Henry James called Fanny Kemble’s autobiography “one of the most animated autobiographies in the language.” Born into the first family of the British stage, Fanny Kemble was one of the most famous woman writers of the English-speaking world, a best-selling author on both sides of the Atlantic. In addition to her essays, poetry, plays, and a novel, Kemble published six works of memoir, eleven volumes in all, covering her life, which began in the first decade of the nineteenth century and ended in the last. Her autobiographical writings are compelling evidence of Kemble’s wit and talent, and they also offer a dazzling overview of her transatlantic world.
Kemble kept up a running commentary in letters and diaries on the great issues of her day. The selections here provide a narrative thread tracing her intellectual development—especially her views on women and slavery. She is famous for her identification with abolitionism, and many excerpts reveal her passionate views on the subject. The selections show a life full of personal tragedy as well as professional achievements. An elegant introduction provides a context for appreciating Kemble’s remarkable life and achievements, and the excerpts from her journals allow her, once again, to speak for herself.
Catherine Clinton is Weissman Visiting Chair of History, Baruch College, and author of the biography Fanny Kemble’s Civil Wars.
Table of Contents
Contents Chronology Introduction Life on the Stage, 1828–1832 America, 1832–1833 Marriage and Motherhood, 1834–1838 On the Plantation, 1838–1839 Troubled Times, 1840–1867 Later Life, 1868–1893 Fanny Kemble's Published Works Acknowledgments Index
What People are Saying About This
"Fanny Kemble has finally found a historian worthy of her remarkable career."
Jean H. Baker
I enthusiastically recommend Fanny Kemble's Journals. Fanny Kemble has always been one of those mysterious fugitive characters about whom we would like to know more. With this new edition by Kemble's modern biographer, these writings will take their place in college classrooms and on the shelves of readers interested in the theater, the South, the Civil War, and women's studies. To shrink eleven volumes to one manageable one and to include the critical outlines of Kemble's life as well as her observations on aspects of American life such as politics and slavery is quite a triumph. Kemble writings afford readers a fascinating retelling of the outlines of an unusual life. It is not exaggerating to say that the Clinton selections created a new autobiography that in the past was obscured by the sheer mass of Kemble's memoirs. She is a terrific writer. Clinton has placed her emphasis on areas such as race, class, and women's issues, including the story of the marriage. Clinton's introduction locates the Journals within the context of Kemble's life, and as every editor must do, she makes a strong case for their relevance and historical significance. — Jean H. Baker, author of Mary Todd Lincoln
Eric Foner
"Fanny Kemble has finally found a historian worthy of her remarkable career."
— author of Reconstruction and the Story of American Freedom
James L. Roark
The fascination of a modern reader, I think, is partially rooted in the way Kemble braids a modernist sensibility (freedom, women's rights) with conventional prejudices (class, ethnicity). Like Henry James, I find Kemble's journals absorbing, and also like him, I presume, I find her beguiling. — James L. Roark, Emory University
