern, Revolutionary, and Post-Soviet Russian Culture

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Overview

Despite the continued fascination with the Virgin Mary in modern and contemporary times, very little of the resulting scholarship on this topic extends to Russia. Russia's Mary, however, who is virtually unknown in the West, has long played a formative role in Russian society and culture. Framing Mary introduces readers to the cultural life of Mary from the seventeenth century to the post-Soviet era. It examines a broad spectrum of engagements among a variety of people—pilgrims and poets, clergy and laity, politicians and political activists—and the woman they knew as the Bogoroditsa. In this collection of well-integrated and illuminating essays, leading scholars of imperial, Soviet, and post-Soviet Russia trace Mary's irrepressible pull and inexhaustible promise from multiple disciplinary perspectives. Focusing in particular on the ways in which both visual and narrative images of Mary frame perceptions of Russian and Soviet space and inform discourse about women and motherhood, these essays explore Mary's rich and complex role in Russia's religion, philosophy, history, politics, literature, and art. Framing Mary will appeal to Russian studies scholars, historians, and general readers interested in religion and Russian culture.


Product Details

ISBN-13: 9781609092351
Publisher: Northern Illinois University Press
Publication date: 04/24/2018
Series: NIU Series in Slavic, East European, and Eurasian Studies
Sold by: Barnes & Noble
Format: eBook
Pages: 344
File size: 17 MB
Note: This product may take a few minutes to download.
Age Range: 18 Years

About the Author

Amy Singleton Adams is associate professor of Russian literature at the College of the Holy Cross. Vera Shevzov is professor of religion and director of the program in Russian, East European, and Eurasian studies at Smith College.

Table of Contents

List of Illustrations viii

Acknowledgments xi

Note on Transliteration xiii

Introduction At Every Time and In Every Place 3

The Mother of God in Modern Russian Culture Vera Shevzov Amy Singleton Adams

Chapter 1 More Numerous Than the Stars in Heaven 37

An Early Eighteenth-Century Multimedia Compendium of Mariology Elena N. Boeck

Chapter 2 The Akhtyrka Icon of the Mother of God 58

A Glimpse of Eighteenth-Century Orthodox Piety on a Southwestern Frontier Christine D. Worobec

Chapter 3 Pushkin Framing Mary 82

Blasphemy, Beauty, and National Identity Sarah Pratt

Chapter 4 The Mother of God and the Lives of Orthodox Female Religious in Late Imperial Russia William G. Wagner 98

Chapter 5 The Woman at the Window 122

Gorky's Revolutionary Madonna Amy Singleton Adams

Chapter 6 Marina Tsvetaeva's Images of the Mother of God in the Context of Russian Cultural Developments in the 1910s-1920s Alexandra Smith 144

Chapter 7 Kuzma Petrov-Vodkin's 1918 in Petrograd (The Petrograd Madonna) and the Meaning of Mary in 1920 Wendy Salmond 163

Chapter 8 Our Mother of Paris 187

The "Creative Renewal" of Orthodox Mariology in the Russian Emigration, 1920s-1930s Natalia Ermolaev

Chapter 9 The Madonna Painter 209

Pimen Maksimovich Sofronov and Marian Iconography (1898-1973) Roy R. Robson

Chapter 10 The Marian Ideal in the Works of Tatiana Goricheva and the Mariia Journals Elizabeth Skomp 227

Chapter 11 Following in Mary's Footsteps 246

Marian Apparitions and Pilgrimage in Contemporary Russia Stella Rock

Chapter 12 On the Field of Battle 270

The Marian Face of Post-Soviet Russia Vera Shevzov

Afterword Judith Deutsch Kornblatt 313

Glossary 317

Contributors 333

Index 335

What People are Saying About This

Valerie Kivelson

Shevzov and Adams have assembled a set of smart, innovative essays by top-notch scholars from a variety of disciplines. Together, the essays highlight the importance of Mary as a model and mode of negotiating meanings of women and motherhood, while they explore the connection between devotion to the Mother of God and concepts and definitions of space and place.

Robert H. Greene

The editors and contributors to this rich volume examine how Mary has been understood across the past five centuries of Russian history. Mary comes forth in these studies in her various guises-prayerful intercessor, indefatigable advocate, loving mother, local champion, and national symbol. Like Orthodoxy itself, Russian Mariology is capacious enough to accommodate a wide range of possible responses and reactions, and one of the volume's strengths is that the historical actors within represent a broad array of social backgrounds and stations.

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