Publishers Weekly
11/16/2020
Stemming from Parsons’s Sweet Blackberry series of animated films featuring Black heroes, this biography introduces Bessie Coleman, the first African American woman to earn her pilot’s license, against daunting odds. A star student at her rural Texas school, Bessie is enthralled to learn about Harriet Quimby, the first American woman pilot, and is determined to follow in her path. She juggles multiple jobs to help finance a trip to France, where she becomes a pilot in 1921 before returning to the U.S. to perform daring stunts at flying shows while pursuing another mission: fighting racism. While the verses’ cadence and rhyme sometimes falter, and the tale neglects to mention the figure’s Native American descent, Christie’s stylized illustrations bring life to Coleman’s trailblazing achievements. Ages 4–8. (Dec.)
From the Publisher
A nice biography of a trailblazer who broke a glass ceiling in aviation for women, and for people of color.”
—School Library Journal
“[R. Gregory] Christie’s stylized illustrations bring life to Coleman’s trailblazing achievements.”
—Publishers Weekly
"[A] worthy introduction."—Booklist
Praise for Saving the Day: * “The story of Morgan’s accomplishments is entertaining and informative. A fine contribution to African American creative nonfiction for young readers.” —Kirkus Reviews, starred review
School Library Journal
12/01/2020
PreS-Gr 3—This picture book biography provides a window into the life of aviator Bessie Coleman (1892–1926), who was the first African American pilot, and the first Native American woman pilot. The narrative begins with Coleman's early love for learning. When she was a young girl, Coleman and her family worked the cotton fields and her education was put on hold during the harvest time. Readers follow Coleman's journey of self-revelation. A teacher's story of the pilot Harriet Quimby inspired Coleman to pursue aviation. Coleman knew she would have to leave her small southern town for a place "where her spirit could soar." When her brother invited her to live with him in Chicago, she jumped at the opportunity. Coleman eventually chased her dream to France and became a pilot. Upon her return to the United States, the Chicago Defender reported Coleman as front-page news. There are a few biographies that highlight Coleman's challenges and amazing achievements, but this title uses verse. The repeated stanza, almost a song chorus, is a powerful message to pursue one's dreams. The text might feel more accessible to struggling readers because it is written in short, concise verse. A generous time line of women in flight and original photographs are an added bonus. VERDICT A nice biography of a trailblazer who broke a glass ceiling in aviation for women, and for people of color.—Erin Olsen, Hunter Coll. Elem. Sch., NY
Kirkus Reviews
2020-09-29
A story in verse of trailblazer Bessie Coleman, the first African American woman to earn a pilot’s license.
After learning about Harriet Quimby, a White woman who became the first American woman to earn a pilot’s license, young Coleman began to think that flying could be for her. A few years later, after moving to Chicago, she learned from her brother that women in France were pilots during “the war” (that this was World War I is never communicated). Inspired, Coleman tried in vain to find a teacher in the United States; undaunted, she moved to France, where she finally learned to fly before returning to the United States to inspire the nation. Coleman is a fascinating subject, but missing biographical detail and undocumented conversations do not suit this effort for the nonfiction shelves. Though the backmatter includes information about women in flight as well as notes from the author and illustrator, there is not enough information presented about Coleman’s life to answer the questions readers will have after finishing this book. Parsons’ verse is, sadly, too often simplistic and strained: “One day, Bessie’s teacher / Told them of how / A woman had become a pilot! / A huge breakthrough! Wow!” Christie’s characteristically powerful illustrations cannot mitigate the text’s weaknesses (though his note does inform those who read it that Coleman grew up in Texas, another fact Parsons leaves unsaid).
Doesn’t take flight. (timeline, photographs) (Picture book. 4-7)
