Filippo Tommaso Marinetti: The Artist and His Politics
Filippo Tommaso Marinetti: The Artist and His Politics explores the politics of the leader of the Futurist art movement. Emerging in Italy in 1909, Futurism sought to propel Italy into the modern world, and is famously known for outlandish claims to want to destroy museums and libraries in order to speed this transition. Futurism, however, also had a much darker political side. It glorified war as the solution to many of Italy’s ills, and was closely tied to the Fascist Regime. In this book, Ialongo focuses on Marinetti as the chief determinant of Futurist politics and explores how a seemingly revolutionary art movement, at one point having some support among revolutionary left-wing movements in Italy, could eventually become so intimately tied to the repressive Fascist regime. Ialongo traces Marinetti’s politics from before the foundation of Futurism, through the Great War, and then throughout the twenty-year Fascist dictatorship, using a wide range of published and unpublished sources. Futurist politics are presented within the wider context of developments in Italy and Europe, and Ialongo further highlights how Marinetti’s political choices influenced the art of his movement.
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Filippo Tommaso Marinetti: The Artist and His Politics
Filippo Tommaso Marinetti: The Artist and His Politics explores the politics of the leader of the Futurist art movement. Emerging in Italy in 1909, Futurism sought to propel Italy into the modern world, and is famously known for outlandish claims to want to destroy museums and libraries in order to speed this transition. Futurism, however, also had a much darker political side. It glorified war as the solution to many of Italy’s ills, and was closely tied to the Fascist Regime. In this book, Ialongo focuses on Marinetti as the chief determinant of Futurist politics and explores how a seemingly revolutionary art movement, at one point having some support among revolutionary left-wing movements in Italy, could eventually become so intimately tied to the repressive Fascist regime. Ialongo traces Marinetti’s politics from before the foundation of Futurism, through the Great War, and then throughout the twenty-year Fascist dictatorship, using a wide range of published and unpublished sources. Futurist politics are presented within the wider context of developments in Italy and Europe, and Ialongo further highlights how Marinetti’s political choices influenced the art of his movement.
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Filippo Tommaso Marinetti: The Artist and His Politics

Filippo Tommaso Marinetti: The Artist and His Politics

by Ernest Ialongo
Filippo Tommaso Marinetti: The Artist and His Politics

Filippo Tommaso Marinetti: The Artist and His Politics

by Ernest Ialongo

Hardcover

$154.00 
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Overview

Filippo Tommaso Marinetti: The Artist and His Politics explores the politics of the leader of the Futurist art movement. Emerging in Italy in 1909, Futurism sought to propel Italy into the modern world, and is famously known for outlandish claims to want to destroy museums and libraries in order to speed this transition. Futurism, however, also had a much darker political side. It glorified war as the solution to many of Italy’s ills, and was closely tied to the Fascist Regime. In this book, Ialongo focuses on Marinetti as the chief determinant of Futurist politics and explores how a seemingly revolutionary art movement, at one point having some support among revolutionary left-wing movements in Italy, could eventually become so intimately tied to the repressive Fascist regime. Ialongo traces Marinetti’s politics from before the foundation of Futurism, through the Great War, and then throughout the twenty-year Fascist dictatorship, using a wide range of published and unpublished sources. Futurist politics are presented within the wider context of developments in Italy and Europe, and Ialongo further highlights how Marinetti’s political choices influenced the art of his movement.

Product Details

ISBN-13: 9781611477566
Publisher: University Press Copublishing Division
Publication date: 03/06/2015
Series: The Fairleigh Dickinson University Press Series in Italian Studies
Pages: 342
Product dimensions: 5.90(w) x 9.10(h) x 1.20(d)

About the Author

Ernest Ialongo is associate professor of history at Hostos Community College, CUNY.

Table of Contents

Introduction
-Historiography of Political Futurism
-Roots of Marinetti’s Politics
-An Overview of the Book

Chapter 1: From the Foundation to the Crisis of Caporetto, 1909–1918
-The Foundation and Early Politics
- The Libyan War and the Nationalization of Marinetti’s Politics
- Interventionism and War: Nationalist Apotheosis and the Re-emergence of Radicalism in Marinetti’s Politics
- The Manifesto of the Futurist Political Party

Chapter 2: Futurist Politics in Action, Summer 1918–May 1920
-Political Futurism Formalized
-Fascism, Disillusionment, and the D’Annunzian Alternative
-The Fall Political Campaign and the Abandonment of Fascism

Chapter 3: The Return to Fascism, 1920–1925
-Marinetti: Isolated
-Marinetti: Dicianovista

Chapter 4: Building the Dictatorship, 1925–1929
-Marinetti and the Dictatorship
-Battling Right-Wing Fascism
-Marinetti Accademico: The Loyal Radical

Chapter 5: Working Towards the Duce, 1929–1937
-Working Towards the Duce: Futurist Initiatives in the Thirties
-The Ethiopian War

Chapter 6: Isolation and Impotence, 1930–1939
-The Perils of Being “Too Fascist”
-The Consequences of “Not Being Fascist Enough”

Chapter 7: Living and Dying with the Regime: Marinetti in World War Two, 1939–1944
-Marinetti in War
-Marinetti at the End: Salò

Conclusion
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