Gabriel Fauré wrote a lot of piano music, and complete recordings of it are rare, with just a few in the decades before the release of this one by pianist
Lucas Debargue in 2024. That may have drawn listeners; the album landed on classical best-seller charts in the spring of that year. Another draw was
Debargue's unusual piano, a modern instrument called the "Opus 102" by
Stephen Paulello. As the name suggests, it has 102 keys. That doesn't affect
Fauré, who wrote for the usual 88, but the piano also has certain details of construction that allow an unusually wide range of tone colors.
Debargue contributes pages and pages of notes, including descriptions of each individual piece included on the four volumes of
Fauré, but he doesn't really offer a coherent argument for why this piano was correct. So listeners can form their own judgments. This was a pandemic-era project, and perhaps
Debargue felt that the new piano enabled him to enter more deeply into
Fauré's music than would otherwise have been possible. In any event, he does well at creating an overarching direction in the music as a whole, playing
Fauré's pieces in chronological order by opus number. He gives a sense of the development of the composer's pianistic language, which continued to explore
Chopin's genres (principally the Barcarolle and the Nocturne) but took on deeper layers harmonically and texturally later in his life. The listener sympathetic to
Debargue's approach will have the feeling of entering a murky, mysterious, almost spiritual or sepulchral world in the later parts of the program.
Sony Classical and producer
Hans Kipfer back
Debargue up with excellent studio sound that captures all the tone colors. Many pieces sound unlike earlier recordings of
Fauré, and listeners owe it to themselves to at least check the recording out. ~ James Manheim