James Arthur Baldwin (August 2, 1924 – December 1, 1987) was an American novelist, writer, playwright, poet, essayist and civil rights activist.
Most of Baldwin's work deals with racial and sexual issues in the mid-20th century in the United States. His novels are notable for the personal way in which they explore questions of identity as well as the way in which they mine complex social and psychological pressures related to being black and homosexual well before the social, cultural or political equality of these groups was improved. Baldwin was also one of several black atheists in Harlem.
When Baldwin was an infant, his mother, Emma Berdis Joynes, moved to Harlem, New York, where she married a preacher, David Baldwin, who adopted James. The family was poor, and James and his adoptive father had a tumultuous relationship. James Baldwin attended the prestigious DeWitt Clinton High School in the Bronx, where he worked on the school magazine together with Richard Avedon. At the age of 14, he joined the Pentecostal Church and became a Pentecostal preacher.
When he was 17 years old, Baldwin turned away from his religion and moved to Greenwich Village, a New York City neighborhood, famous for its artists and writers. Here, he studied at The New School, finding an intellectual community within the university. Supporting himself with odd jobs, he began to write short stories, essays, and book reviews, many of which were later collected in the volume Notes of a Native Son (1955).
In 1953, Baldwin's first novel, Go Tell It on the Mountain, a semi-autobiographical bildungsroman, was published. Baldwin's first collection of essays, Notes of a Native Son appeared two years later. Baldwin continued to experiment with literary forms throughout his career, publishing poetry and plays as well as the fiction and essays for which he was known.
Baldwin's second novel, Giovanni's Room, stirred controversy when it was first published in 1956 due to its explicit homoerotic content. Baldwin was again resisting labels with the publication of this work despite the reading public's expectations that he would publish works dealing with the African American experience, Giovanni's Room is exclusively about white characters. Baldwin's next two novels, Another Country and Tell Me How Long the Train's Been Gone, are sprawling, experimental works dealing with black and white characters and with heterosexual, homosexual, and bisexual characters. These novels s
