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Overview

Whether it is basketball dreams, family fiascos, first crushes, or new neighborhoods, this bold anthology-written by the best children's authors-celebrates the uniqueness and universality in all of us.

In a partnership with We Need Diverse Books, industry giants Kwame Alexander, Soman Chainani, Matt de la Peña, Tim Federle, Grace Lin, Meg Medina, Walter Dean Myers, Tim Tingle, and Jacqueline Woodson join newcomer Kelly J. Baptist in a story collection that is as humorous as it is heartfelt. This impressive group of authors has earned among them every major award in children's publishing and popularity as New York Times bestsellers.

From these distinguished authors come ten distinct and vibrant stories.

Table of Contents & Cast of Narrators:
"Foreword," written and read by Ellen Oh
"How to Transform an Everyday Hoop Court Into a Place of Higher Learning and You at the Podium" by Matt de la Peña, read by Dion Graham
"The Difficult Path" by Grace Lin, read by Samantha Quan
"Sol Painting, Inc.," written and read by Meg Medina
"Secret Samantha" by Tim Federle, read by Julia Whelan
"The Beans and Rice Chronicles of Isaiah Dunn" by Kelly J. Baptist, read by Adam Lazarre-White
"Choctaw Bigfoot, Midnight in the Mountains," written and read by Tim Tingle
"Main Street" by Jacqueline Woodson, read by Abigail Revasch
"Flying Lessons" by Soman Chainani, read by Sunil Malhotra
"Seventy-Six Dollars and Forty-Nine Cents," written and read by Kwame Alexander
"Sometimes a Dream Needs a Push" by Walter Dean Myers, read by Dominic Hoffman
"About We Need Diverse Books," read by Ellen Oh


Editorial Reviews

FEBRUARY 2017 - AudioFile

There’s a story for every listener in this lively and winning anthology from We Need Diverse Books. Dion Graham brings just the right energy and keen understanding to Matt de la Peña’s brilliant “How to Transform an Everyday Hoop Court Into a Place of Higher Learning and You at the Podium.” Tim Federle’s “Secret Samantha,” as narrated by Julia Whelan, is another standout, and authors Meg Medina, Tim Tingle, and Kwame Alexander each bring their own authentic voices and storytelling chops to their entries. All of the narrators here deliver skilled readings, matching the moods of the 10 stories. It's a collection to be savored and the perfect introduction to these superb authors. J.M.D. © AudioFile 2017, Portland, Maine

Publishers Weekly - Audio

04/24/2017
We Need Diverse Books cofounder Oh brings together some of juvenile fiction’s top stars with this collection of stories about young people of many races, cultures, and sexual orientations. All of the performances in the audio edition of this anthology are good, but two in particular are outstanding: Sunil Malhotra, a character actor with a string of high-profile narration credits, brings a nerdy vulnerability to the titular “Flying Lessons” by Soman Chainani. Portraying an uncertain Indian-American tween and his larger-than-life grandmother on a European vacation, Malhotra captures both characters’ deepest longings. In another terrific performance, author Kwame Alexander recites his own fast-talking poetry-as-prose contribution to the collection, “Seventy-Six Dollars and Forty-Nine Cents,” about a boy who may or may not have mind-reading superpowers. While the audio format doesn’t allow listeners to witness the unusual structure of Alexander’s “novella in verse” with its brief lines, numerous parenthetical asides, and copious wordplay, it’s a whole lot of fun to hear as Alexander whips through one autobiographical poem after another in a grand musical rhythm. Honorable mention for this collection goes to voice actor Julia Whelan for her sensitive performance of “Secret Samantha” by Tim Federle. Ages 8–12. A Crown hardcover. (Jan.)

Publishers Weekly

★ 11/14/2016
This short story collection, edited and introduced by We Need Diverse Books cofounder Oh, features 10 stories “for all of us” from authors who include Kwame Alexander, Soman Chainani, Meg Medina, and Walter Dean Myers. Each story stands on its own, but the collection as a whole highlights the importance of perspective, perseverance, wonder, courage, and creativity during the middle school years. A thoughtful entry from Matt de la Peña, written in second person, centers on a Mexican-American teenager who does well at school but sees basketball as a “path to those tree-lined lives they always show on TV.” In Grace Lin’s delightful “The Difficult Path,” literacy proves an unexpected ticket to a life with pirates for a Chinese girl eager to escape an arranged marriage. And Jacqueline Woodson’s elegiac “Main Street” focuses on the relationship between an 11-year-old white girl and her “tall and brown and beautiful” best friend in a New Hampshire town where “the leaves were the only color.” Thought provoking and wide-ranging, this first anthology from WNDB should not be missed. Ages 8–12. Agent: Barry Goldblatt, Barry Goldblatt Literary. (Jan.)

From the Publisher

There’s plenty of magic in this collection to go around.” Booklist, Starred

“A natural for middle school classrooms and libraries, this strong collection should find eager readers.” Kirkus Reviews, Starred

“Inclusive, authentic, and eminently readable, this collection of short stories is an excellent addition for libraries and classrooms.” School Library Journal, Starred

“Thought provoking and wide-ranging, this first anthology from WNDB should not be missed.”
Publishers Weekly, Starred

“Whether or not middle-schoolers read the afterword . . . they are sure to agree that they need to read more books by these authors, whose storytelling styles and genuine feel for adolescent struggles and triumphs will inspire them to seek out their other work.” The Bulletin, Starred

School Library Journal

★ 11/01/2016
Gr 4–6—This anthology, published in partnership with We Need Diverse Books, presents 10 short stories from a stellar list of authors: Kwame Alexander, Matt de la Peña, Jacqueline Woodson, Soman Chainani, Grace Lin, Walter Dean Myers, Tim Federle, Meg Medina, Tim Tingle, and Kelly Baptist. De la Peña's linguistically grooving basketball story will have readers swaying in their seats. Verbal roadblocks are hurled at the protagonist from the street-smart players inside the gym: he's too young, too skinny, too Mexican. His resolve yields multiple life lessons on and off the court. Woodson's haunting "Main Street" follows Celeste, the only girl of color in an all-white New Hampshire town, and her friendship with lifetime resident Treetop. Both are suffering from different losses: Treetop's mother has recently passed away, and Celeste isn't accepted in her new home. Their warm connection soothes their mutual pain and promises to last even after Celeste and her mother decide to return to familiar and welcoming New York. Each tale offers realistic and fully developed characters with whom a wide range of readers will identify. VERDICT Inclusive, authentic, and eminently readable, this collection of short stories is an excellent addition for libraries and classrooms.—Diane McCabe, John Muir Elementary, Santa Monica, CA

Kirkus Reviews

★ 2016-09-19
Edited by We Need Diverse Books co-founder Oh, a collection of short stories that embraces a wide cultural spectrum of authorship. Readers feel the angst that comes with getting to know the cool new California girl at a Pennsylvania school in Tim Federles Secret Samantha, narrated by gender-nonconforming Sam. Theyll thrill to Grace Lins The Difficult Path, the tale of a young Chinese servant girl who is captured by pirates, who save her from an arranged marriage to a horrible young boy from a wealthy family. Kwame Alexander contributes a short story in verse about a young Star Wars geek who is head over heels with the school's prettiest girl. Perhaps most poignantly, there is Sometimes a Dream Needs a Push, about a boy whose basketball-star father gives his wheelchair basketball team some crucial pointers, from Walter Dean Myers. These stories and othersfrom Matt de la Pea, Meg Medina, Kelly J. Baptist, Tim Tingle, Jacqueline Woodson, and Soman Chainaniably contain universal themes: friendship, sibling rivalry, parental embarrassment, first crushes, and the trials and challenges that school can bring. Thumbnail biographies of the contributors and an introduction to the genesis and work of We Need Diverse Books round out the volume. A natural for middle school classrooms and libraries, this strong collection should find eager readers. (Anthology. 8-12)

Product Details

BN ID: 2940171938093
Publisher: Penguin Random House
Publication date: 01/03/2017
Edition description: Unabridged
Age Range: 8 - 11 Years

Read an Excerpt

How to Transform an Everyday, Ordinary Hoop Court into a Place of Higher Learning and You at the Podium

Matt de la Peña

It’s finally summer.

Go ahead, take a deep breath. You’re free.

All year long your moms has been on you like glue about algebra worksheets and science fair projects and the knee-high stack of books Mrs. Baker assigned for English class. And you did what you had to do. Two As and four Bs.

Truth is, you’re actually pretty smart.

School comes easy.

You told Baker in that end-of-the-year five-page paper what was up with Esperanza’s dreams and the symbolism of the Mango Street house, and you pulled down a 96 percent--second-highest grade in the class. But even as you typed out that essay, you had an indoor-outdoor in your lap. Between sentences you daydreamed finger rolls over outstretched hands.

See, here’s what all the hard-core homework pushers don’t get.

For people like you, ball is more than just ball.

It’s a way out.

A path to those tree-lined lives they always show on TV.

You’ve crunched the numbers and read the tea leaves. Fact is, you’ll never hit the books as hard as Boy Genius Jeremiah Villa. Sylvia Diaz, either. Even your boy Francisco, from down the hall. There are folks in this world who live to mark up a fat World History textbook with an arsenal of colored highlighters.

You’re not one of them.

You spend too much time on back-alley ball-handling drills to compete.

Nah, the game of basketball is your best chance.

The Fate of Your Hoop Development
 

For the past three years you’ve spent every free minute balling at an outdoor court down the street from your building. After school. After games. Weekends. You name it.

Most nights you’re still out there putting up shots, alone, when the sun falls behind the ocean and the automatic park lights come flickering on, spilling that strange yellow half-light across the cracked concrete.

Ball is like anything else.

Put in enough hours, your game’s gonna blast off.

Your jumper’s now pure out to twenty-five feet, give or take. You’ve developed a little floater in the lane that leaves slow-footed big men flailing. But it’s your handle that sets you apart. Your quicks. The way you can get into the paint at will and finish with either hand.

This past season you scored more points than any other eighth grader in the county.

You were second in assists.

So what.

It ain’t good enough, and you know it.

Not if you want to be even more dominant next year, in high school.

That’s why your ears perk up when you overhear a couple newcomers talking about Muni Gym in Balboa Park. When you overhear the dude with love handles sitting on the stairs say to his boy, “It’s the best run in the entire city, B. I put that on everything.”

“You ranked ’em out?” the other guy asks.

“Nah, I used to ball there all the time before I tweaked my back. If you can hang with them big boys at Muni . . . shoot, you can hang with just about anybody.”

Shelf the extra jumpers that night.

Proceed instead to the local library and look up Muni Gym online. Type the address into Google Earth and you’ll discover it’s right next to the Air and Space Museum your moms took you and your sis to back in the day. And the Air and Space Museum, if your calculations are correct, isn’t but five miles from your pop’s job at the factory.

Wander into your cramped living room after dinner that night. Work up the guts to describe for your old man the importance of competing against the best. You’ve outgrown your local run. It’s time to put a foot in the deep end. So what if he doesn’t even know the rules of the game, if all he does is sit there silently inside the TV, working a toothpick in his teeth.

“So, what do you think, Pop?”

“About what?”

“Would it be cool if I went with you to work every morning? So I could play some ball down there?”

He’ll look at you suspiciously, then turn back to his cop show and his toothpick.

You’ll take this as a no and assume the fate of the most important summer of your hoop development now rests in the hands of the county bus system.

But you’ll be wrong.

A few minutes later he’ll mumble, “Better have your skinny butt out by the car by five, I’ll tell you that. Or else I’m leaving without you.”

He won’t even look up when he tells you this.

Doesn’t matter.

Your heart will race with excitement.

You’ll tear into the room you share with your sis and lay your hoop gear out on the chair by your bed like some kind of giddy schoolgirl--which is pretty much how you’ll feel.

There’s Only Today

Know that when your alarm starts blaring at four-thirty the next morning, you’re going to have no idea where you are or what’s happening. It’ll still be dark outside. Your sis will be snoring. When reality finally settles in, the lazy part of your brain will try and sweet-talk you back to sleep: Maybe we could, you know, skip the Muni trip today . . . go ball at the park instead. . . . There’s always tomorrow.

Reach into your own skull and smack this part of your brain upside the head.

If you let it, this part of your brain will hold you back from every dream you will ever have. Trust me.

Crawl out of bed, reminding yourself that your old man gets up like this every single day for work. Rain or shine. In sickness and in health.

Your uncles, too.

Respect them for this.

Strive to be like them.

During the entire thirty-minute drive south, your old man will say two sentences to you, max. Don’t take it personally. Answer his question about the gym location and how you heard about it. Buckle your seat belt when he gives you one of his patented dirty looks. Before you even hit the freeway on-ramp you’ll be done talking, but that’s okay. Shift your focus to other details of the drive. The radio news show he turns on. The smell of his steaming-hot black coffee. The scattered cars along the dark freeway, and the subtle tick of his turn signal whenever he changes lanes. By the end of summer, these seemingly insignificant details will be ingrained in your brain.

When he parks along the street near his factory, it’ll still be a full three hours before Muni Gym opens. “Better have your skinny butt back here by quarter to four,” he’ll say, snatching his lunch pail out of the backseat. “It’s a long walk home, I’ll tell you that.”

After he disappears around the bend, turn your attention to the ancient Volkswagen Bug. You’ll wonder how the heck you’re supposed to sleep inside such a tiny car, but after a little trial and error you’ll find a way. It will involve folding your six-foot-one frame into a kind of human pretzel. Half of you will be in the backseat, while the other half is curled up into the front passenger seat, your bag strategically lodged into the center console to keep the hand brake from digging into your ribs.

By day three, this next-level yoga position will feel perfectly natural.

But let’s get something straight from the jump. This Muni Gym summer isn’t going to be some kind of continuous loop of “One Shining Moment.” There’ll be low points, too. On and off the court. Trust me.

A few weeks in, a meaty-faced cop will knock on the windshield with the butt of his nightstick. He’ll look at you through aviator sunglasses, his right hand resting on a holstered handgun.

Try not to panic.

His suspicions will be based on two simple facts:

1.   This is the first time during his rounds he’s ever stumbled across a kid sleeping at a ninety-degree angle inside a VW Bug.

2. Your skin is brown.

2a. (His skin will be brown, too--maybe even browner--but don’t spend too much time worrying yourself about this. There’s a complex psychology behind this phenomenon, one you’re not yet ready to wrap your head around.)

At the end of your respectful explanation, the cop will slowly remove his hand from his gun. He’ll grab hold of your left elbow instead and steer you toward the front office of the factory. Your pop will be summoned, embarrassingly, over the loudspeaker. Two minutes later he’ll emerge from the back looking wildly stressed. This is not because you’ve done anything wrong. It’s because he has his own history with cops. Stuff that happened long before you were born. Stuff nobody ever talks about.

After the cop explains the situation, your pop will put on an uncomfortable smile and vouch for you. He’ll say you’re a good kid, that you’re just down here to play some ball at a gym in Balboa Park. He’ll shake hands with the cop enthusiastically, thanking him for his service and apologizing for any trouble you may have caused.

Soon as the cop leaves, though, your pops will transform back into himself. “Don’t worry about that power-happy pendejo,” he’ll say, rubbing your shoulder. “You didn’t do nothing wrong.”

“I was just sleeping.”

“Mexicans are allowed to sleep, too.” He’ll look you straight in the eyes, nodding. And in this moment, you’ll feel closer to your old man than ever before.

Fortunately, that’s the only morning you’ll be woken up by a nightstick. Every other morning it’ll be the alarm on your phone, and you’ll be free to climb out of the Bug at your leisure. Stretch your stiff arms and legs. Breathe in the warm Hillcrest air and remove your rock from your bag. It’s time to get a move on.

It won’t take but three days to know all the shortcuts to Muni.

Dribble through the middle school playground where summer camp kids play double Dutch and hopscotch and dodgeball. Dribble in and out of sleeping cars in the massive San Diego Zoo parking lot. Dribble through crowds of camera-toting tourists shuffling toward the front gates of the zoo. Dribble past the various hot dog stands, the ice cream truck with the two flat tires, the leather-faced man selling raspas who looks like your late abuelito. By the end of the summer these vendors will all recognize you and wave.

It will take a little more than an hour for you to arrive at the large, dilapidated building with two locked green doors. Butterflies will dance inside your chest. That first time and every time following. Even years from now. And that’s how it should be.

Because you can sense it . . .

Here is where you will learn the world.

Sentenced to the Bleachers

While you wait for gym manager Jimmy to arrive by bicycle with his massive ring of rattling keys, listen to the grown men around you. To the uninitiated they are uneducated. They’re poor. Black. Crass. Shifty. Steely-eyed. A reason to cross the street.

But over the course of the summer you will soak up everything around you. And you will hear the brilliance. The poetry. The philosophy. The verbal dance of on-court banter. They will laugh harder and more often than anyone you’ve ever known. And you will laugh, too. Especially a few weeks into the summer, when they turn their wrath on you.

They’ll begin by calling you Mexico (even though your Spanish is suspect at best). They will ask why you’re inside a gym, and not crouched in a field somewhere, picking strawberries. Or kicking around a soccer ball. They will tell you you’re too young to ball with them. Too skinny. Too light in the pocket. Too soft.

Come back in three years, they’ll say.

Or maybe ten.

You will laugh your way through all of this, sensing that their digs are some warped version of acceptance.

A week in, a guy everyone calls Mr. Unleaded (because he’s the night manager of a nearby gas station) will tear into you about your long, skinny, “no-muscle-having” arms, and without blinking you’ll fire back a dig about the ghetto Superman tat sketched into his right forearm, and “Why would you knowingly walk into a gym full of Kryptonite?” Everyone loitering outside the gym that morning, waiting for Jimmy, will roar in laughter and stomp their feet and bump fists, and to your surprise it’ll be Mr. Unleaded who laughs hardest of all.

But as much as you’ll begin to blend in off the court, on the court it will be a completely different story.

That first day you won’t get into a single game.

Not one.

You’ll follow everyone inside the dark gym, set down your stuff in the bleachers like they do, hit the court with everyone for a handful of warm-up jumpers, but when it comes time to select squads, you’ll find yourself on the outside looking in.

When you try to call next, they’ll ignore you.

You’ll ask the overweight knee-braced dude if you can run with his squad. He’s still three games away, but you got all day. He’ll nod and say in a deep smoker voice, “You down, young buck. I got you.” But an hour later, when his team is finally set to take the court, he’ll drop you for a balding big man.

At first this basketball blackballing will tear you up inside. You know you can hang. Your jumper is as pure as anyone’s in the gym (except maybe this guy they call Dante, who never misses). Sure, these dudes are bigger and stronger and more aggressive, but at the very least you could be a dependable distributor. You know where to put a lob on the fast break so your big man can mash it down with a guttural growl.

You plead with the guys standing on the sidelines. “You gotta let me play, man. I can ball. I swear.” But these outbursts of self-promotion will fall on deaf ears. All you’ll do that first day is hoist a few jumpers between games, then retreat back to the bleachers to watch.

The next day it’ll be the same thing.

The day after that.

Those first two weeks you’ll participate in a grand total of one run--if you can even count the end-of-the-day, three-on-three debacle you spend guarding a homeless man wearing soleless Timberlands.

One afternoon it’ll hit you especially hard on the long walk back to the car.

You’ll keep quiet on the drive home, then retreat to an overturned bucket in the alley behind your building, where you’ll have a serious heart-to-heart with yourself. Sure, it’s the best pickup you’ve ever seen, but they don’t even let you play. They’re prejudiced against Mexicans. Or soon-to-be ninth graders. Or both. Why wake up before the crack of dawn, sleep folded up in a VW Bug, just to sit in the bleachers all day?

(Continues…)



Excerpted from "Flying Lessons & Other Stories"
by .
Copyright © 2018 Ellen Oh.
Excerpted by permission of Random House Children's Books.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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