Conveying the authors' love of the letterpress process and product, this book presents the technical, historical, aesthetic and practical information necessary for both students and instructors.
The 2nd edition of For the Love of Letterpress includes an updated gallery of contemporary images of letterpress printing, as well as a new chapter of letterpress assignments from the United States, United Kingdom and Europe. Both additions attest to the dynamic and continued relevance of the media.
The authors show how contemporary digital processes have expanded the boundaries of traditional letterpress. By writing with passion and experience, they indicate why a 15th century printing technology based upon crafting with one's hands, still has appeal and value to 21st century artists and designers.
Whether incorporated into an academic curriculum or used for self-study, For the Love of Letterpress is a must for students who wish to learn letterpress and instructors seeking inspiration and reference.
Cathie Ruggie Saunders has been making letterpress books since 1973 and has 35 years of experience teaching letterpress printing to graduate and undergraduate students at the School of the Art Institute of Chicago.
Martha Chiplis has more than 16 years of experience printing limited edition books and has been teaching at the School of the Art Institute of Chicago since 2008.
Table of Contents
Acknowledgements 1 The Sensual, Printed Artifact The Allure/The Passion 2 The Historical Legacy: Connecting the Past and Future Frederic Goudy/Oswald Cooper/Robert Hunter Middleton 3 Printer's Primer Terminology/Measurement/Lay of the Case/Spacing and Leading/Setting Type by Hand/Tying up the Form/Alignment/Ink/Paper for Proofing/Proofing 4 Press and Printing Paper/The Vandercook Proof Press: “The Editioning Press”/Lock-Up/Press Operation/Checking the Impression/Makeready/Registering Multiple Colors/Editioning/After Printing: Cleaning the Press/Platen Presses (Chandler & Price) 5 Relief Matrices Foundry Type/Monotype/Linotype/Ludlow/Images/Ornaments/Woodcuts/Wood Engraving/Linoleum Cut /Laser-Cut Materials/Other 6 Contemporary Processes Found Objects and Other Materials/Pressure Printing/Split Fountain/Debossing/Printing without Ink/Damping/Monoprint/Hand Inking/Splatter /Ghosting Backwards/ Transfer/Floriated Initial Image Transfer /Brayer Roll-Outs/Stencil 7 Creating a Concept Sources of Inspiration/Time 8 Envisioning the Object Structural Possibilities/Relationship of Content and Structure/The Function of Dummy Structures/Choosing Appropriate Typefaces/Choosing Appropriate Paper/Choosing an Appropriate Color Palette/The Colophon 9 Assessing the Object Envisioned Critique Format Models/The Synergy of Form and Content 10 Gallery of Lettepress Conclusion
Appendices Further Reading Additional Resources Letterpress Nomenclature (Glossary) Index