Fights: One Boy's Triumph Over Violence

by Joel Christian Gill, Joel Christian Gill (Illustrator)

Overview

A New York Times Best Graphic Novel of 2020
YALSA 2021 Great Graphic Novels for Teens
2021 Cartoonists Prize for Print Comics
2021 Eisner Awards Best Publication for Teens Nominee

Fights is the visceral and deeply affecting memoir of artist/author Joel Christian Gill, chronicling his youth and coming of age as a Black child in a chaotic landscape of rough city streets and foreboding backwoods.

Propelled into a world filled with uncertainty and desperation, young Joel is pushed toward using violence to solve his problems by everything and everyone around him. But fighting doesn’t always yield the best results for a confused and sensitive kid who yearns for a better, more fulfilling life than the one he was born into, as Joel learns in a series of brutal conflicts that eventually lead him to question everything he has learned about what it truly means to fight for one’s life.

"FIGHTS is somehow brutally raw, funny as hell, deeply sensitive and insightful in each panel." –– Nate Powell (March trilogy)

Product Details

ISBN-13:	9781549303357
Publisher:	Oni Press
Publication date:	01/21/2020
Pages:	256
Sales rank:	645,792
Product dimensions:	5.80(w) x 8.90(h) x 0.80(d)
Age Range:	14 - 17 Years

About the Author

Joel Christian Gill is the chairman, CEO, president, director of development, majority and minority stockholder, manager, co-manager, regional manager, assistant to the regional manager, receptionist, senior black correspondent and janitor of his Strange Fruit Comics. He is the author of Fast Enough: Bessie Stringfield’s First Ride from Lion Forge and the award winning graphic novels Strange Fruit: Uncelebrated Narratives from Black History and Tales of The Talented Tenth from Fulcrum Publishing. In his free time he is Chair of Comic Arts at the New Hampshire Institute of Art where inspire students to unleash the transformational potential of their stories. Founder of #28daysarenotenough it is his belief that segregating the history of minority peoples lessens the impact these people have made on American society, and culture. Gill has dedicated his life to using stories to rebuild, empathy, compassion and ultimately humanity. As his friends and family say, “He won't shut up about equality, justice and the importance of telling stories, so listen to him so we can binge watch Stranger Things in peace.” He received his MFA from Boston University and BA from Roanoke College.

Joel Christian Gill is the chairman, CEO, president, director of development, majority and minority stockholder, manager, co-manager, regional manager, assistant to the regional manager, receptionist, senior black correspondent and janitor of his Strange Fruit Comics. He is the author of Fast Enough: Bessie Stringfield’s First Ride from Lion Forge and the award winning graphic novels Strange Fruit: Uncelebrated Narratives from Black History and Tales of The Talented Tenth from Fulcrum Publishing. In his free time he is Chair of Comic Arts at the New Hampshire Institute of Art where inspire students to unleash the transformational potential of their stories. Founder of #28daysarenotenough it is his belief that segregating the history of minority peoples lessens the impact these people have made on American society, and culture. Gill has dedicated his life to using stories to rebuild, empathy, compassion and ultimately humanity. As his friends and family say, “He won't shut up about equality, justice and the importance of telling stories, so listen to him so we can binge watch Stranger Things in peace.” He received his MFA from Boston University and BA from Roanoke College.

Editorial Reviews

11/25/2019

An impoverished and violent childhood provides the background to this stirring memoir from Gill (Strange Fruit)—but it’s the kindness and strength that he found in those circumstances that makes his story unforgettable. During his fragmented youth, Gill was shuffled through schools, homes, and social cliques as the child of a single mother. Though he found solace where he could (memorably in chess, music, and libraries), the disorder of his life inculcated a violent streak that wore him down as much as it kept him safe from predators. He endures sexual abuse at home, bullying in school, and is ultimately pushed into young manhood with only the barest understanding of human kindness—and yet he manages to discover the joy of art, the tenderness of first love, and ironclad friendship. In the tradition of Geoffrey Canada’s Fist Stick Knife Gun, Gill’s empathy for his younger self and the children he grew up alongside elevates his singular story into a passionate plea for neglected children everywhere. Gill draws himself and the kids around him as struggling against a rising tide of murky water: some of them learn to swim in this sea of aggression, while some are lost within its depths. His visuals are disarmingly whimsical (they’d be at home on Nickelodeon), with a palette unafraid of bright greens, purples, and oranges that emphasizes his youthful self’s vulnerability and capacity for joy. Beyond a recounting of a hardscrabble upbringing, Gill’s memoir becomes an ode to claiming peace from the experience of violence—and passing that gift on to others. (Jan.)

Publishers Weekly

"FIGHTS is somehow brutally raw, funny as hell, deeply sensitive and insightful in each panel."

Nate Powell (March)

★ 01/01/2020

Gr 7 Up—Gill, who has created many graphic novels devoted to black history, turns the focus on himself in his powerful graphic memoir. As a child, he endured physical and sexual abuse and neglect. School provided no refuge; he was bullied by other children and mistreated by teachers. Eventually Gill became like those around him, a perpetrator of violence, responding to frustration by lashing out at others. He was kept afloat by a few key friendships, the library, and art. At 18, he made a surprising but ultimately lifesaving decision. With saturated colors and expressive characters, Gill's dramatic illustrations pull readers in. The scenes depicting his mistreatment are subtle, infuriating, and devastating. His inclusion of photographs makes his story even more intimate. His language is as evocative as the visuals. He compares children to sponges, absorbing the abuse they're subjected to and eventually inflicting it on others. VERDICT Despite the heartbreak, Gill leaves readers with a message of hope—that anyone living with trauma can find a way out.—Carla Riemer, Albany High School, CA

School Library Journal