First-Person America
Between 1938 and 1942 the Federal Writers’ Project set out to create a first-person portrait of America by sending young writers—many of whom later became famous—around the country to interview people from all occupations and backgrounds. This book presents 80 of these diverse life histories, including the stories of a North Carolina patent-medicine pitchman, a retired Oregon prospector, a Bahamian midwife from Florida, a Key West smuggler, recent immigrants to New York, and Chicago jazz musicians. Historian Eric Foner called First-Person America “the finest example yet of an increasingly important genre of oral history.”
1101388470
First-Person America
Between 1938 and 1942 the Federal Writers’ Project set out to create a first-person portrait of America by sending young writers—many of whom later became famous—around the country to interview people from all occupations and backgrounds. This book presents 80 of these diverse life histories, including the stories of a North Carolina patent-medicine pitchman, a retired Oregon prospector, a Bahamian midwife from Florida, a Key West smuggler, recent immigrants to New York, and Chicago jazz musicians. Historian Eric Foner called First-Person America “the finest example yet of an increasingly important genre of oral history.”
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First-Person America

First-Person America

by Ann Banks
First-Person America

First-Person America

by Ann Banks

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Overview

Between 1938 and 1942 the Federal Writers’ Project set out to create a first-person portrait of America by sending young writers—many of whom later became famous—around the country to interview people from all occupations and backgrounds. This book presents 80 of these diverse life histories, including the stories of a North Carolina patent-medicine pitchman, a retired Oregon prospector, a Bahamian midwife from Florida, a Key West smuggler, recent immigrants to New York, and Chicago jazz musicians. Historian Eric Foner called First-Person America “the finest example yet of an increasingly important genre of oral history.”

Product Details

ISBN-13: 9781504028820
Publisher: Open Road Distribution
Publication date: 11/24/2015
Sold by: Barnes & Noble
Format: eBook
Pages: 252
File size: 5 MB

About the Author

Ann Banks is a journalist and writer living in New York. She has written for many publications, including New York Times Magazine, New York Times Book Review, Atlantic Monthly, the Washington Post, The Nation, and USA Today. A selection of her essays may be found at annbanks.com. She edited an anthology of oral histories from the Federal Writers Project, First-Person America, and co-produced a radio series for National Public Radio on the same subject; work on the book was supported by grants from the Rockefeller Foundation and the Ford Foundation.

Read an Excerpt

First-Person America


By Ann Banks

OPEN ROAD INTEGRATED MEDIA

Copyright © 2013 Ann Banks
All rights reserved.
ISBN: 978-1-5040-2882-0



CHAPTER 1

OLD TIMES

Mrs. M. F. Cannon

Mrs. M.F. Cannon grew up on an Eastland County, Texas, stock farm. She was seventy-three years old when Federal Writer Woody Phipps interviewed her at the Masonic Home for the Aged near Fort Worth.


I was raised in West Texas when it was considered the sure enough wild and woolly West. If I could remember all the things that happened to me, you'd be able to write a big book on it all. As it is though, my memory sort of fails me right when I want it to work, but I'll tell you all I can recall.

I was born on July 30, 1864, in Arkadelphia, Arkansas. Just as soon's I was able to be carried good and my ma was able to take a long trip, my dad set out for Texas on September 15, 1864. Dad's name was Eldridge Nix and he settled on what was known as the Nix Place. It was just outside Jewell, Texas, in Eastland County, and had about 160 acres in it. I suppose you'd call the place a stock farm because he farmed on a small scale, but he really worked cattle.

Now, the reason I didn't pay attention to anything in the way of business was because I was pretty spoilt when I was a kid. My mother died right after we got to Jewell, and my two sisters had the raising of me and all the household work too. They'd let me run loose after I got big enough to get away from the leash. You see, while I was too small to be depended on not to run off, they'd make a sort of harness that went around my shoulders and kept me tied to a wooden stake while they were in the dugout working. When we first came to that country, there were no houses and everybody lived in dugouts that were made by digging a square hole about ten feet by ten feet, then about seven feet deep, and running a long pole across the middle, about two feet higher than the ground level, then slanting the tarpaulin down so to let the water run off when it rained.

After we'd been there for about eighteen months, dad got together enough logs to have a house-raising. I was too young to have any fun at this one but you can bet I didn't miss many of them after I got big enough to dance and talk up for myself. Every time they'd have a house-raising after that, I'd be there. You see, the women folks would cook enough stuff to last a good-sized crowd of men for a couple days, then they'd tell everybody that there was to be a house-raising at So-and-so's place at so-and-so a time. Everybody knew they'd have a little dancing and eating thrown in with the work connected with raising the house, or rather, building the house, so they'd be on hand to help. Sometimes there'd be as many as fifty men there with their families and they'd make short work of putting up the house. They figured the quicker they got the house up, the quicker they'd get to dance, drink, and eat. I don't really recall just when I did learn to dance because the cowhands taught me to jig when I was really small. I was dancing with the men when I was going to school.

Dad gave me a little old Indian pony to ride to and from school, and I could really ride him. He was about the best pony I'd seen around those parts and he'd kick up on a frosty morning, but I'd stay with him. He got in the habit of getting loose from the rail when I'd tie him up at the school. No matter how tight I'd tie him, he'd always get loose. One day, he'd gotten loose and had strayed farther away than usual. By the time I'd found him, it was getting dark. I don't guess I was a hundred feet from him when I found him, but there were six old Texas Longhorn steers that found me at the same time. They'd run at me, snort, then run back. Was I worried? I'll say I was, but I kept behind trees and circled until I had the pony between me and the steers.

I'd forgot my rope and it was still tied to the rail so I took my bonnet and put it around his neck, then led him back to the rail. Since I always had to have somebody help me onto the pony and they were all gone, I didn't know how to get on him. I looked around for a stump but I couldn't see any, and it was getting darker all the time. There was an old graveyard by the school and there were tombstones in it that I could stand on to get on him, so I did it that way. You talk about scared. I was one scared kid until I got on his back; then I made him understand that speed was what I wanted. We were going ninety to nothing when I met my dad coming after me.

Now, back to the dances. The majority of them were square dances. After I'd got married and was a little older, I saw other kinds but I stuck to the good old square dancing. I met my husband at one of those dances and we got married when I'd only met him about five times. You see, if you'd go a long ways, you could go to a dance about once a month, but dad only took us about once every quarter so I really knew M. F. over a year before we got married.

Others that I recall meeting were Dink Logan, a good rider with a pretty horse but I don't know whether I ever heard of his ability as a cowboy. I rated them according to how good they danced, and Dink could dance real good. We met at all the dances. Another that I recall was Dan Clawson. Old Dan couldn't dance but he could trot to beat the band. Then, Jim Thornton, he was a good dancer, and Steve and Temple Ellis. Let me tell you one on Temple.

One time he and his dad were going to the brakes after wood. They were just using the running gears, you know, no wagon bed, and when they got on top of a pretty steep hill, his dad told him to get some ropes and tie the wheels to the gears so they wouldn't roll and that way, the wagon wouldn't run over the team. Temple says, "Alright dad." He stood on the tire and held the wheel to keep it from turning, then when they got halfway down, he stepped off and let the wheels go. Well, the wagon like to have run over the horses and was going like a prairie fire when they got to the bottom of the hill, but Temple's dad handled them like a veteran and didn't have no trouble. Temple had to run real hard to catch up, but when the wagon was slowed down at the bottom, he caught up. His dad said, "What happened, Temple? Did the ropes break?"

Temple said, "No, I just wanted to see if you could ride it as fast as it would go."

Now, that was kind of a rough joke, but that's the way the cowboys joked. They lived a rough life and joked as rough as you ever heard. Why, a tenderfoot that lit on a ranch would almost get killed before he broke in to ranch life. The boys would lead him to one of their wildest horses and tell him it was tame, then let him get on the horse. The usual trick was to have the horse already saddled and ready to go before the poor fellow ever saw it.

He'd come out from the chuck wagon or wherever he was hired, and all he'd see was a horse already saddled and he'd been told they'd give him a gentle one before he tried the rough ones and he'd just mount it without ever a suspicion anything was up. The first time he knew otherwise was after getting the stormiest ride he'd ever had in his young life. The horse usually threw them after the first jump and the boys would be on hand to rescue him from anything else happening to him.

When I married M. F. Cannon, I was about fifteen-and-a-half years old. Cannon was a real man and wasn't afraid of Old Nick himself so he put it up to me like this. He said, "Now, we can live on your dad's place and take what he gives us, or we can strike out and build ourselves a place of our own if you've got the guts to stay with me."

Well, I'd lived a life of ease. That is, my sisters took all the bumps and nothing ever happened around the home place so I thought that in getting married I would have a home of my own, be my own boss, get up when I wanted to (I was a heavy sleeper and was hard to wake up), and just have things the way I wanted, so I jumped at the chance of getting off that way.

To start with, M. F. had been keeping his eye on me and had been saving money right along so he was in a better position to get married than anybody else, including myself because I didn't even know very well how to cook. Dad gave us two teams of horses, and a brand new Studebaker wagon to carry our stuff in.

The last I ever saw of my folks was after they threw a big dance as a farewell party for us; then we lit out. I won't ever be able to forget that trip. When we started out, we had good weather but we hadn't been long on the trail till a Blue Norther struck us. The second night out on the trail, we had to camp right out on the open prairie but we weren't worried because we had good stock and the best wagon money could buy in those days.

We went to bed that night and I went right off to sleep just like I always did when I was at home. I didn't know a thing till I woke up the next morning and M. F. told me what had happened. I'd slept through the worst wind storm that he'd ever seen and one that the old-timers that came out in the fifties [1850s] couldn't even beat. M. F. said that the wind almost blew the wagon over so he got out and dug holes in front of each wheel, then rolled the wagon forward and off into the holes. This way, the wagon would be harder to turn over or move any way. I'd slept all through this and woke up the next morning after the wind had gone down and everything was calm and peaceful.

About the third day on the trip, the wheels went to squeaking something awful. I thought we had been cheated on our pretty wagon with the pretty yellow wheels and red and green trimmings, but I didn't say anything to M. F. about it. I just kept quiet. When we got to a water hole, he watered the stock, then got a bucket and poured water on the wheels. He didn't seem satisfied with that so he dug some more holes and rolled the wagon off into them, then filled the holes with water. While the wagon stood in the water, he hunted for a pole and a block. With this, he used leverage, then had me turn the wheels so another part would be in the water. He did this until he had the entire wheel all wet and muddy. The next morning after we started out, he explained that the wheels had gotten dry and drawn up, and that the water would swell the wheels back out to where they wouldn't squeak anymore.

Well, it seemed like years before we got to that section of Texas known as the staked plains. We settled in Crosby County on a 220-acre tract and M. F. branded his sixty head of cattle with the MFC brand. I worked with the herd just like a man. Of course, I didn't ride a horse but I tended the cows that came fresh.

I never will forget one thing that happened to me while I was hunting one old cow's calf. You see, they'd hide their calves off where they figured you'd never find them, which was dangerous because they never got the right treatment and most of them would die. Well, I'd followed this old cow around for four days but she'd been giving me the slip. I finally let her out of sight, then followed her tracks through the sand. Now, there was still a few dangerous outlaws and rustlers in that country and I'd made a mountain out of a mole hill to where I looked for one to pop out anywhere. This condition stayed in the back of my head all the time but I got my mind set on the old cow's tracks and was going right along when I went through some bushes and bumped right into her. She had her calf and was suckling it at the time but I thought an outlaw had me so I tore out. The cow and calf went in different directions and we all had a good scare. She didn't find her calf till way the next day.

After we'd been on the place several years, we quit going to Crosbyton for rations and went to Amarillo twice a year for our grub. Contrary to the general notion, we didn't buy much stuff in barrels because a wagon would shake it to pieces. Barrels wasn't so good in those days either because they had wood ties instead of iron like they do nowadays. Well, we'd get about a dozen hundred-pound sacks of flour, a hundred-pound sack of coffee, half a barrel of syrup, a barrel of sugar, six sides of bacon, four boxes of dried fruit, and a hundred-pound sack of dried beans. We had plenty of wild meat and grew our beef and farmed enough garden stuff to care for us and some other places too, so you see, we had plenty to eat any time we wanted it.

We'd go to Crosbyton for the dances though. It was about sixteen to twenty miles there and M. F. would pick up all the women on the way that wanted to go. They'd hold a barbecue and dance for two days and nights there besides having the best fiddler I ever heard. His name was Fiddler Bill, and he could just make up tunes that beat anything by these long-haired guys that you pay to hear. Just a natural-born fiddler.

Now, about the cattle roundups and such, I went to several of the fall roundups before M. F. quit and went to carpentering. I met Jim Williams, who owned the SR Ranch and throwed a barbecue and a dance right after the roundup one year. It was held in Hank Smith's rock house in Blanco Canyon and lasted about three days and nights.

I remember when I went there, I saw thousands of cattle in the canyon. A little while after I got to the ranch house, I happened to be looking out the window and saw a wagonload of girls coming up the road. Now, they had to pass over a ditch that had some goat heads in it. You see, Hank had barbecued goats and throwed the heads into this ditch. Well, they failed to see this ditch and when the wagon jolted over it, three of them fell over backwards into the ditch. The first thing they saw when they sat up was these bloody heads sticking straight up out of the ground. Of all the screaming that came off, a hundred catamounts couldn't make that much noise. One of the boys had fixed the heads in that way, hoping to pull off a stunt about like that.

I met another rancher there that run some cattle on about one section of land. His name was Jim Thornton and he run the SD Ranch. I recall another foreigner I met there but I can't recall his name. He run the Z Bar L. You made the brand like this: Z — L. Then there was J. J. Wallace who owned and operated the Triangle J with about a hundred head. You make his brand like this: ?J. I also met several of the Swenson Ranch foremen but I don't recall their names. It was one of the big ranches owned by big easterners who lived in New York. They'd write the range boss to spare no expense to show the boys a good time after the roundup.

Well, I'm about run out of soap. One other thing, though, is the men M. F. usually played with at the dances. One was old Thomp Miller, he played the violin, and Al Patterson, who also played the violin while my husband picked the banjo. M. F. played for the dances and goings on till he died with the flu in Slaton, Texas, in 1918.

Woody Phipps
Fort Worth, Texas
n.d.


Mayme Reese

Mayme Reese grew up near Charleston and moved to New York City as a young woman. She was fifty-seven at the time of the interview.

We used to have quilting parties at least twice a year. Say there'd be three or four ladies who were good friends; one time we would meet at one house and one time at another. You'd keep on that way until the quilt was finished. If I was making the quilt, I'd set up the quilting frame in my house and the other two or three ladies would come and spend the day quilting. I'd have it all ready for the quilting to start. You'd decide before how you were going to make the stitches: if you were going to have a curving stitch, you'd sew one way; if you were going to quilt block fashion, you'd sew that way. I might have been sewing scraps together for a year until I got the cover all made. Then when my friends came, there wouldn't be anything to do but start working on the padding. If there were four ladies, each would take an end.

The ladies would come as early in the morning as they could. Sometimes you all had breakfast together. If you didn't you had dinner together and a little snack off and on during the day. If it was at my house and nobody was coming early enough for breakfast, I'd put something on the sideboard that everybody could reach if they got hungry before time to sit at the table. Sometimes there'd be sweet potatoes, some smoked pork, bread, maybe some syrup, and things like that. Then when you had dinner, there'd be the regular things everybody had at home. If somebody came way in from the country or a town eight or nine miles away, they'd have supper and stay all night.


(Continues...)

Excerpted from First-Person America by Ann Banks. Copyright © 2013 Ann Banks. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Contents

Preface to the E-book Edition,
Introduction,
OLD TIMES,
IMMIGRANT LIVES,
THE YARDS,
INDUSTRIAL LORE,
MONUMENTAL STONE,
RANK AND FILE,
TOBACCO PEOPLE,
WOMEN ON WORK,
TROUPERS AND PITCHMEN,
THE JAZZ LANGUAGE,
TESTIFYING,
Afterword,
Notes,
Bibliography,

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