Folklore Recycled: Old Traditions in New Contexts
Folklore Recycled starts from the proposition that folklore--usually thought of in its historical social context as "oral tradition"--is easily appropriated and recycled into other contexts. That is, writers may use folklore in their fiction or poetry, taking plots, as an example, from a folktale. Visual artists may concentrate on depicting folk figures or events, like a ritual or a ceremony. Tourism officials may promote a place through advertising its traditional ways. Folklore may play a role in intellectual conceptualizations, as when nationalists use folklore to promote symbolic unity. Folklore Recycled discusses the larger issue of folklore being recycled into non-folk contexts and proceeds to look at a number of instances of repurposing. Colson Whitehead's novel John Henry Days is a literary text that recycles folklore but does so in a manner that examines a number of other uses of the American folk figure John Henry. The nineteenth-century members of the Louisiana Branch of the American Folklore Society and the author Lyle Saxon in the twentieth century used African American folklore to establish personal connections to the world of the Southern plantation and buttress their own social status. The writer Lafcadio Hearn wrote about folklore to strengthen his insider credentials wherever he lived. Photographers in Louisiana leaned on folklife to solidify local identity and to promote government programs and industry. Promoters of "unorthodox" theories about history have used folklore as historical document. Americans in Mexico took an interest in folklore for acculturation, for tourism promotion, for interior decoration, and for political ends. All of the examples throughout the book demonstrate the durability and continued relevance of folklore in every context it appears.
1113632724
Folklore Recycled: Old Traditions in New Contexts
Folklore Recycled starts from the proposition that folklore--usually thought of in its historical social context as "oral tradition"--is easily appropriated and recycled into other contexts. That is, writers may use folklore in their fiction or poetry, taking plots, as an example, from a folktale. Visual artists may concentrate on depicting folk figures or events, like a ritual or a ceremony. Tourism officials may promote a place through advertising its traditional ways. Folklore may play a role in intellectual conceptualizations, as when nationalists use folklore to promote symbolic unity. Folklore Recycled discusses the larger issue of folklore being recycled into non-folk contexts and proceeds to look at a number of instances of repurposing. Colson Whitehead's novel John Henry Days is a literary text that recycles folklore but does so in a manner that examines a number of other uses of the American folk figure John Henry. The nineteenth-century members of the Louisiana Branch of the American Folklore Society and the author Lyle Saxon in the twentieth century used African American folklore to establish personal connections to the world of the Southern plantation and buttress their own social status. The writer Lafcadio Hearn wrote about folklore to strengthen his insider credentials wherever he lived. Photographers in Louisiana leaned on folklife to solidify local identity and to promote government programs and industry. Promoters of "unorthodox" theories about history have used folklore as historical document. Americans in Mexico took an interest in folklore for acculturation, for tourism promotion, for interior decoration, and for political ends. All of the examples throughout the book demonstrate the durability and continued relevance of folklore in every context it appears.
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Folklore Recycled: Old Traditions in New Contexts

Folklore Recycled: Old Traditions in New Contexts

by Frank de Caro
Folklore Recycled: Old Traditions in New Contexts

Folklore Recycled: Old Traditions in New Contexts

by Frank de Caro

Hardcover

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Overview

Folklore Recycled starts from the proposition that folklore--usually thought of in its historical social context as "oral tradition"--is easily appropriated and recycled into other contexts. That is, writers may use folklore in their fiction or poetry, taking plots, as an example, from a folktale. Visual artists may concentrate on depicting folk figures or events, like a ritual or a ceremony. Tourism officials may promote a place through advertising its traditional ways. Folklore may play a role in intellectual conceptualizations, as when nationalists use folklore to promote symbolic unity. Folklore Recycled discusses the larger issue of folklore being recycled into non-folk contexts and proceeds to look at a number of instances of repurposing. Colson Whitehead's novel John Henry Days is a literary text that recycles folklore but does so in a manner that examines a number of other uses of the American folk figure John Henry. The nineteenth-century members of the Louisiana Branch of the American Folklore Society and the author Lyle Saxon in the twentieth century used African American folklore to establish personal connections to the world of the Southern plantation and buttress their own social status. The writer Lafcadio Hearn wrote about folklore to strengthen his insider credentials wherever he lived. Photographers in Louisiana leaned on folklife to solidify local identity and to promote government programs and industry. Promoters of "unorthodox" theories about history have used folklore as historical document. Americans in Mexico took an interest in folklore for acculturation, for tourism promotion, for interior decoration, and for political ends. All of the examples throughout the book demonstrate the durability and continued relevance of folklore in every context it appears.

Product Details

ISBN-13: 9781617037641
Publisher: University Press of Mississippi
Publication date: 05/30/2013
Pages: 242
Product dimensions: 6.20(w) x 9.10(h) x 0.90(d)

About the Author

Frank de Caro, New Orleans, Louisiana, is professor emeritus of English at Louisiana State University. He is the author or editor of eleven previous books, including An Anthology of American Folktales and Legends and Louisiana Sojourns: Travelers' Tales and Literary Journeys.

Table of Contents

Acknowledgments vii

Introduction: Folklore's Messiness 3

Chapter 1 "Authentic Local Culture": The Open Textuality of a Folk Tradition 31

Chapter 2 "In This Folk-Lore Land": Establishing Race, Class, and Identity through Folklore Studies (coauthor, Rosan Augusta Jordan) 51

Chapter 3 "Unrivalled Charms": Folklore, Nonfiction, and Lafcadio Hearn 84

Chapter 4 Photographing Folklife: Document, Symbol, Propaganda 104

Chapter 5 "The Age of Fire and Gravel": "Occult" and "Alternative History" Uses of Folklore 129

Chapter 6 Americans and the Folk Arts in Mexico: Tourism, Fine Art, Architecture, Interior Decoration, International Relations 159

Connections: A Brief Conclusion 190

Notes 194

Selected Bibliography 222

Index 226

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