Fort Red Border
Fort Red Border—the title itself an anagram for the name of this remarkable collection’s imaginary beloved—shows how language can be pleated, unfolded, and creased all over again into an endless origami of Eros. . . . By turns clowning, worshipful, heartbroken, and Faulknerian, these lyrics transport the reader to a familiar place made utterly strange.”—Srikanth Reddy



Kiki Petrosino has audacity to spare. She devotes the entire first section of her debut collection of poems to a putative affair the speaker is conducting with an imaginary Robert Redford. In the poems, Redford is solicitous of the speaker, as well as curious about her “difference,” probing her about the various meanings of “natural” when applied to her African-American hair. The poems’ hilarity and poignancy issue from the speaker’s distance from, and yearning toward, the center of mainstream culture. Redford serves as ideal partner, the embodiment of American masculinity––but there is also an odd tenderness and actuality to the relationship. In these poems Petrosino is fearless, proceeding from the recognizable terrain of daily life’s emotions rather than seeking refuge in the cool of mere obscurity. Petrosino’s poems scout a new path, one that discovers a believably fierce, vivid, feeling self.

Kiki Petrosino is the author of Fort Red Border (Sarabande, 2009) and Hymn For The Black Terrific (Sarabande, 2013), and the co-editor of Transom, an independent on-line poetry journal. She holds graduate degrees from the University of Chicago and the Iowa Writer's Workshop. Her poems have appeared in Tin House, FENCE, Jubilat, Gulf Coast, and The New York Times. Petrosino teaches creative writing at the University of Louisville.
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Fort Red Border
Fort Red Border—the title itself an anagram for the name of this remarkable collection’s imaginary beloved—shows how language can be pleated, unfolded, and creased all over again into an endless origami of Eros. . . . By turns clowning, worshipful, heartbroken, and Faulknerian, these lyrics transport the reader to a familiar place made utterly strange.”—Srikanth Reddy



Kiki Petrosino has audacity to spare. She devotes the entire first section of her debut collection of poems to a putative affair the speaker is conducting with an imaginary Robert Redford. In the poems, Redford is solicitous of the speaker, as well as curious about her “difference,” probing her about the various meanings of “natural” when applied to her African-American hair. The poems’ hilarity and poignancy issue from the speaker’s distance from, and yearning toward, the center of mainstream culture. Redford serves as ideal partner, the embodiment of American masculinity––but there is also an odd tenderness and actuality to the relationship. In these poems Petrosino is fearless, proceeding from the recognizable terrain of daily life’s emotions rather than seeking refuge in the cool of mere obscurity. Petrosino’s poems scout a new path, one that discovers a believably fierce, vivid, feeling self.

Kiki Petrosino is the author of Fort Red Border (Sarabande, 2009) and Hymn For The Black Terrific (Sarabande, 2013), and the co-editor of Transom, an independent on-line poetry journal. She holds graduate degrees from the University of Chicago and the Iowa Writer's Workshop. Her poems have appeared in Tin House, FENCE, Jubilat, Gulf Coast, and The New York Times. Petrosino teaches creative writing at the University of Louisville.
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Fort Red Border

Fort Red Border

by Kiki Petrosino
Fort Red Border

Fort Red Border

by Kiki Petrosino

Paperback

$14.95 
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Overview

Fort Red Border—the title itself an anagram for the name of this remarkable collection’s imaginary beloved—shows how language can be pleated, unfolded, and creased all over again into an endless origami of Eros. . . . By turns clowning, worshipful, heartbroken, and Faulknerian, these lyrics transport the reader to a familiar place made utterly strange.”—Srikanth Reddy



Kiki Petrosino has audacity to spare. She devotes the entire first section of her debut collection of poems to a putative affair the speaker is conducting with an imaginary Robert Redford. In the poems, Redford is solicitous of the speaker, as well as curious about her “difference,” probing her about the various meanings of “natural” when applied to her African-American hair. The poems’ hilarity and poignancy issue from the speaker’s distance from, and yearning toward, the center of mainstream culture. Redford serves as ideal partner, the embodiment of American masculinity––but there is also an odd tenderness and actuality to the relationship. In these poems Petrosino is fearless, proceeding from the recognizable terrain of daily life’s emotions rather than seeking refuge in the cool of mere obscurity. Petrosino’s poems scout a new path, one that discovers a believably fierce, vivid, feeling self.

Kiki Petrosino is the author of Fort Red Border (Sarabande, 2009) and Hymn For The Black Terrific (Sarabande, 2013), and the co-editor of Transom, an independent on-line poetry journal. She holds graduate degrees from the University of Chicago and the Iowa Writer's Workshop. Her poems have appeared in Tin House, FENCE, Jubilat, Gulf Coast, and The New York Times. Petrosino teaches creative writing at the University of Louisville.

Product Details

ISBN-13: 9781932511741
Publisher: Sarabande Books
Publication date: 08/01/2009
Pages: 88
Product dimensions: 5.90(w) x 8.90(h) x 0.30(d)

About the Author

Petrosino (28) earned a master's degrees from the University of Chicago and Iowa Writer's Workshop. A young biracial poet of African- and Italian-American decent, she has been praised for her ability to write about race issues in an oblique and humorous fashion. Her work was featured in Best New Poets 2006.
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