When
Gear Fab Records re-released
the Oxfords' sole LP from 1970 called
Flying Up Through the Sky, fleshing it out with various band ephemera in 2001, it was assumed that it was the last word on the Louisville group, amounting to a complete recorded works. Turns out it wasn't. When the
Allen-Martin Recording Studio where
the Oxfords tracked their LP (it was called
Sambo Recording Studio when
the Oxfords worked there) was demolished in 2006, local session musicians
Marvin Maxwell and
Walker Ed Amick rescued the studio's master tape library from a cruel and forgotten fate at the bottom of the corner dumpster and began the long task of transferring the multi-track masters into the digital domain. One of their discoveries was that
the Oxfords had recorded a fair amount of material that hadn't appeared on
Flying Up Through the Sky, leading to this second volume of
Oxfords tracks from
Gear Fab. Although generally remembered as a
sunshine pop band with some
psychedelic overtones,
the Oxfords emerge on this second helping as a much more versatile band than that, touching down at times close to
jazz and what could almost be deemed a kind of proto-
country-rock. At other times they sound like a southern version of early
Jefferson Airplane, thanks in no small part to the strong and often sultry vocals of lead singer
Jill DeMarco. That diversity is impressive, and one can't help but wonder what might have developed had the band stayed together and not called it quits in 1972. Among the clear highlights on this addenda volume are a speeded up and rocked out version of
Richard & Mimi Farina's
"Reno, Nevada," the wonderfully atmospheric
"I Can't Remember Your Name," the hard driving
"Year of Jubilo" (based on a Civil War-era song by
Henry Clay Work), a
Mamas & Papas-like cover of
Del Shannon's
"Runaway," and the very pretty and
jazz-inflected backing track called
"Underscore" that concludes this collection (and provides a possible clue to what direction
the Oxfords may have taken if they had remained together). In all, it makes a nice coda to the first volume and helps paint a larger, clearer picture of what the band was all about. ~ Steve Leggett