This is an unexpectedly funny and moving book. You might not expect to laugh when reading about ISIS-held Mosul, but through the story of a man who loves both lions and life, Louise Callaghan shows how humour and defiance can counter cruelty, and why both humans and animals crave freedom.” —Lindsey Hilsum, International Editor, Channel 4 News and author of In Extremis: the life of war correspondent Marie Colvin.
“Callaghan knows her way around a war. Her portrayal of a city under siege is many-layered and brilliantly told." — Sunday Times
“Who could resist a book that starts, “Abu Laith was not the kind of man to let another man insult his lion”? This book sparkles... Against the backdrop of tragedy, it’s an ultimately uplifting story.” —NPR
“When ISIS took over a sprawling park near his home in Mosul, Iraq, Abu Laith was confident he could protect his pregnant wife and their 13 children. . . He wasn’t so sure about the zoo animals. . . But Abu Laith was determined to save them.” —New York Post
"Powerful and equally inspirational. ... Outstanding." —Psychology Today
“An engaging yet heartbreaking narrative that reads like fiction.” —Kirkus Reviews
“Callaghan’s intense story of saving a zoo serves as a human look at life in a war-torn city.” —Publishers Weekly
“Callaghan's first book is a true page-turner.” —School Library Journal, starred review
“Father of Lions is a captivating and timely read.” —The Buzz Magazines
10/28/2019
Callaghan, Middle East correspondent for The Sunday Times, exposes the perils of life under ISIS for both humans and animals. In June 2014, the Islamic State, heavily undermanned but full of “religious bloodlust,” attacked the government forces in Mosul, Iraq, forcing them to abandon the city. Callaghan details how the residents of Mosul fought to keep themselves alive during the two-and-a-half-year siege, among them Abu Laith, known as the Father of Lions, a larger-than-life mechanic with a brood of kids and fiery wife. Laith acts as caretaker for the Mosul Zoo, home of his own lion, Zombie, which he raised from a cub. While hiding from the insurgents, Laith tries to keep the animals from starving with the help of a young, shiftless man named Marwan. The narrative takes time to build, but Callaghan creates a detailed and nuanced account of life in an ISIS-controlled corner of Iraq. The well-researched narrative builds a powerful finale after Mosul has been liberated and an Indiana Jones–like Egyptian veterinarian named Dr. Amir takes an interest in the zoo. Callaghan’s intense story of saving a zoo serves as a human look at life in a war-torn city. (Jan.)
★ 12/01/2019
Callaghan's (Middle East correspondent, The Sunday Times) first book is a true page-turner. The story takes place in Mosul, after IS has taken hold of the city, instilling fear and terror in the region's longtime residents. Against this backdrop, we meet Abu Laith, a zoologist, self-trained through years of watching the National Geographic channel, who is also the self-appointed caretaker of animals in the Mosul Zoo. Fighting intensifies and, as conditions for the citizens become more precarious, animals at the zoo begin to suffer as well. While Abu Laith does his best to keep animals safe and healthy, he cannot always succeed against the violence inflicted on his city. Just when things seem to be truly hopeless, an international animal rescue operation brings assistance. VERDICT Recommended for readers seeking a more nuanced understanding of the complexities inherent to this region.—Diana Hartle, Univ. of Georgia Science Lib., Athens
Narrator Saul Reichlin delivers this true story of Abu Laith, the zookeeper of Mosul, Iraq. Reichlin’s accurate pronunciation of Arab names of cities and people adds to this listening experience, which immerses us in a war zone. We are drawn into the daily experiences of Abu Laith as he travels a city marked by increasing violence and, at the zoo, a malnourished lion cub. Reichlin uses a gruff, masculine timbre for Abu Laith's dialogue and gives us a sense of this no-nonsense yet deeply caring man. We shake our heads at the juxtaposition of the tender care of the animals amid the violence of the conflict. This is a triumph of humanity in the midst of adversity. M.R. © AudioFile 2020, Portland, Maine
2019-10-21
A chronicle of a dark period for the beleaguered zoo of Mosul when a longtime denizen and family man tried to keep the animals safe during the brutal two-year occupation by the Islamic State group.
In June 2014, the Iraqi forces fled the strategic city of Mosul, "Iraq's second city and home to over half a million people," leaving IS to move in. Sunday Times Middle East correspondent Callaghan tells the story of the self-appointed zookeeper at the local zoo, Abu Laith, his second wife, Lumia, and their many children, who were suddenly subsumed under the laws of Sharia. This meant complying with numerous arbitrary statutes about dress and mores to which they were unaccustomed. Moreover, the animals' cages were inexplicably moved next to Abu Laith's house, near the park and mosque. Afraid the owner was plotting to sell them off, he needed "a spy" to keep an eye on them and help feed and care for them—especially his favorite family of lions, Mother and Father and baby Zombie, whom Abu Laith had cared for since a cub. Marwan, the young assistant, and Abu Laith went to enormous measures to try to keep the animals fed as well as safe from visitors, efforts that the author narrates capably. In brisk chapters that move back and forth among her protagonists, Callaghan also tells the story of Hakam Zarari, a former government scientist, and his family, who were horrified by the brutal methods of IS. As the liberation of the city began in late 2016, the dangers of violent death increased, as did the trauma and threat to the vulnerable, starving animals. Yet it was not Abu Laith who ultimately "saved" the animals but Egyptian-born, Austria-trained vet Dr. Amir—previously the rescuer of the Baghdad Zoo's remaining animals—who was informed of the Mosul zoo's lot by Hakam and swept in to help.
An engaging yet heartbreaking narrative that reads like fiction.
